By Demian
I'm just going to stick to the facts for this, lest I fly into an unseemly series of uncontrollable rages: The Glee Club's preparations for this year's Regionals are nearly derailed when news reaches the children of the recently-outed Karofsky's suicide attempt. Much chatter and soul-searching ensues, little Steffi Germanotta's new brand extension gets product-placed, St. Gay Of Lima climbs back up on his cross for a couple of scenes, Wily Sebastian gets an abrupt and unamusing image makeover, and Rachel and Frankenteen decide to push up the date of their hideously stupid nuptials because they've suddenly realized that life is for the living, or some such bullshit.
Despite all this, Regionals goes on as previously scheduled, and of course New Directions triumphs over The Dalton Academy Swallows and Our Lady Of Perpetual Sorrow's Golden Goblets, despite the fact that both New Directions and The Swallows totally, totally blew. Afterwards, a freshly knocked-up Sue lets her rampaging pregnancy hormones get the better of her, and not only does she welcome Quinn back to Cheerios with open arms, she also cheerfully offers Will her assistance for this year's Nationals competition. Meanwhile, Burt, Carole, and the eminent Messrs. Berry desperately try to come up with ways to prevent their children from actually going through with their ludicrously asinine nuptials, but not one of the four is actually able to hack out a workable plan.
And then Quinn gets t-boned by a pickup truck. Fly and be free, Dianna Agron!
Featuring Young The Giant's "Cough Syrup," as performed by Blaine; a version of Byron's "She Walks In Beauty" that I can't find on YouTube, as performed by The Golden Goblets; "Stand" by Lenny Kravitz, as performed by The Dalton Academy Swallows; The Wanted's "Glad You Came," as also performed by The Dalton Academy Swallows; a medley of Nicki Minaj's "Fly" and noted urinator R. Kelly's "I Believe I Can Fly," as performed by the children of New Directions, with prominent solos from Rachel, Santana, Artie and Blaine; Kelly Clarkson's "Stronger," as performed by the ladies of Idina Menzel's now-defunct lady-choir, with prominent solos from Santana, Mercedes and Brit-Brit; Halestorm's "Here's To Us," as performed by the children of New Directions, with a prominent solo from Rachel; and "Chapel Of Love" by the Dixie Cups, which may or may not have been performed by The Glee Gals.
Did this episode mark the end of the Glee couple known to shippers as FaBerry? Hulu's The Morning After show is hoping for the best: