Episode Report Card Jacob Clifton: A+ | Grade It Now! YOU GRADE IT Nukes & Cookies
By Jacob Clifton | Season 1 | Episode 14 | Aired on 01.24.2011
In a hurry? Read the recaplet for a nutshell description! Finished? Click here to close.Man, Lucy Hale is awesome. Just firing on all cylinders tonight, in another Buckley Dreamboat performance that's so dazzling it's almost enough to make you wish Aria Montgomery could find happiness.
...Almost.
Ella (hi!) brings in Aria's old babysitter -- now a famous New Yawk writer-lady and played by my beloved Alona Tal -- to demonstrate the possibility of a non-Rosewood existence, and hooks her up with Ezra in a way that manages to be slightly menacing. Of course all Aria can do is perseverate on this woman Simone and her age-appropriate wiles -- even though everywhere people are getting murdered and run over and A is still fucking up everybody's lives -- to the point where even Ezra has to roll his eyes.
Maya's phone has been reprogrammed, just like her mind -- oh, and FYI it turns out in a deleted scene that she had a history of drug use, which is why her hippy parents flipped so quick, if you were wondering -- but luckily Hanna has a heretofore unknown but strangely tense relationship with this bizarre slacker-hacker narc of the Quileute Tribe, and he's willing to adjust Emily's phone to get through the roadblocks. I don't know much technology, but it's all very hand-wavy and Zero Cool and leads to many excellent hacker conversations. Not so excellent is the convo with Maya, who is taking to her brand new cult like a duck to creepy, crazy water and sending Emily off the deep end.
Spencer's laptop with the Ian footage has gone missing, and only Ian could have taken it, so there's a lot of Thin Man, classic Spencer-stomping hardcore no-bullshit action for her. (Appropriately enough, Spencer is dressed like a thin man the entire time. Her outfits are getting to be like if Blair Waldorf's clothes had a baby with Scott Fitzgerald's clothes. It's so shocking and so very hot, but never fear: Aria's clothes still come out slightly ahead, with the usual brazen touches of mental illness.) She also crosses sneaky paths with Hanna's narc friend, so I guess he's here to stay. I just wish every boy on this show were played by Noel Kahn, and then we wouldn't have these problems. No: Every boy on every show. That would be pretty cool.
Everybody looks especially delightful this week -- even Ian, still doing his Sinister Julia Child routine -- which is nice because they're having a danceathon, like in Stars Hollow or the Dust Bowl days of olden times. It brings Ella and Byron together (she rocks their encounters hardcore, of course), but more importantly it's one of the most luxurious visuals I've ever seen on this show. You could watch this dance with nobody talking and still be getting your money's worth, so gorgeous is it. The lights, the projections, the music... It's how I've always wanted my birthday to look! But with way more molesters, obvs.
Not so nice for Hanna, anyhow, since she's having no luck finding a job at even the weirdest boutiques, and must rely on A's bizarre generosity one horrible soul-crushing task at a time. Next up: $200 a pop to dance with poor old stalker Lucas...
And that's when everything goes impressively bugshit.
Before you know it Emily's drunk as hell and bitching out Hanna for stringing Lucas along (like Ali did with her), bitching out Ian for killing everybody or whatever, Toby's unfair lo-jack, and stumbling around the place like a gorgeous zombie. Hanna's over here getting dumped by Sean and rescued by poor old sweet Lucas, who thinks this is a teen movie where she finally loves him, and not actually the disgusting prostitution that it is. Aria tries to eat Simone's face off and Spencer's stealing a dance with Ezra to keep Aria from embarrassing everybody, only to get pulled into dancing with Ian so he can threaten her with certain death if anybody finds out he molested her... I mean, it's intense. Annnd fabulous.
So back at Spencer's, Hanna agrees with Drunk Emily that she was acting horribly tonight --but doesn't explain about the cash money because we're not talking about Ashley's stealing thing -- and then finds Spencer's laptop randomly on the coffee table. Needless to say, the Ian video has been wiped... But there's a picture of Alison heading merrily to her death, with somebody following behind. And in the little thing at the end, and it's even creepier than normal, Ella smiles warmly at A as she hands over that leather jacket/gloves combo in coatcheck, because they totally know each other.
Next week: A finally detonates some landmines, leading to what looks like (but is probably in all fairness not) a full-on Girl War between the Liars.
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Want more? The full recap starts right below!Spencer finds Emily getting off the phone with Maya, the bearer of sad news: Maya has drunk the Kool-Aid to its dregs and no longer really gives a shit about their love affair, because she is too busy building character and singing creepy songs and finding her inner True North. Spencer, as usual: "Sweetie, she's in wilderness boot camp. She's been talking to bears." And maybe even being watched by her counselor while she's on the phone. But no, that was just straight-up New Maya. She was alone, brainwashed and hung out to dry in the wilderness. God, I hope losing the only thing that's kept Emily hanging on doesn't send her over the edge or anything.
There's an interesting parallel here, I think, because the only time I can think of A intentionally detonating a secret was when she sent the kissing booth photos to Pam Fields. Nearly every other time she's pushing the girls back into their secrets, or cutting them off from people (Alex, e.g.). But as a sort of Goddess of Justice that was one of the few times I can remember her doing something that might help you. In a bad way, of course, but ultimately in a way that built character and erased secrets.
And then you've got this Lucas situation, which does the same thing: Hanna's whole life is built on not being Hefty Hanna and having the things Hefty Hanna couldn't have, like Sean. But what was always there, Lucas, is something she is still only barely able to comprehend wanting, because it conflicts with her own ideas about herself. She can be kind to Lucas, but only if she's being condescending in the way she thinks Sean was. And so A breaking her up with Sean and setting her up with Lucas is sort of the same thing: Breaking open the weird secret and letting it shine. Taking away the scaffolding of lies and showing the actual thing that you've been making. Hoping it can stand on its own.
I've come to believe that Aria and Ezra really are soulmates. Keywords in the Ezra/Simone conversation at this point? Prague, abroad, absinthe, marionettes. I rest my fucking case.
But in terms of the overarching nuclear ickiness, the Secret Life of Girls that this show does not hesitate to put on blast and continually nails, how about this slash-and-dash move by Simone, my emph.: "Talk about somebody who loves their puppets. Remember that huge Cookie Monster you had on your bed? You slept with him every night. He had to be peeled off of you in the morning. You slept with him in between your legs!"