Episode Report Card Jacob Clifton: A+ | 2 USERS: A+ YOU GRADE IT Lana Turner We Love You Get Up
By Jacob Clifton | Season 2 | Episode 21 | Aired on 02.20.2012
It is at this point that Spencer goes flailing over the back of the couch, in a sort of languid, Lana Turner We Love You slide, that has them both laughing and adorable.
EMILY PLS GET UP
Emily's picking up the food for this latest paranoid sleepover when she spots a random black girl and, being a huge racist, approaches her to ask if she is Maya or if she possibly knows Maya. The girl is not, does not, and gives our girl some hilariously bitchy side-eye before turning her back. Emily, please get up!
Outside, she bumps into Paige, who gets worried and tells her some comforting things about the breakup and then, of course, after a brief shit-talking session about the many problems of Maya, leans in for a great big make-out. Oh, Paige. Always that tiny extra bit of crazy, huh?
NEXT AM
So it's 10:15 when Hanna finally gets around to approaching Mona about whether or not her mother is going to lose custody of her or Mona is going to jail or how that all panned out. Like a nice leisurely morning before you find out for sure whether the shit has hit the fan. Mona, for her part, is dressed like a DayGlo disco superhero, so I'm guessing she did the right thing.
Mona: "Hanna, obviously I wouldn't give the town paper information about your mom hustling the cops on your behalf. I just took that necklace back to the jewelry store whence I stole it, and then got to have a nice meeting with the cops and my mom about how I have personal problems, and now I will be doing community service."
Hanna: "That's terrible that that happened to you. But not so shitty for me, frankly."
Mona: "Yeah, well."
MEANWHILE
Spencer wakes up on Wren's couch, figures out that it's 10:30 in the morning, has some assmar, and freaks out in the usual Spencer way. Wren is a total dreamboat about the entire thing, and they are super cute and sweet together. God, Spencer deserves a little more Wren in her situation.
Or else both Mona and Wren are hired killers on A's payroll and that's why they're being so fantastic: Inside Mona's lunch is an apple, with a message from A about how she's not free and clear just yet, but Mona -- proving once again that she is smarter than all four Liars put together -- just hands Hanna the note instead of making a bunch of fooferaw about the situation, and she is rewarded with an invite to the Liars' table. Which makes me think more than ever that she is sketch.