Episode Report Card Jacob Clifton: A+ | Grade It Now! YOU GRADE IT Nukes & Cookies
By Jacob Clifton | Season 1 | Episode 14 | Aired on 01.24.2011
In a hurry? Read the recaplet for a nutshell description! Finished? Click here to close.Man, Lucy Hale is awesome. Just firing on all cylinders tonight, in another Buckley Dreamboat performance that's so dazzling it's almost enough to make you wish Aria Montgomery could find happiness.
...Almost.
Ella (hi!) brings in Aria's old babysitter -- now a famous New Yawk writer-lady and played by my beloved Alona Tal -- to demonstrate the possibility of a non-Rosewood existence, and hooks her up with Ezra in a way that manages to be slightly menacing. Of course all Aria can do is perseverate on this woman Simone and her age-appropriate wiles -- even though everywhere people are getting murdered and run over and A is still fucking up everybody's lives -- to the point where even Ezra has to roll his eyes.
Maya's phone has been reprogrammed, just like her mind -- oh, and FYI it turns out in a deleted scene that she had a history of drug use, which is why her hippy parents flipped so quick, if you were wondering -- but luckily Hanna has a heretofore unknown but strangely tense relationship with this bizarre slacker-hacker narc of the Quileute Tribe, and he's willing to adjust Emily's phone to get through the roadblocks. I don't know much technology, but it's all very hand-wavy and Zero Cool and leads to many excellent hacker conversations. Not so excellent is the convo with Maya, who is taking to her brand new cult like a duck to creepy, crazy water and sending Emily off the deep end.
Spencer's laptop with the Ian footage has gone missing, and only Ian could have taken it, so there's a lot of Thin Man, classic Spencer-stomping hardcore no-bullshit action for her. (Appropriately enough, Spencer is dressed like a thin man the entire time. Her outfits are getting to be like if Blair Waldorf's clothes had a baby with Scott Fitzgerald's clothes. It's so shocking and so very hot, but never fear: Aria's clothes still come out slightly ahead, with the usual brazen touches of mental illness.) She also crosses sneaky paths with Hanna's narc friend, so I guess he's here to stay. I just wish every boy on this show were played by Noel Kahn, and then we wouldn't have these problems. No: Every boy on every show. That would be pretty cool.
Everybody looks especially delightful this week -- even Ian, still doing his Sinister Julia Child routine -- which is nice because they're having a danceathon, like in Stars Hollow or the Dust Bowl days of olden times. It brings Ella and Byron together (she rocks their encounters hardcore, of course), but more importantly it's one of the most luxurious visuals I've ever seen on this show. You could watch this dance with nobody talking and still be getting your money's worth, so gorgeous is it. The lights, the projections, the music... It's how I've always wanted my birthday to look! But with way more molesters, obvs.
Not so nice for Hanna, anyhow, since she's having no luck finding a job at even the weirdest boutiques, and must rely on A's bizarre generosity one horrible soul-crushing task at a time. Next up: $200 a pop to dance with poor old stalker Lucas...
And that's when everything goes impressively bugshit.
Before you know it Emily's drunk as hell and bitching out Hanna for stringing Lucas along (like Ali did with her), bitching out Ian for killing everybody or whatever, Toby's unfair lo-jack, and stumbling around the place like a gorgeous zombie. Hanna's over here getting dumped by Sean and rescued by poor old sweet Lucas, who thinks this is a teen movie where she finally loves him, and not actually the disgusting prostitution that it is. Aria tries to eat Simone's face off and Spencer's stealing a dance with Ezra to keep Aria from embarrassing everybody, only to get pulled into dancing with Ian so he can threaten her with certain death if anybody finds out he molested her... I mean, it's intense. Annnd fabulous.
So back at Spencer's, Hanna agrees with Drunk Emily that she was acting horribly tonight --but doesn't explain about the cash money because we're not talking about Ashley's stealing thing -- and then finds Spencer's laptop randomly on the coffee table. Needless to say, the Ian video has been wiped... But there's a picture of Alison heading merrily to her death, with somebody following behind. And in the little thing at the end, and it's even creepier than normal, Ella smiles warmly at A as she hands over that leather jacket/gloves combo in coatcheck, because they totally know each other.
Next week: A finally detonates some landmines, leading to what looks like (but is probably in all fairness not) a full-on Girl War between the Liars.
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Want more? The full recap starts right below!Aria heads over to Ezra's garret with coffees and pastry, because that's what sophisticated young ladies do with their boyfriends. Ezra's shifty and weird about it, and of course she thinks it's because she didn't knock three times on the door and then meet him at their prearranged place or whatever cloak & dagger shit they get up to, but actually it's because Ezra Fitz has a busy day ahead of him. Specifically, his Ella-arranged date with Simone.
This is where Lucy Hale/Aria's total badassness kicks in, and it's just great. I mean, not that Aria entirely gets what's really going on exactly -- she never will, the show would fall apart -- but she acts more like a destructive teenager and less like an annoying Delia*s version of Anaïs Nin than usual. Ezra strong-arms Aria out the door, and she rolls her eyes, and he tells her he'll count to fifty before leaving and it's all so, so gross and so, so funny to watch her deal with it. I think this is the first time I've ever completely bought into Aria Montgomery. Lucy Hale is a down girl.
Ian's making a scary serial-killer sandwich and scraping the cutting board with a huge knife when Spencer walks in on him in the kitchen. Ian confirms that she backs up her files, but says he doesn't know where her computer is -- even suggests she check the barn, like it maybe wandered across the yard -- and then notifies her that he'll be chaperoning the dance.
"It was either that or spending a night in Philly with Melissa and her business school friends," Ian smiles. "School dance felt less painful... Melissa knows it's not my scene. I'm more comfortable here." Yeah, dinner with adults and your pregnant wife seems way less interesting than a night of awkward teenage dancing. If you're a pedophile!
Ian goes on a thing about how he used to be more comfortable in Rosewood before the smalltown gossip started, and I'm not sure what he means. (I think I forgot something that he is talking about, because I don't remember any scandals with Ian. Maybe the fact that he left and then came back and then got married? Was there something about him getting his coaching job back?) On the other hand, Spencer doesn't know what the hell he's talking about either, and immediately assumes he's calling her and the Liars out for investigating him. He rolls his eyes at her total paranoia and things get nuclear: "Listen, Spence, what do you say we put the past behind us? We're living under the same roof now. Let's try and be a family." It sends a chill through Spencer, and also everybody watching, because way to push on the bruise of this entire show.