"William" Kennedy "Smith" High. Brooke and Sam are manning a peer counseling hotline. A banner reads, "If you share, we promise to care." Oh God, we haven’t even gotten to the credits yet and already I’m having a panic attack. When I was in high school and I needed someone to talk to about a personal problem, there was no way in hell I would have called a student-run hotline. But to get through this episode I’m just going to have to suspend disbelief and assume that a) Kennedy High can’t afford to have a guidance counselor on staff who usually deals with teen problems confidentially and b) that Sam and Brooke are actually qualified to counsel their peers. Furthermore, I’m not even going to delve into the whole issue of how Popular really shouldn’t have "very special episodes," but instead should really stick to what they do best, which is high camp. Nor am I going to ask how in the hell is it that every single week, come rain or shine, Sam and Brooke have their dicks up each other’s butts within yet another improbable situation. Sam explains to Brooke that "for every scenario there is a scripted response readily available." Oh yeah? Then why don’t you just distribute copies of this script to the student body as a reference guide and let Sam go run the school paper and let Brooke go be a Glamazon? Sam goes onto explain that since she went through the training, she’ll show Brooke the ropes. Wait! So now you’re telling me that Brooke hasn’t even been trained to do this? It’s only a TV show. It’s only a TV show. It’s only a TV show. Breathe! Dear God, please grant me the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the difference. Oh yeah, and please help me remember that this is just a TV show and no real high school would ever leave a couple of girls like Sam and Brooke in charge of a confidential peer hotline. Thank you Lord, Amen.
The line rings, and Sam suggests that they handle the first call together. Brooke, all nervous, picks up the line. "Peer hotline, we care," she says. "Yo, do you have Prince Albert in a can?" asks a crank teen caller. As Brooke dives through her index cards to find the scripted answer, Sam tells Sugar Daddy to stop cranking them. "Yo," says Sugar Daddy. "How’d you know it was me?" "Yo," says Sam. "I don’t know." "Yo," says Gustave. "I’m thirty-one and even my parents were too young to be making the ‘Prince Albert in a can’ chicken call." Mary Cherry grabs the phone from Sugar. "Sugar, you leave Brookie alone," she says. "Now that she’s dumped Nic as her best friend, she needs her private time to reflect on her new independent lady life and the Hermes riding saddle I gave her this mornin’." Dear Lord, I would like to express my gratitude to you for putting Mary Cherry in this show. Not only does her campy presence rescue this show from preachy teen bullshit, she is also clearly tying up this peer hotline so that hopefully no teens with real problems will actually get through to Sam and Brooke and have their lives inexplicably ruined. "Uh, Mary Cherry?" says Brooke. "Now that I have you on the line, I don’t have a horse." "All in good time, new best friend for life," says Mary Cherry. "All in time. Bye hon, see you at lunch!" Please dear Lord, creator of heaven and earth, please go to a commercial before someone calls with a real problem. Please? I’ll stop drinking vodka and sleeping with men.
The hotline rings again. Sam gets it. "Peer hotline, we care!" "I just don’t know what to do," says a male voice on the other end of the line. "Just relax," says Brooke. "We’re here to help." "I can’t sleep. I can’t eat. School has become a never-ending nightmare. " Brooke and Sam start panicking over how to help this caller although he hasn’t even told them what his problem is yet. "I’m being tortured," says the caller. "Today I was called a Rose of Sharon. The day before, Daffodil --" "What part of this botanical torture do you find so unbearable?" asks Sam. "It’s not about the flowers," says the caller. "This person is insinuating that I’m gay." Hey! No fair. Everyone at my high school knew I was gay, and no one compared me to a flower. The caller goes on to explain that he’s not gay, but now everyone thinks he is. Just before any gay activists can call the WB and protest, the caller smartly adds that his "choice" has been taken away from him. Sam promises to take it up with Principal Hall if the caller will just tell her who the harasser is. Oh great, now Principal Hall will really fuck things up. Praise sweet Jesus: the caller talks about feeling great despair and hangs up before he can name the perpetrator. But no, it’s not over. we see Sam and Brooke searching the halls of Kennedy looking for the guy and his perpetrator. "Can you believe how cruel guys are?" asks Sam, checking out the groups of menacing-looking men in the halls. "Does testosterone erode brain cells?" "You know what it is?" says Brooke. "It’s obviously some sick, insecure, self loathing --" They see Nicole pass Freddie Gong. "Hey, tulip," says Nicole to Freddie. "-- loser," finishes Brooke. "Great," says Brooke sarcastically. They watch Nicole walk down the hall triumphantly while Freddie Gong scampers into his class. Hey, didn’t Harrison mention in Hope In A Jar that there were three openly gay students at Kennedy? Wouldn’t that, coupled with the fact that Bio the hermaphrodite and openly gay Mr. Bennett are on the faculty, imply that Kennedy was a pretty sophisticated and tolerant high school? Wouldn’t Nicole depend on a fleet of gay male fashion and beauty industry professionals to keep her adequately clothed and groomed, and therefore not care much about the sexual preference of a member of the chess club? Whatever, just show me the credits with those happenin’ parents.
Credits. What lasts the longest in this life? you ask. Character? Rock-hard thighs? Ever met Chita Rivera?
Josh Ford’s home. "Ta da!" says Josh to his mother as he shakes his groin in her direction and models his fishing gear for her. Josh’s mother has a mini-orgasm and gets up to serve him breakfast. "Just getting ready for the annual Ford family fishing expedition, thank you!" says Josh. Mom explains that she can’t go this year. Josh won’t hear it and even offers to, get this, "clean the fish" for her. Besides the obvious sexual component of that statement, I’m just as disturbed over the idea of some poor suffering woman being dragged year after year on a boring fishing trip she doesn’t enjoy and then actually having to clean the fish as well. And meanwhile the actress playing Mrs. Ford looks like the closest she’s ever come to a fish was that salmon tartare she had yesterday at one of the luncheons Nan Kempner holds weekly at her Upper East Side townhouse. Mrs. Ford, though tempted, explains that this year is different because she’s leaving Josh’s father and moving out. "Has he hit you?" asks Josh. Josh’s mother goes on about how abuse doesn’t need to be physical. Josh protests his mother’s decision and begs her to give dad another chance "for me!" Josh’s mother gives into Josh and agrees to go fishing with her emotionally abusive husband. It’s only a TV show. It’s only a TV show. It’s only a TV show.
The Novak. Lily is standing in front of a mirror wearing one of those apron shirts, asking Carmen if her outfit is too much. "I’ve just never seen a handkerchief double as a blouse before," snipes Carmen. Hey Carmen, those who live in glass Glamazon warm-up suits shouldn’t throw stones. Lily insists that she likes the shirt because it makes her feel "saucy." I guess "saucy" is what you are if you’re too thin to be "sassy." Nicole enters, wearing one of those fugly ponchos that Donna on and Willow on Buffy have been trying to pull off this season. She also has a new pulled-back hairstyle that makes her look strangely like Debra Messing from Will and Grace. "New highlights?" asks Nicole. "Wow," says Lily as if Nicole isn’t there. "She’s being nice." "Yeah," says Carmen. "She’s only being nice to me after a year of hell because she needs a new friend to replace the only one she’s ever had." Nicole applies lipstick in the mirror and tries to maintain her demeanor. Lily and Carmen leave. A toilet flushes. Brooke exits a stall, wearing the same Barbie-pink-and-red t-shirt she wore on that fantasy episode of The Dating Game last week: "Nicole, uh, we need to talk." Nicole is overjoyed that Brooke wants to end their catfighting and confesses that she’s been in such a pity coma that she crashed and wore a pashmina shawl even though they’ve been out since January. Uh, Nicole? While I heartily agree that pashmina shawls have been out since January, and quite possibly before that since just about anyone who subscribes to TV Guide could have them mail-ordered to their home for $29.95, you, Nicole, aren’t wearing a pashmina shawl. You are wearing a crocheted poncho. Brooke cuts her off. "What I want to talk to you about is Freddie Gong," she says, and tells Nicole to stop harassing him. Nicole asks Brooke why she’s listening to Sam. Brooke asks Nicole why she was nice around Christmas but went back to her old ways. Nicole explains that her act of charity, putting Carmen on the Glamazons, backfired with Carmen quitting on her and now she wants revenge. "Compassion gets you nothing but egg on the face," says Nicole, "and if I want a skin-tightening masque, I’m going the Kiehl’s route, hon. Loyalty is clearly not rewarded. " I believe that this is Popular’s first shout-out to me, since I suggested during the Christmas episode recap that instead of picking on Clinique, they should lampoon a more current skin-care company like Kiehl’s. Brooke points out that instead of being loyal, Nicole slept with her boyfriend. Nicole points out, and quite rightly so, that Josh was Brooke’s ex-boyfriend at the time. Brooke tells her to just stop picking on Freddie Gong. Nicole claims that she was only reinforcing the social order Brooke started before getting a conscience was fashionable. "And FYI, hypocrite, remember homecoming?" asks Nicole. "Till two months ago, you didn’t even know Freddie Gong’s name."
Mary Cherry enters. "C’mon, Mary Cherry," says Nicole. "Let’s go to lunch." Mary Cherry explains that since Brooke hates Nicole’s guts, thus making her unpopular, MC can no longer hang out with Nicole for as long as she lives. "Hey," says Mary Cherry to Brooke. "Guess who’s out back chewin’ grass behind the bleachers?" "You didn’t just get me a horse?" asks Brooke. Mary Cherry nods excitedly and pulls her out of the Novak to show her. Whoa! Not only have the writers not forgotten Brooke and Nicole’s breakup from last week, they have also explained quite sufficiently why Nicole went back to being a bitch and made a reference to the Homecoming episode in which Brooke forgot Freddie’s name. Hooray for developing multi-episode story lines!
In the halls of Kennedy, Josh is having an audio flashback to his mother’s announcement this morning. Sugar Daddy appears with Harrison at his side, and it looks like he’s wearing a candy-apple-red jacket made from the remnants of all of the Blonde’s girl-gang red leather jackets from last week. Harrison and Sugar Daddy are cracking each other up with a "game" they made up, in which the question is asked, who would you rather sleep with: Bio Glass or Nurse Jessie Glass? "Neither," Josh answers solemnly. "Who could pass up -- A GLASS SISTER THREESOME??" Sugar Daddy and Harrison are rolling on the floor in hysterics while Josh does one of those Pauly Shore open-mouthed body spasms. Oh yeah, and I think I should also point out that Josh and Sugar’s new pet name for Harrison is "Harry-san." Does DreamWorks have anything to do with this show? Because, if I didn’t know any better, I’d swear that they gave Harrison that Japanese honorific in order to generate buzz for Steven Spielberg’s project, Memoirs of a Geisha. Don’t you just love synergy? Well maybe not as much as I love the hypocritical and oversensitive left-wing political machinations of Miss Lily Esposito. As she walks down the hall in her apron shirt -- which, by the way, shows way less skin that the cleavage-baring skank shirt she was wearing last week while trapped in the Novak -- Sugar Daddy calls out, "Hey, is it chilly in here or what?" "Where the hell have you been hiding those?" asks Josh. I know, it’s almost as gut-wrenching as the pin-ball gang-rape scene in The Accused. Lily is just such a righteous sista that she doesn’t ignore them or flip them the bird as she walks by, because that would be too bourgeois, pragmatic, and efficient for a goddess like La Esposito. Instead, Lily stops walking and stands in front of Sugar, Josh, and Harrison and does a really awesome impersonation of either a Keane painting or a twelve-year-old boy in a Japanese animated feature who has come home from asteroid school only to find that he is now an orphan because the little planet he calls home has been blown up by evil yakuza spacemen. Josh puts his arm around little Kimchi, I mean Lily, and says, "Oh come on, we were just surprised. We didn’t know you could look so sexy." "Don’t," says Lily pulling away from Josh’s arm. "That’s so not cool." And trying to strangle Mary Cherry to death in the Novak last week was? "Harrison," she whines. "Are you going to let them talk to me like that?" What, and deprive you of a source of self-righteousness this week? Harrison tells her to lighten up and that she should be flattered. Lily hugs her books to her precious bosom and runs away like Bambi during hunting season. "Whatever," says Sugar Daddy. It’s only a TV show. It’s only a TV show. It’s only a TV show. Breathe. Send warm yellow light into my third chakra.
Back in the Peer Hotline room, which we now see is equipped with a toaster oven -- as if it weren’t enough that Brooke and Sam are practicing psychology without a license and violating someone’s confidence, now they have access to a chintzy electrical appliance which could burn the school down if left unattended -- the girls discuss what to do about Nicole and Freddie Gong. Brooke is worried that it’s hypocritical for her to get involved, seeing as how Nicole had a point about her forgetting Freddie Gong’s name. Sam argues that Nicole must be stopped no matter what. The phone rings. Dear God, please let it be Sugar Daddy asking Sam if her refrigerator is running! Sam answers. It’s a girl reporting a case of sexual harassment. "I have received lascivious stares, lewd comments and unwanted touches." "Lily, is that you?" asks Sam. Lily appears in the doorway on her cell phone wearing a baggy sweatshirt.
Principal Hall is sporting a new brown rinse in her hair as she accuses Sugar Daddy of making a lewd comment to Lily, Josh of fondling Lily, and Harrison of being criminally indifferent to Josh and SD’s actions. She gives them a choice of either getting suspended or attending a new sensitivity camp held this weekend on school grounds. Josh protests that he’s got a fishing trip this weekend with his family. Principal Hall is practically spitting as she tells Josh that the fish can wait. "The way you treat girls today wholly determines the way you treat women tomorrow!" Hey Principal Hall, why didn’t you do anything a couple of weeks ago about one of your students who could have drowned when his head was forced into a flushing toilet, whereas when a couple of guys make cheesy comments, it merits enrollment in a re-education camp without benefit of a trial? Just wondering, hon. In with anger, out with love. In with anger, out with love.
The Cafeteria. Mary Cherry sits down with Brooke, Sam, Carmen, and Lily and announces she has volunteered to help out at the sensitivity camp this weekend. This earns Mary Cherry some respect from Sam, Lily, and Carmen, who are impressed with her Feminist Mani-fist-o. Hoping to use this as an opportunity to spend more time with Brooke, MC tells the students assembled at the table that she needs a partner. Carmen volunteers to help her, much to MC’s disappointment and Sam’s amusement. Josh, Sugar Daddy, and Harrison arrive at the table and confront Lily about what she did. Harrison suggests to Lily that if she didn’t want the attention, she should have dressed differently. Lily whines, "There is a big difference between attention and abuse, Harrison!" "And who gets to decide what that is?" asks Harrison. "We do!" say all the girls in unison. "Whatever," say the boys. "Whatever," say the girls. Holy Jesus, Son of God, if you could just keep me from putting my fist through my TV right now, I promise I’ll stop rolling my eyes every time Bette Midler sings From a Distance. Thank you, Lord. Amen.
Over at another table, Freddie Gong sits by himself, looking uncharacteristically fine. Nicole comes up behind him. "You know, pansy," she says menacingly. "You’re one ripped tee away from touring with Madonna." Okay, that was homophobic, but you gotta give Nicole points for being witty and creative. She goes on to tell him that he’s got payback coming, thanks to the fact that he narc-ed on her to Brooke and Sam. Freddie insists that he didn’t narc. "Buckle up, Frederica," warns Nicole. Freddie runs over to Brooke and Sam and tells them that he told them not to get involved, and now they’ve ruined his life. Instead of, I don’t know, apologizing to Freddie for breaking a confidence and cutting their losses, Sam tells Brooke to report Nicole to Principal Hall. Holy Mary, Mother of God, please shine a light from above that will help me to remember that if I punch my TV, I am in fact only breaking an inanimate object and my hand, not knocking some sense into these dumb bastards who populate my TV screen. Thank you. Amen.
Dear Lord, I know that sometimes You have to test me to make me stronger in spirit, and that is why You are showing me this scene between Josh and his mother, in which Mrs. Ford is drawing a comparison between what Josh did and what an asshole his father is, which is why he has to go to sensitivity camp, which is why she cancels the fishing trip, although Josh talks her into going and spending time with Dad, which she agrees to do as long as he goes to the sensitivity camp and takes it seriously. Oh yeah, and she totally checks out his butt on her way out the door. Because if I can watch this scene and still refrain from walking into a McDonald’s and breaking the world record for most fatal spree killing with a semi-automatic weapon, then I have truly found the divine path of serenity and holiness. Thank You, Lord. Amen.
Booty Camp barracks. Bio introduces the boys to her brother, Rock Glass, who runs the sensitivity camp, and as Ryan Murphy promised, he’s played by Diane Delaney, the same actress who plays Bio and Jessie. Hey Josh, remember that threesome you wanted? I think it just got a little more interesting. Rock Glass has a major General Patton complex. "When I get through with you three disrespecters of women, glass ceilings will be shattered, personal space will be respected!" he says. "Are you ready to get sensitive?" he barks. "I said, are you ready to get sensitive?" "Yes sir, uh ma’am," say the boys in unison. "Someone’s missing. There are supposed to be four of you," says Rock. Nicole enters with a huge steamer trunk and cops an attitude of indolence and luxury. Rock forces her to change into fatigues like the others. "You will do as you are told," says Rock Glass. "You will run. You will jump. You will eat all the carbs on your plate! And at the end of this weekend, you will feel!" "Bring it on," says Nicole, not budging an inch.
Out on the football field. The recruits are forced to run laps with life-size dolls strapped to their backs, as part of the plan to physically exhaust them so they’ll be susceptible to sensitivity training. "You will learn to respect women and people whose lifestyles are different than yours," says Rock. Josh, Sugar Daddy, and Harrison have female dolls with big hair. Nicole has a gay male doll dressed as the leather man from the Village People. Hee! Meanwhile, in the bleachers, lots of sexually harassed women gather to watch the spectacle. Brooke and Sam show Lily the gathered masses and tell her that she’s a heroine because ever since she spoke up, the hotline has been ringing off the hook. Yeah, ladies, and as soon as one of these women mentions a lawsuit against the school or an unjustly accused would-be harasser has a slander case, that hotline is going to be shut down faster than you can say Anita Hill. Lily in her Gilligan cap looks like she’s died and gone to heaven. Just think, Lily -- thanks to you, every man who tells a woman she has nice boobs can be tortured and brainwashed. My respect for women is increasing by the second just hearing about this plan. ["You want to borrow my boobs for a day, Gustave? Because I assure you, hearing about them from the cavemen on the street gets REALLY old. I know Lily is annoying, but that shit is too. I’m just saying." -- Sars] , there’s an obstacle course; Sugar Daddy looks like he’s going to have a heart attack any minute. Rock calls him Fatty because he can’t climb the wall, and all the harassed woman in the stands laugh. , the recruits have to repeat after Rock, "Top Gun -- Will Make -- A Heck of A -- Broadway Show!" and then they have to do a choreographed dance complete with "jazz hands" and "turn and spank" to Kenny Loggins’ Danger Zone. Hee! As Mary Cherry and Carmen organize volunteers for the role-playing exercises, Nicole salutes Brooke from the field. Brooke swallows nervously. The camera pans, revealing that Freddie Gong is also watching.
Nicole is doing push-ups in the rain, just like Richard Gere in An Officer and a Gentleman. "I wasn’t making fun of gays," she tells Rock. "I’m just trying to help Freddie Gong realize he is gay." Rock makes her give him 500 more pushups with her face in the mud.
Mary Cherry, armed with a drill, a lipstick camera, and a blueprint of the school, manages to spy on the boys naked in the shower. Carmen walks in, sees what she’s up to, and protests, then joins her in watching the boys. Bio catches them and makes them join Nicole and the boys in sensitivity training. Mary Cherry attempts to get out of it by saying that Carmen slipped her a roofie -- no dice, she still has to go.
While Nicole cleans a cyclone fence with a toothbrush, Freddie Gong makes a deal with her to save his ass. Brooke, Lily, and Sam are hanging out with the rest of the women gloating over how bad the men have it when Freddie Gong approaches them with Rock Glass. He points to Brooke and Sam and they are brought into sensitivity camp too, because apparently they have committed offenses as well.
While the girls do push-ups, Brooke and Sam try to find out from Nicole what she told Freddie Gong to get them sent to Booty Camp. Nicole won’t answer. Meanwhile, Mary Cherry announces that she is so mad at having to do sensitivity training that she wants to kill someone. Carmen, the only one who hears this declaration, freaks and tries to get Lily to help her break out.
At night, Nicole doesn’t get to sleep. She is forced to stay up all night a la Clockwork Orangeand watch Philadephia on an endless loop. Sam and Brooke somehow get Freddie Gong to meet them so they can ask him what he and Nicole are up to. They proclaim their innocence to him, but Freddie explains that this was the only way to appease Nicole and save himself. "You started this," he tells them. Word, Freddie! Meanwhile, Lily comes to try to break Carmen out by hiding her in a laundry cart while dressed as a janitor. Rock catches them, and now Lily has to do Booty Camp too.
The morning, the boys have to do the "Walk of Shame." They walk through a hallway full of girls who yell lewd comments at them so they know how it feels to be a woman. At first the boys are kinda into it, but then they freak. Yeah, I already saw this in a film in a Women’s Studies course. Meanwhile, the girls, minus Nicole, take a "sexual harassment test" in an empty classroom. The questions provoke a flashback to a time when Carmen, Sam, and Lily checked out Josh’s ass while he walked down the hall. Sam refers to him as "muffin butt" and Lily compares it to "two puppies rompin’ under a blanket." (Hey, if Josh has a muffin butt, what kind of muffin is it? I vote for corn.) The girls realize that Freddie Gong witnessed that. Brooke has a flashback to a time when she put up a Calvin Klein ad inside her locker and moaned over the model’s flat stomach in front of Sugar Daddy. Freddie Gong witnessed that too. The girls are forced to admit that they are all guilty of sexual harassment.
Back at the barracks, the boys admit to each other that they’ve learned from their experiences. Josh disagrees, but his conversion seems imminent due to the mineral water he’s swigging. Nicole comes in with Rock. "Tom Hanks won an Oscar for that? And yeah, hi? Why do Bruce Springsteen’s songs all sound the same?" Rock sends the boys to Bio’s classroom for a final exercise. Nicole, still unbroken, is sent to walk over hot coals.
In Bio’s classroom, Rock tells Josh that he has a visitor in the hall. It’s Josh’s mom, and she can’t wait until the weekend is over to tell Josh that she’s leaving Mr. Ford, getting a job, and moving into a tiny apartment. Um, Mrs. Ford? It’s called a divorce settlement. Look into it. Josh goes off on her for "giving up" and tells her he’s not moving into her new apartment with her because he already has a home.
The final exercise. Rock makes Sam and Harrison pretend to be dating. Harrison has to describe what he wants Sam to be wearing on their date. How about a nice big trash bag over her entire upper body? Harrison says he wants to see cleavage. Sam says she feels cheapened. Sam, you are an actress on a WB show -- it doesn’t get much cheaper than that. , Rock tells Harrison to pretend Sam is his kid sister. Voila, Harrison has a revelation. Then Sam is told to fondle Harrison’s butt and admit that it’s cute and "muffiny." (Hey, If Harrison also has a muffin butt, what kind of muffin is it? My vote is for low-fat cranberry-nut.) She has a revelation, because her choice to touch Harrison’s butt or not has been taken away. , Josh and Lily are up. Josh goes off on Lily and I’m like, cool, finally someone reads Lily’s beads. But then Lily morphs into Mrs. Ford, and Josh has a revelation and, get this, apologizes to Lily. Meanwhile, Lily does not say, "Well, actually, Josh, I was checking out your butt last week and I just realized what a hypocrite I was when I sent you away to Booty camp." She just accepts the apology.
Rock discharges Nicole, who has been walking over hot coals this entire time -- something I’d have rather been doing than watching Lily get an apology from Josh. "Is that all?" says Nicole. "Is that all you got? I told you you couldn’t break me. I win. I always win." Yeah, not only did you win, Nicole, you look way cute in your fatigues. "You’re a strong girl, Miss Julian," says Rock. "It’s unfortunate you have nowhere to channel that energy. You’d make a great leader. It’s too bad you’re all alone with no one to lead." Nicole seems affected by this speech. Booty Camp is over. Everyone leaves.
Okay, so not only does Josh apologize to Lily unilaterally, but now, back at Kennedy during lunch, Harrison comes up to Lily and makes this whole speech about how he thought she looked "cute" this morning and how he didn’t know if it was okay or not. Frankly, if someone had sent me away to Booty Camp for no good reason, I wouldn’t find them cute ever again. Lily replies that it’s okay to think she’s cute, but it’s complicated. Harrison apologizes again. Serenity Now!!
Over at another table, Nicole comes and sits by Freddie Gong. Freddie asks what she wants now: "I thought we had a deal." Nicole just says that she noticed Freddie was alone, and that she’s alone too. "I’m sorry," says Nicole. "Thanks," says Freddie. Awwww!
Mrs. Ford’s kinda depressing bachelorette pad. As she unpacks her stuff, Josh appears. "Got an extra room for rent?" They start doing it. No, not really. But they might.
week on Popular: More jazz-hands jokes! Amorgan will be there to share the laughs while I go on vacation.