It’s go-see time, Amsterdam style! The girls head off on little motorboats to see several Dutch designers, and are so focused that they don’t even pay any mind to the hot guys driving the boats. It’s a shame. Analeigh’s strong walk and bubbly charm impress the designers that she sees, while Sam is too commercial for some. Marjorie’s nervous nelly tendencies come into full play as she gets lost and flustered and then can’t pull it together for the two designers she manages to find. She books no jobs, and also seems to rouse the ire of native Amsterdamians who refuse to help her with directions. Elina does so-so, although her tattoos are a turn-off to some designers, and her sweaty back is a turn-off to others. And finally, there’s McKey. She avoids wearing chain mail and thus impresses all four of the designers she sees. However, she’s so wrapped up in seeing the sights of Amsterdam that she loses track of time and misses her deadline to be back to Touché modeling agency by five minutes. She’s disqualified. It’s a pity, since she would have won the challenge and $18,000 worth of clothes if she had hustled a bit. As it is, Analeigh takes the prize and McKey is left only with her newly adopted vaguely European accent.
The photo shoot for the week has Tyra behind the camera doing two photographs of each girl -- one with minimal makeup and casual clothes, and one in full-on fierce mode. Samantha does what might be her best work to date in both and gets best photo of the week. McKey also excels and impresses Tyra by her ability to listen to Tyra’s advice. She doesn’t even get chewed out very much for being late at the go-sees. Analeigh does okay, though the general consensus is that she’s better with makeup than without, and Paulina totally thinks she has a big nose. This leaves twitchy Marjorie and control-freak Elina in the final two. Marjorie was of course made extra nervous by Tyra’s presence as photographer, and not even a lesbian bath session before panel could relax her. The judges also marveled at the fact that Elina is 18, and made her wave around her crazy hair and scream at panel to try to loosen up. Sadly, it was all for naught as Elina got the boot. It’s a victory for controlling, repressive mothers everywhere!
Discuss this episode in our forums, then see what vlogger Sean Crespo thinks about ANTM when he has No Prior Knowledge!
Previously on ANTM: Amsterdam! The girls avoided the weed, but embraced the Red Light District where Sheena got to legitimately whore it up. A photo shoot on the high seas had some girls rocking, and the others feeling all washed up. Despite her general hilarity, Sheena ran out of chances to show her high fashion potential and was sent home. In other news, McKey entered panel looking like she got lost on the way to the Renaissance Faire. Five bitches remain!
It is a gray Amsterdam afternoon as the girls ride home in their van after panel. They celebrate their ascension to the top five. Analeigh tells us that she knows she's improving. However, she confessionalizes, she knows that the other girls don't see her as competition and think that she's just a pretty girl. She points out that at the end of the day it doesn't matter a hoot what those petty bitches think. It only matters what the petty bitches on the panel think. And at least one of them has to think that Analeigh has kind of a large nose, right?
In the van, Elina says in disbelief, "Apparently I was STIFF." Yeah, apparently. She wonders where they're getting this "stiff" thing from. Maybe from the fact that she resembles nothing so much than a little goblin carved on the end of an old-fashioned umbrella handle? Even allied nation Marjorie is getting a little tired of Elina. She says that Elina has been in the bottom two because she's not trying, and the judges want to see her push and do something different. Marjorie adds that she thinks Elina gives the same face week after week. Well then! What else does Marjorie think, you ask? She thinks that Elina thinks that she's got everything right, and that can be a little tiring. My how quickly Marjorie has turned on her fellow European friend. Maybe Elina put the moves on Marjorie's boyfriend Analeigh during the va-jay-jay shaving party?
Sam, meanwhile, feels amazing about being in the top five. She wants everyone to celebrate good times, come on. However, celebration doesn't come naturally to Marjorie, who is nervous per usual. The competition is getting to her, and she thinks that she's mediocre compared to the rest of the girls. Even compared to Sam? Come on, now, Frenchie. Marjorie doesn't understand how the rest of the girls can feel so comfortable after panel when there is clearly impending doom. Sam just shrugs her shoulder and drinks some more American Self-Confidence Juice.
Tyra Mail! "You have to be more than good looking if you want that first booking. Love, Tyra." Everyone assumes that this means they'll be heading out on go-sees, a.k.a. running around like crazy people. Marjorie gives a sideways look of extra dread. The girls head to Touche modeling agency, where they meet managing director Frederick Koster and his colleague Pearl MacNack. People in Amsterdam have the best names! Frederick and Pearl tell the girls that there are five top designers (well, top designers in Amsterdam) that they'll be seeing today. The designers will evaluate the girls on their portfolios, runway walks, general appearance, and personality. The most impressive model will win the challenge. Frederick tells the girls that since Amsterdam is a water city, they'll be heading to the castings on boats. Any chance that Amsterdam's canals are filled with sharks or other human flesh-eating fishes? Hey, a girl can dream. Frederick notes that there are maps in the boats, and that they have until 5:00 p.m. to do their castings. And you know the drill, just like all the girls know the drill - if you're late, you're disqualified. This is always a good opportunity to see who is the dumbest bitch of all!
As the girls set off, Marjorie reminds us that they don't have to see all five designers, but should try to see as many as they can within the allotted time frame. The girls hop into their respective boats, which are driven by total hotties. Analeigh tells us with frustration that the boats go really slowly. I think that gives you extra time to mack on your boat driver and should be considered a boon. However, all the girls can think of are getting to their precious go-sees. Marjorie tells us that she's nervous because she has no sense of direction and gets frazzled really easily. Yeah, that's a pretty bad combo when you're darting around a strange city and trying to impress strangers who can make or break you.
Sam finds her first designer, Marlies Dekkers, who apparently specializes in ladies' underthings. Sam kisses Marlies three times, because that's what you do in Amsterdam. Sam also gets the biggest cheese on her face because she's trying to make a good first impression. It works, as Marlies tells us that Sam was very nice and made a good connection. Sadly for Sam, however, she's too commercial and not editorial enough for Marlies' taste. I think this is code for "not beanpole skinny with big boobs." Marlies will not book Samantha. McKey meets first with designer Monique Collignon, who was struck instantly by her gorgeous, special, beautiful face. So maybe the judges haven't been blowing smoke up our collective asses with talk about how the rare and lovely McKey can make even chain mail look high-fashion. Monique loves McKey and says that she would be stunning in a show.
Meanwhile, Marjorie is wandering around Amsterdam. It would be helpful if she had a red striped hat and shirt so we could spot her more easily amidst a crowd of people or parked bikes or circus performers. As it is, Marjorie's drab ensemble has her blending in with the canal water. She tells us that she's very confused, and it's hard for her to understand the directions of how to get around such a complicated city. Sam is lost, too. She tells us that the street names in Amsterdam are totally unpronounceable. And before you dismiss her as completely xenophobic, take a gander at saying "Oudekennissteeg Centrum" three times fast. That's a lot of letters. Sam has collapsed all Dutch streets into one mythical place called "Paagenlaagensmaagensmaagaberg." I think that's where Rumpelstiltskin lives. Speaking of spinning straw into gold, Analeigh is lost as well and backs up Sam's contention that there are some crazy street names. Marjorie tries to ask pedestrians for help and they look at her like she's crazy and/or are utterly unhelpful.
Analeigh finally makes it to designer Hans Ubbink. He says that he's looking for personality above all. He wants her to be herself as much as possible but still give him a model feel. Analeigh confessionalizes that she really wants this challenge win, because it will prove that international designers are looking at her through the eyes of love and that she can get hired. Hans really likes her. Meanwhile, Elina sees designer Mart Visser who, you can tell by the scarf looped around his neck, is one bitchy queen. As Elina changes into one of Mart's designs, he feels her and notes that she's hot. She says that she was rushing to get there and he simply says, "Never run." He then tells us that he has a problem with someone coming in with a sweaty back, because that means mortal sweat will touch his expensive clothes, and that is unacceptable. After one walk Mart tells Elina that he's seen enough. He interviews that Elina's walk was okay and her looks were okay but he wouldn't book her as a model because she's playing a model but isn't a model. Whereas Mart isn't merely playing an asshole, he is an asshole.
McKey, Elina, Sam and Analeigh make their way to their second go-sees, while Marjorie continues to wander aimlessly with nary a go-see under her belt. She's totally frazzled at not finding her first designers, and heads back to her boat. Her driver starts to steer her to her second location, and Marjorie fears that she's not going to make it to see even one designer. And in her home continent, too! It is the cruel sort of irony that only a European citizen could truly appreciate and feel dour about. As she makes a sadder face than usual, we head to commercials.
When we return, Marjorie tells her driver that she doesn't have a good sense of direction to begin with. She feels more and more terrible and interviews that ANTM has a track record of eliminating girls for doing a bad job at go-sees since the point of being a good model is to be bankable. Or bangable, depending on your perspective. Marjorie finally finds Marlies Dekkers. And I'm sure parading around in elaborate skivvies will make Marjorie feel totally at ease after her traumatic two-hour wander through the streets of Amsterdam. Marjorie's body is pretty banging. She has that Raquel Welch kind of body with the curvy hips and little waist / flat tummy. She's skin-nay. Marlies tells us that Marjorie is not comfortable with her body, and is a little too hunched for comfort. Yeah, I would guess that the "Hunchback of Notre Dame" signature doesn't translate too well to the runway. Dragging your clubfoot behind you doesn't make a great impression at fashion week. Marlies gives Marjorie a posture lesson, then tells her not to be too nervous. Marjorie sees Elina on the way out and tells her this has been the most horrible experience of her life. Er, that's the spirit, little buckaroo. , Elina walks for Marlies, who notes that she has a lot of tattoos. Marlies says that she can't work with Elina, because what people will immediately see is the tattoos instead of her design. Elina is disappointed, and interviews that tattoos are the best way that she can express herself. Yeah, why bother with talking or making facial expressions when you can just get inked. When someone says that they can't hire her because of her tattoos, says Elina, it's kind of like a personal hit. I think there are a lot of people out there who would like to give Elina a personal hit.
McKey walks for Mart Visser. He tells us that when she entered he immediately thought that he wanted to have her for his show. She has the attitude, the hair, and the face. All of this blinding success has gone to McKey's bubble head, and, she tells us, she keeps forgetting to keep track of time and/or ask what time it is. McKey feels amazing to be surrounded by so much beauty. As she travels in her boat she puts her face up to the sun, shakes her head a little and says, "Yay! Sunshine!" Yeah, she's screwed. Elina heads to her fourth go-see as Analeigh makes her way to number three. They happen to be at the same designer, and so Analeigh has to wait until Elina is finished. Analeigh repeats that if the other girls don't see her as competition she's just going to see it as inspiration to prove them wrong. We don't get to hear what Monique Collignon thinks of Elina, but she does tell us that Analeigh has a kind of style that she would appreciate for her shows. Monique thinks that she's willing to learn.
Marjorie finally makes her way to her second go-see with designer Hans Ubbink. Marjorie still can't walk for crap, which is largely, though not totally, the problem. Hans tells her that he's seen enough. Outside of his studio, Marjorie breaks down and says that she REALLY doesn't think she booked Hans. She decides to head back to Touche, because she has to get a point for not being disqualified. I support her decision to put herself out of at least this temporary bit of misery. Analeigh makes it back to Touche. Meanwhile, McKey is floating in bliss and asks her driver in a suddenly vaguely European accent how long it takes to get back. It's about 4:50, and Elina's driver pulls her out of her boat. She loses a shoe in the process but is carefree in her timeliness and her boast-worthy four go-sees. Sam also makes it back to Touche in time. Everyone of course notices that McKey isn't there, and they all hope with all their might that she is late and gets disqualified. Bitchery! McKey hoists herself out of her boat and makes a break for the building, but it is all for naught. The clock hits five and she's out. She confessionalizes in a suddenly increasingly European accent that it's a real hit on her confidence, as the girl who's never late, to be late. I don't know how she's managed to be the girl who's never late when she apparently doesn't own a watch.
Frederick and Pearl greet the girls, and Frederick says he's very disappointed. This is, of course, because McKey was late. He looks disgusted, though this could be because he finally got a glimpse of his own shirt. Pearl tells McKey that she got a great response from the designers and all of them would like to work with her. She could have been the winner of the challenge. McKey confessionalizes in a European accent worthy of Madonna that she can take some comfort in the fact that she "puuh-fooooohmed" well and obviously needs to carry a watch or something. Or, like, not be such a dumb-ass.
Frederick gives the other girls their critiques. The clients said that Sam was a bit too commercial, and is not really an haute couture model. He sums up his feelings about this by adding, "It's a pity." Pearl tells Elina that she's a very good runway model, but she has a lot of tattoos, which can be a problem for some clients. Frederick tells Marjorie that she was very nervous, and the designers were very disappointed. She also needs to stop holding herself like she just left an appointment at the osteoporosis clinic. And finally Pearl tells Analeigh that the clients loved her hair and she looked really fresh. However, she might be trying too hard to please the clients. She should be a little more relaxed.
Pearl announces that, for the first time in Top Model history, all of the designers have provided items for the challenge's prize. As a result, it's worth over $18,000. Fierce! And the winner is Analeigh. She's blissful, and Pearl tells her that her prize will be at home in the apartment. Analeigh feels incredible to be not just a pretty girl, but a pretty girl who can book high fashion jobs. McKey feels like a doofus with only a mystifying accent to comfort her.
When the girls return home, Analeigh's expensive clothes are waiting for her and the others drool with envy. I hope drool spots come out of expensive clothes when you take them to the cleaner. McKey tries to put on a smile, but you can tell she's seething inside. She interviews that she would have been the challenge winner had she not been "dis-quoooool-ified" for being late. But, says McKey, she's not here to win prooooyzes, she's heee-ahhh to be America's Tooop Mooodel. And to annoy us all with this flippin' accent! Seriously, you guys, it's killing me. Meanwhile, Elina confessionalizes that she's jealous. She doesn't think Analeigh should have won the challenge. Instead, she thinks that she or McKey should have taken the prize. Way to stand behind the friend who shaved your hoo-ha mere days ago.
Tyra Mail! "You've never been exposed like this before, but you'll be amazed after. Love, Tyra." My, that IS intriguing! Sam hopes it's not a nude shoot, because she doesn't want to be naked. Marjorie, meanwhile, is feeling more Eeyore than usual. She did so badly at the go-sees, she's just hoping that she can do well at her photo shoot. As Marjorie makes her way upstairs, Sam says that she feels bad for her and wonders what the heck happened. Elina replies that Marjorie just got too nervous. Marjorie runs a bath. Analeigh sits on the side of the tub this time and gives Marjorie a pep talk. She tells Marjorie that everyone sees her as competition, and that she and McKey are the only ones who haven't yet been in the bottom two. Analeigh wants to shake her and say, "Friggin' Marjorie you're amazing, you're beautiful," and then slap her, and then say, "Just get it into your head you make a great model." And then make sweet, passionate love with the help of some choice souvenirs picked up in the Red Light District. But Marjorie is in no mood for lovemaking. She doesn't see what the other girls see in her. She interviews that she's starting to believe that maybe this is a hoax and that she was led to believe she could model, but really she can't. Finally Tyra Banks gets her revenge against France, the country that defiled her when she was a mere 16 years old! Sorry, Marjorie. Marjorie tells Analeigh that this experience is so stressful - let her repeat, SO STRESSFUL - and that she hated today. She thinks that doing poorly in the go-sees will get her in the bottom two or sent home. That's for sure. Sorry, Marge. Analeigh tells Marjorie not to bring this energy to the shoot, and Marjorie just stares at her with the giant eyes of a scrappy French street urchin. While you hear the faint strains of "Castle on a Cloud" playing in the distance, we head to commercials.
And hey! There is no Whitney's My Life as a Cover Girl commercial! I guess they've run out of even crappy Cover Girl things for her to do. Yay!
When we return the girls head off to their shoot, and Sam hopes that if they're going to be nude they're nude in a fashionable, couture manner, and not [Sam scary face/voice]: "HI I'M NUDE!" And like, pumping gas from betwixt their legs or whatever. When the girls get to the set they see Jay Manuel putting makeup on a man who is facing away from them. He puts down his brush for a moment, and then asks them if Christian's face can take this much makeup. Christian turns around looking like a Cirque de Soleil clown. Tyra then appears on a balcony and yells, "Hell no!" She glides down the stairs looking crazier than ever, then ominously asks the girls how they're doing today before telling them that she'll be shooting them today. And they're conveniently lined up for her, too! Seriously, at this point I wouldn't be surprised if she offed them all just so she could get back to filming more promo spots for Stylista.
In any case, Christian's face is an example of what Tyra does not want to see. She tells the girls that they'll be photographed two ways: clean and "after," which means totally done up and glam and fierce and ferocious. Sam is relieved that she's not going to be nude, even if there is a chance that Tyra actually is going to kill her. Elina thinks it's great that Tyra will be photographing them, since she'll bring out the best in everybody. Or give them completely contradictory advice and confuse them into a breakdown. Marjorie, meanwhile, is completely frightened at the thought of being shot by Tyra Banks. Oh, me too, Marjorie. Sometimes I think I see her sneaking into my window at night. It's why I leave a bucket of ribs outside of my bedroom door before I go to sleep. Appease the Gods if you want to live to see the morning, I always like to say. Tyra is going to shoot them in black and white, so she says it's all about the shapes and patterns of their outfits.
Tyra will shoot the "clean" photo first, in which the girls wear their own clothes. Sam is first. The sounds of the go-see designers saying "too commercial" ring in her ears, and she thinks to herself that she has to be perfect. Part of being "clean" apparently means being braless, which actually works to Sam's advantage. She's perky from head to toe, that one. Tyra takes a few frames, then tells Sam to think "Oliver Twist" and give her boy. Sam does and everyone seems pleased. Sam then heads upstairs to get the hair and makeup and full-on parachute pants. Tyra tells us that Samantha comes alive with makeup and theatrics. Jay agrees, saying that she's naturally theatrical and that's why she works well with all the "stuff" piled on. Sam rocks it so much that both Tyra and Jay go into a Miss J. eyeball-rolling scream. It's high praise.
Finally there's McKey. She does so well in her clean pose that Tyra can't even think of a vaguely amusing comment. All she says is, "That girl...she can model." Tyra then decides to challenge McKey during the glam shot by having her done up in an A Clockwork Orange face with the one crazy eye. This at least gives Tyra the opportunity to say, "Work that eye!" as she shoots McKey, which is kind of awesome. To be frank, though, the makeup looks pretty stupid. But as it was Tyra's idea, everyone on her payroll will extol its brilliance until the last bag of weed in Amsterdam has been smoked. That's a wrap!
Back at the house, there is Tyra Mail. Someone is going home. Elina and Sam talk about how excited they are to see their pictures tomorrow, while Marjorie merely hopes that she's not eliminated. She interviews that the entire competition has been really difficult for her, whereas people like Elina seem to never doubt themselves and think they have this in the bag. Elina, conversely, thinks she has it in the bag. She thinks she's done what she can do to impress Tyra, and if Tyra isn't impressed all Elina can do is rip her hair out and scream. Which, in fact, would probably make a good photo. A dollar short, you know? With this, we head to commercials.
We enter panel. Tyra has apparently just rushed over from painting her hotel room and didn't have time to change. There are prizes, there are judges. Jay Manuel is the guest judge for the week, which seems to make everyone nervous and/or bored. Sam is up first for evaluation. She tells the panel that she made it to four go-sees, and Tyra announces that Sam booked two jobs. She must at least be happy that she's sticking with her pattern of mediocrity. Oh, and then it's time to learn Tyra's inspiration for the photo shoot. It will come as a shock to you to know that Tyra was her own inspiration. Photographer Ruvan Afanador shot Tyra for The New York Times Magazine, and asked if he could photograph her with no makeup. Tyra, against the better judgment of drag queens all over the world, said yes, and the idea for this shoot was born. In any case, back to Sam. Her clean photo is great. Nigel says that it looks like a Calvin Klein ad, and Paulina says that she wants to see Sam like this all the time. It's Nigel's favorite shot to date, and he says that if Sam looked like that and had that attitude at her go-sees, she'd book every job. The glam shot is also pretty fab. Jay tells Sam that she made Tyra so excited while she was shooting her, and that's really the job of every model. Kudos all around!
up is Analeigh, who booked three out of three jobs on her go-sees. Her clean photo is so-so. Nigel says that he usually thinks of Analeigh as a natural beauty, and that maybe she was intimidated by Tyra. He notes that Samantha's picture looks like a campaign, while Analeigh's picture looks like casting for a campaign. Her glam shot, however, is a huge improvement. Nigel says that it's perfect and Paulina announces, "Heavy makeup is for you, girl." Yeah, do what you can to cover up that face!
we have Marjorie. She made it to two go-sees. She explains that it was a mortifying experience, and she psyched herself out with her infamous nerves. Out of her two go-sees, Marjorie booked none. Not a shocker. Marjorie's clean photo looks alternately like a broken-down marionette and a weeping willow according to Miss J. Jay Manuel says that what's interesting is that this shot was Marjorie's first frame test shot. The rest of her film did not measure up to her first shot because she psyched herself out. Marjorie's glam shot, however, is a beautiful picture. Tyra says that the girl in the picture is strong, sharp and cunning, while the girl in front of them is meek, timid and unsure. They need to figure out how to fix Marjorie's split personality.
there's Elina. Tyra tells her that she looks like a bad version of Angelina Jolie in Mr. and Mrs. Smith. I thought that was Elina's thing? Miss J. has Elina remove her blouse and just wear her suit jacket, which the panel says is a big improvement. Tyra tells Elina that the go-see designers thought she was smart and very well spoken, but her tattoos were distracting. She booked two out of four jobs. Tyra and Jay explain to Elina her problem of going from natural to forced pose just as a shot is being taken. Her glamorous shot is not crazy like Tyra requested. Elina tells the panel that when they ask her to be crazy she has no idea what to do. They ask her to do a crazy pose right then, and she proves the point she just made by giving some sort of lame catalogue pose. Jay says, "You're 18, right?" and Elina nods. Jay tries to make some sort of point but it's interrupted by Tyra who is amazed that Elina is 18. The rest of the panel can't really believe it either. They force her to do what all 18 year olds do, which is shake their hair and scream. Elina laughs a little, like she always does when she's been required to partake in a "fun" thing. Truly, though, it is disturbing that she's not actually a 40-year-old woman.
Finally we have McKey. She went to four go-sees, but of course was late coming back to the agency. It's a pity, because she booked all of her go-sees and would have won the challenge had she been on time. But no matter. We see McKey's clean photo, and Tyra takes the opportunity to talk once again about that signature pose teach from a few weeks ago. You're a genius, we get it. Watch Stylista, airing immediately after America's Top Model! The panel also seems to like McKey's glam crazy-eye shot. Paulina gives kudos to McKey for having come so far from her boxing days. With that, the girls are dismissed to ponder who gets the big boot back to America, and we head to commercials.
And hey! It's Top Models in Action! Remember Mollie Sue of the no personality? She's taken the international fashion world by storm. She's based in Paris and lives the glamorous life posing for magazines and working the runway. Good for her!
The judges deliberate. Samantha has blown Nigel away. Analeigh is a dream according to Paulina, except that she has large eyes, a fairly substantial nose, and a large mouth. Her face, in short, does not photograph well. Nigel rushes to Analeigh's defense, saying that just because her face doesn't photograph in a way that Paulina likes it doesn't mean she's not photogenic. He thinks that one could learn to love a look like Analeigh's. Nigel would not book Marjorie for a job, because she's a nervous wreck. Paulina knew that "go and sees" would be Marjorie's downfall. Tyra patronizingly says that she loves how Paulina calls them "go and sees." Jay points out that people like vulnerability but not frailty. McKey's glamorous shot is true fashion. Elina does not look 18, and needs to let go of her control. Nigel doesn't think her beauty is inspirational. Miss J. does an Elina impression, which is the kiss of death. And with that, the panel has made its decision.
The girls return. Tyra has eight photos in her hands, due to the fact that each girl had two photos this week. The first name who she's going to call is Samantha. Good times for her! is McKey, who still looks insane in her weird-ass wardrobe. Then there's Analeigh, who has to work on the natural, pure version of herself. This leaves Elina and Marjorie to step forward. Europeans on the block! Both young women have potential, but stand in their own way. Elina has a face that doesn't come by often and a beautiful confidence. She photographs exquisitely. But she holds on. She holds on with all her might, and that diminishes her beauty. And then there's Marjorie. She's exquisite and has all the potential and makings of a top model. But she's kind of a freak. And she freaked out even more when she had to interact with unknown humans in a strange city. However, she stays! Marjorie takes her photos, and hopefully a helping of confidence to get her through week. Elina tears up as she hugs Tyra and says that the experience has been amazing. Tyra tells her not to let control get in the way of her career, because she has something amazing. She's the girl with the tattoos and edge, and she needs to bring it out instead of acting like she just accidentally wandered out of the nursing home.
Elina exit interviews that she didn't think entering this competition would reveal anything new about herself. However, it has, and now she's aware of what she needs to improve on as a model and a person. She has to address her control issues, and is happy that she learned this lesson now. With that, she gets to head back to mom's house. I bet they've been enjoying watching all of these episodes together and talking about the feelings of maternal hatred that were announced on a national stage! Good times.
week: "YOU HAD SEX?!?!?" part deux.
Potes went on 117 go-sees and booked none. She can be reached at potesypotes@gmail.com.
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