Everyone is happy that Kacey's gone and kind of mad that Ann has been so dominant. Her sad-sack nature really prevents anyone from being truly furious though, or maybe they're just being quiet about it. The girls head to the Grammy museum for their challenge. They pair up and must dress each other in accordance with their perception of Grammy fashion. The winner, chosen by NARAS president Neil Portnow, will get to be an actual Grammy girl and hand out awards to drunk and crunk celebrities. Chelsey is paired with Ann, and I take back what I said about people not being furious with her. Ann gets Chelsey a size 12 dress despite knowing that she's a size 2, and the thing is impossible to put on to boot. Chelsey's unhappiness is apparent, thus squelching any minimal chance she had to win. While Chris and Kendal go for stripper chic, Jane and Esther go for Sunday school fashion. Kayla defies Liz's request for a poufy ballgown and puts her in punk rock pants instead. The gamble pays off, and their team wins. Ultimately, it's Kayla who's picked to be the Grammy girl, and she reminds us that she didn't have a bed until she was 14 and is a lesbian. At least her talking points are consistent. Liz, meanwhile, is pissed that she didn't win and gets floor-crawling drunk to address her pain.
This week's photo shoot has the girls portraying iconic fashion designers and posing with professional female models. Italian Vogue fashion editor and stylist Rushka Bergman is on hand to style the girls, and Francesco Carrozzini photographs. Liz's John Galliano is a small slice of genius, despite that fact that she doesn't know who he is. She works her eyebrows and her androgyny and gets best photo for her efforts, finally breaking Ann's streak. Kayla also excels as Vivienne Westwood, Ann's Alexander Wang gets a positive critique, and Chelsey gets possibly her best photo yet as Carolina Herrera. Chris's photo as Betsey Johnson is pretty great, though ALT doesn't like it and she's called toward the bottom of the pack. Jane squeaks by as Marc Jacobs with a terrible little beard.
Esther runs into trouble playing Christopher Decarnin, and in fact looks like she should be an extra in Welcome Back, Kotter. Kendal also fails at being Vera Wang, and knows nothing about anything. These two land in the bottom. In the end, Kendal is deemed the noun and not the verb, which is the kiss of death for this show. She heads back to the bumpkin patch, where her flawless bone structure will go unappreciated except by the bats.
Previously: The girls lived out a front-row fantasy when they had to walk down Rodeo Drive and smize for Patrick Demarchelier. Ann continued to smash Top Model records by scoring her fifth straight top photo win. Meanwhile, Kacey's fake personality was despised by her contemporaries but beloved by Walmart shoppers. Regardless, she couldn't take a picture and was eliminated. Eight bitches remain!
In the limo, it's all smiles as the girls celebrate Kacey's elimination. Kendal tells us that Kacey wasn't trustworthy, and so her ouster was cause for happiness. Kacey went around to hug all the girls, but Kendal only gave her a handshake. She's fine with that. Kendal tells us that she's a shy, quiet country girl, and is very happy and blessed to be there. However, she needs to turn up her performance if she wants to make it into the pages of Italian Vogue. Liz tells us that Ann has won best photo five weeks in a row, but when she has to show personality or even simply talk it's a different matter. Liz wants to stand out and be remembered, and knows she can do it.
Back at the house, a few the girls give some lip service to Ann's best-of-week digital art, but most ignore it. Esther tells us that she feels lucky to be in the competition, but also has to make sure that she's true to who she is and all she's learned throughout her life. In case you forgot, Esther is a modern orthodox Jew, and lives by the rules set forth in the Torah. For example, she's kosher and really has to watch it when she's, like, fixing her hamburger on the girls' cheesy grill. Chris is befuddled by Esther's attentiveness to her kosher lifestyle, and notes that the competition is stressful enough without having to worry about such dietary specifics. She's glad that she can eat a damn cheeseburger without having to think about it.
Tyra Mail! "Sometimes you have to perform a duet before you get your big solo. Love, Tyra." Kayla says that, whatever it is, she's planning on doing the best she can. She was in the bottom two last week, but this is only motivating her to do better. The girls head to the Grammy museum, where Liz and Kayla go gaga over the Michael Jackson tribute. Never before have they received chills when gazing upon a sequined glove. Jay Manuel meets them and introduces Neil Portnow, who is the president and CEO of The Recording Academy. Neil tells the girls that every year, about a half billion people around the world tune in to watch the Grammy awards, and they audition thousands of girls to be the bitches who hand out the trophies. And now one of our little model-ettes will get the chance to be a Grammy Girl as well! Chris fans herself with excitement and Liz looks like she just found the golden ticket. The girls will have to split into pairs and decide which look is appropriate to convince Neil to give them the job. This could be elegant, funky, rock n' roll or, more likely, something monstrous and horrible. The girls are paired according to how they're standing, which leaves unfortunate Chelsey to once again be paired with Ann. Chelsey is not psyched. Jay sends everyone off to style house Chic Little Devil to pick worthy ensembles. The catch is that the girls will be picking clothes for each other. Chelsey totally knows she's screwed. When the girls return in their complete looks, Jay will choose the winning team and Neil will choose the member of that team who will get to be the Grammy Girl.
The girls all talk to their partners about what kind of dresses they have in mind. Ann likes Victorian-style dresses with stuff on the back. What does that even mean? Chelsey says she loves black and strapless dresses. Esther tells her partner, Jane, that strapless is bad for her because of her giant boobs. Kendal tells her partner, Chris, that she would like something sexy but not too sexy. Chris agrees that they might not want to go full-on stripper. Liz tells Kayla that she wants something that's tight through the waist but super poofy at the bottom with a train. Kayla nods and agrees, but tells us that she has no intention of getting Liz a fucking wedding gown. She thinks that if she brings some punk rock into their ensembles, that they'll stand out amongst the other girls.
The first group of girls arrive at Chic Little Devil and get ten minutes to find ensembles for their partners, including shoes and accessories. Chelsey says that it's stressful to shop for a person who isn't there. It's also stressful to try to find a dress for someone as tall as Ann. Kayla has no qualms about forgetting Liz's ballgown dreams and getting her some sequined pants instead. She hopes that Liz can rock it. Group two comes in, and though Kendal thinks her dress for Chris is a bit short, she says that it's appropriate for the occasion. Jane worries about Esther's boobs fitting into anything, and has no point of comparison since she is herself rather boobless. Ann wanders around cluelessly, looking for something long and flowy for Chelsey. She finds one dress with layers and "floaty things," and takes it without much enthusiasm. That should work out well.
The pairs meet up and share their outfits. Kayla shows Liz the sequined pants, and Liz is not pleased. She says that she feels Kayla 100%, but she was livid inside. However, she's trying to contain her anger and pretend that it's not fazing her, because she wants to win the challenge. Chelsey looks at her dress and notes that it's a size 12. Chelsey herself is a size 2-4, which she told Ann previously. The dress also has a lot of loops and holes and wraps, and Chelsey can't even figure out how to put it on. She tells Ann that there's no body hole or way to get into the dress. Ann looks clueless, for a change. She monotones that she saw Chelsey get a bit teary eyed about it, because she was afraid that they would lose. As Ann says she hopes that Chelsey wasn't upset with her, Chelsey looks into the mirror and gives an upset sigh. Commercials.
When we return, the girls present themselves in front of Jay and Neil. Kayla and Liz are first. Kayla explains her style aesthetic, which is bringing their punky personalities to bear amidst the ball gowns and other fancy attire. Neil asks if the girls have seen the Grammys before, and Liz gushes that she still has vintage Grammy ceremonies on VHS tape. He then asks if Liz likes what Kayla chose for her. Liz explains that she didn't get what she initially wanted, but Kayla's chosen ensemble fits well, looks good, and still expresses her personal style. Overall, she's happy with it. Liz describes Kayla's look, which features her chosen color of silver and shows her gams. A spiky ring is featured. Jay asks if the two can handle being in front of half a billion people. Liz says that she'd take a week to meditate and prepare herself since this is a breathtaking opportunity.
Kendal and Chris are . They explain that they wanted something formal and form-fitting that was sexy but also not too sexy. Quoth Chris, "Not like ooh she just came from a strip bar." Jay then tells them that they look like they came from a strip bar. Mission not accomplished! When asked if she could handle being in front of half a billion people, Kendal says that she'd be nervous as heck, but would drink a lot of Red Bull to help with the nerves. Not a great strategy! we have Jane, who trips when entering the stage, and Esther. Neil asks why their chosen outfits work for the Grammys. Esther says that they always see girls in tight dresses and short skirts on the red carpet, but as a Grammy girl you want to get attention but not necessarily be at the center. That's a fine point, though they didn't have to go so far as to pick dresses from Little House on the Prairie. Esther's ensemble is particularly dowdy, while Jane's might be cute if it weren't so cheap-looking and ill-fitting. Kendal tells us that Esther and Jane looked like they were on the way to Sunday school.
Finally we have Ann and Chelsey. Jay asks Chelsey why she's clutching the side of her dress with an angry fist. Chelsey explains that she's not sure if she's wearing the dress correctly, and if she lets it go the seams get all fucked up. To be honest, the dress doesn't look so bad, and Chelsey should fake that it's the most awesome thing she's ever seen. Jay agrees with me, and tells her that she needs to sell it with confidence. Jay likes Ann's ensemble, even though she looks like Elvira from the Wild West. Chelsey is upset with Ann. She says that she put a lot of time and thought into choosing Ann's outfit, but Ann seems to have put in absolutely no effort for Chelsey's ensemble. Honestly, I think that Ann means no malice but is just kind of clueless about this stuff. And you can't fall into choosing a great Grammy dress for someone the way you can fall into a great broken down doll pose when you're 6'2" and naturally hunched.
Jay gives the girls their critiques. Kayla spoke up right away and flirted a little, and thus stood out a bit. Liz was honest about saying that she didn't get what she asked for but still rocked the pants, and she looked the part. Kendal wasn't particularly graceful, and no one wants a fidgety, stumbling Grammy girl. Chris has a great personality and contagious enthusiasm, but looks like a stripper. Jay wonders if Kendal sabotaged her, and Kendal vehemently denies this in an interview. Esther has a very good perspective on what the job is about -- mainly standing in the back and not drawing attention to yourself. Chelsey's irritation made Jay feel uncomfortable, and would likely make an audience feel uncomfortable as well. Jay says that Ann looked great in her outfit. Chelsey is again pissed, since she would like to take credit for dressing Ann so well but Ann gets the kudos, per usual. However, Neil notes that Ann's height might be a distraction, since she'll tower over shorter stars. Ann's frustrated that her height is an issue again, but tells us that she's not going to take drastic measures such as chopping her own legs off. That's good to hear, particularly given the direction the impending Ann meltdown has been going.
Jay announces that the winning team is Kayla and Liz! Hooray! They are both very excited. Neil says that it was a tough choice to pick a winner. Kayla has a lot of personality and beautiful red hair. Liz has fantastic enthusiasm, but she's obviously enamored of stars in the music business and can't let the fact that she's starstruck overtake her ability to do the job. Kayla wins! She breaks down in tears and Jay asks why she's crying. Always one to stick to her talking points, Kayla tells us that she's the girl who didn't even have a bed until she was 14, and went from home to home since she wasn't accepted due to her sexuality. Now she's going to the Grammys and might brush fingers with Kanye! She's come a long way, relatively. Liz, meanwhile, is pissed. She says that she wanted the prize more than anyone in the group, and is doing everything in her power not to scream. Or, I imagine, punch someone.
Back at home Liz continues to pout, but then remembers the key to forgetting all of life's troubles: alcohol! She proceeds to get shitfaced, and we have a montage of her running around the house, tripping, crawling on the floor, and telling the others that she accidentally drank the whole bottle of white wine. Chelsey tells us that Liz was the most upset of everyone, but took it over the line. She adds that Liz plays the part of the victim very well, and is always the first to complain if something goes wrong in the photo shoot. Chelsey sees this as evidence that Liz isn't as strong as she thinks she is, but really I think it indicates that Liz can be rather annoying and is unsuccessful at keeping it in check.
There is Tyra Mail! "Sometimes, being labeled can be a good thing. Love, Tyra." The girls wonder what it can all mean. Liz tells us that there are only eight girls left, and so she has to bring her personality out in every single photo shoot. Well, the non-annoying parts of her personality. She's on a mission to prove to the judges that she can bring it, because she doesn't want to go home. With this clue that Liz will either have the best photo or be eliminated, we head to commercials.
When we return, the girls head to Smashbox Studios where Jay greets them wearing a checked fedora and shirt imprinted with a large black and white rose. He reminds them that the fashion business is, in fact, a business, and they need to know everything about every designer that's out there and understand their aesthetics. For example, they need to know which leather manufacturer fashions Donatella Versace's skin. The girls will pose as iconic designers along with professional female models who will be wearing fashions of the designers that the girls are portraying. To aid in their transformations, the girls will have the help of fashion editor and stylist Rushka Bergman. She looks exactly like the man in the moon! And she's smiling, because she's in love with the girl in the world. The very established photographer today is Francesco Carrozzini, who is maybe the Italian moped driver that Shandi hooked up with in season two. Or maybe he is an Italian version of Rob Lowe in St. Elmo's Fire. In any case: cute. Francesco tells them that today the challenge is not merely to model, but to portray personalities. They have to get into character and work it.
Rushka takes the girls and lets them know which designers they'll be portraying. Esther is Christophe Decarnin from the House of Balmain. This guy looks like a total grease monkey! How can it be? Chris gets to be Betsey Johnson, which is clearly the most fun assignment. Kayla is Vivienne Westwood, Ann is Alexander Wang, and Liz gets to be John Galliano and his child molester moustache. Jane is Marc Jacobs, Chelsey is Carolina Herrerra, and Kendal is Vera Wang. Kendal tells us that she's worried because she knows nothing about Vera Wang. She wonders how she can portray someone that she doesn't know. This is the time when you need to ask for some notes. Rushka unconvincingly says that they're going to have fun today. BEEEG TIME. She sounds like Kehaar from Watership Down.
Make-up Artist Amy Orseman tells Liz that she's going to have a bit of an androgynous look to transform into John Galliano. Liz also knows nothing about her chosen designer, and tells Jay that she's too busy at home with a kid and two jobs and cutting out her food stamps to study fashion magazines. Boo hoo. But Liz studies photos of Galliano, and notices his perpetually raised eyebrow. By a fabulous stroke of luck, she also has a perpetually raised eyebrow! Johnny Stuntz, hairstylist, applies some whack extensions to the sides of Liz's head. She doesn't need hair on the top, because she's wearing a top hat. Liz steps on set and just plain rocks it. Jay, Rushka, and Francesco make orgasm noises the whole time. Jay tells us that he knows Galliano, and it was frightening how much Liz channeled him. She stepped up her game today, though it's disappointing that she had no idea who John Galliano was. Jay tells Liz that this is her best shoot to date.
Chelsey is as Carolina Herrera. She's got a big poufy skirt and starched blouse and society lady countenance. Jay asks for her to be a bit more pleasant, and Francesco tells her that she should be regal but softer. Softness is not Chelsey's forte. However, she does have some fashion knowledge. She tells us that Carolina Herrera is wealthy, elegant, feminine and strong. She's not gap-toothed, and so Chelsey keeps her mouth closed. Francesco commends her on her good work. Chris is and is totally a black Betsey Johnson. She tells us that Miss Betsey is just like her -- crazy, cool and spunky. Chris gets to jump around like a nut, which is really her forte. I don't know how she does it in those heels and manages not to break a knee. Francesco tells us that Chris was unbelievably energetic, and people want to be around good energy. He likes her.
Kendal is and tells Jay that all she knows about Vera Wang is that she does bridal collections. Jay says that Vera Wang is humble, but at the same time isn't afraid to smile and be confident because she knows what she's contributed. This is admittedly kind of a difficult one, because Vera Wang is comparatively nondescript when you put her up against the likes of John Galliano and Betsey Johnson. Kendal doesn't have a whole lot to go on. But the one thing she does have to go on -- the fact that Vera Wang smiles -- is largely ignored. Francesco isn't happy with what she's doing on set, which is basically just standing there and looking mean. Kendal says that she's trying to be simple, and Jay says that it's registering as blank. Francesco implores her to add a little light to her expression. Jay says that Kendal was flat and boring, and it doesn't seem like she's passionate about being there.
Kayla and her red hair get the fun task of portraying Vivienne Westwood. Francesco tells her that she shouldn't pose too much, but rather make it about the energy and expressions. Vivienne Westwood is all about energy, and also apparently all about throwing flowers. Kayla loves Francesco's volume and energy. She says that he knew what he wanted, and didn't stop until he got it. He seems to get it without too much trouble, which bodes well for Kayla sticking around for another week. Jane is as Marc Jacobs, and mostly looks like Judy Garland in the "We're a Couple of Swells" skit, but not so dirty and toothless. Like an actually swell swell portrayed by a lady in a man's suit. Francesco tells us that Jane didn't know how to position her body as a man, or come in with clear ideas. He's nice about it, but tells her that she has to bring herself into character.
Ann is as Alexander Wang, but really looks like Wil Wheaton. She literally just sits there and does nothing. I'm sure the judges will think it's genius. Ann tells us that it's pretty easy for her to incorporate Alexander Wang's boyish attitude, since she was a tomboy growing up. She sits like she sat in her Algebra I class and will await her tongue bath for it. Esther is , and really has a hard lot in her attempt to pose as Christophe Decarnin. She has the worst wig, and is also wearing some really unfortunate skinny jeans. Her jaw has disappeared entirely, and not just because small hairs are glued to it. Esther says she kept getting caught up in whether she was being manly enough. She wasn't. Francesco keeps yelling, "Come on! You're a dude! You're a guy!" Jay tells us that Esther was a disappointment on set, and it was a struggle to shoot her non-masculine self. The wardrobe folks did a good job of hiding the knockers, though.
Back at the house, the girls debrief. Esther tells the others about her harsh criticism, and then pouts in the confessional. She says that the shoot went really bad, and that she keeps trying and failing. She doesn't want to go home, and so hopes someone does worse than her. The girls get the Tyra Mail of Doom, telling them that after tomorrow only seven bitches will remain. Kendal tells us that she's at the bottom of the pack, and needs to have pulled out a great picture. As she ruminates on her fear of elimination, we head to commercials.
We return to backstage, pre-panel shenanigans. Tyra gets her hair did and tells Nigel that the first time she met him she was stunned and titillated by the fact that she had to pose naked for his fine-ass self. Nigel looks totally uncomfortable and a little scared, and maybe will call HR after this. Tyra says that Nigel is like her brother now, and then flips through her dog-eared copy of Flowers in the Attic. The girls enter and Tyra greets them. There are prizes, there are judges. ALT's cape has extra sheen tonight. Francesco Carrozzini is the guest judge, and is looking cuter than ever.
Kayla is up first, and her hair has crossed the line to whackness. But maybe that's appropriate given her portrayal of Vivienne Westwood. Nigel tells her that it's very striking and strong in the eyes, and is one of her best shots. He really sees the model in her. Francesco says that Kayla really went for it, and wasn't afraid to express herself. ALT is convinced that Kayla is Vivienne, and Tyra loves the fire in Kayla's face. She also loves that Kayla outshone the other model in the shot. Liz is , and actually gets kudos from ALT for her ensemble. Her Galliano photo gets raves. Despite the top hat and extensions and pencil moustache, Nigel says that the photo is subtle. It would be easy to take Galliano to crazy lengths, but Liz kept it controlled. Francesco says that Liz came on set convinced that she was Galliano, and it looks like she studied the character. This is particularly impressive since she had no idea who he was. ALT says that Liz caught his body gestures and the subtlety of his theatricality. Also, she looks like a man. Liz rightly takes this as a compliment for once. Tyra tells Liz that she has the gift of androgyny, and she has bone structure that gives her sexuality, sensuality and strength. She needs to work it, because it's magic.
Chelsey is up , portraying Miss Class, Miss Style, Miss Starched White Shirt, Carolina Herrera. Nigel says that it's stunning, and that it's Chelsey's best photo so far. Her face looks so funny, though! Nigel does add that she lacks charm in the photo. ALT says that it's a Carolina Herrera moment, and she looks fantastic. Esther's Christophe Decarnin photo is , and Nigel tells her that it's too over the top. He sees Esther in costume, and can't get past that. Somewhat paradoxically, Francesco tells Esther that there's not enough of herself in it. Tyra tells Esther that she's lost her amazing bone structure by being too lax in her face. When portraying a man, you want to clench your jaw and get a little bonier of face. Her Christophe looks kind of like a handsome guy, but he isn't as handsome as Esther is beautiful.
we have Jane as Marc Jacobs. Nigel would like to see more action in the body, and to have her be more broken rather than so puffed up in the chest. Marc Jacobs is chill, gritty, and down to earth, which doesn't come through in the photo. Tyra reiterates that Top Model isn't about just standing around dead-eyed and dressing up -- it's about knowing people in the industry. She adds that the girl who goes home today is going home because she didn't know who her designer was. And -- spoiler! -- the girl who gets top photo today also didn't know who her designer was. This fact kind of negates Tyra's declaration, and proves the ultimate point that if you can fake it in this world, you can probably make it, at least on a short-term basis.
Kendal's Vera Wang shot is , and Fracesco says that she was nervous and wasn't taking direction. She gave the impression that she wasn't trying, even though she's beautiful. Tyra's fear is that Kendal is the noun and not the verb. So she was born a model, but isn't modeling. Kendal says that her nerves might be blocking her, and she acknowledges that she needs more experience. Fracesco tells her that often it's personality that makes a model, and Kendal looks troubled. Ann's Alexander Wang photo is , and gets the expected tongue bath. Nigel says that it's unbelievable how she changed. It's not the prettiest shot of her, and he loves it for that reason. ALT thinks it's great, and adds that Ann looks great today in person. Francesco says that Ann understood the subtle performance necessary, and Tyra enjoys the fact that Ann looks like a Dickensian street urchin.
Finally, we have Chris. Her photo is pretty delightful. Nigel thinks it's brilliant, and really captures Betsey's nonstop movement and sense of humor. He adds that Betsey would be proud. Francesco says that Chris has amazing energy, but has to know that there are moments when she has to change and do something different. Even if the photographer likes what she's doing, he'll end up with a whole lot of the same thing. ALT mysteriously doesn't like the photo, even though he thinks Chris is fa
bulous in general.The judges deliberate. Kayla really embodied Vivienne Westwood, and has fire in her hair and her eyes. Francesco gently points out that she was helped by the styling. Liz captured something in her subtle expressions, and looks sexy despite the fact that she's portraying an elfin guy. Chelsey is strong in her photo, but doesn't really look like a model according to Nigel. Esther didn't connect at all with her character, and her slack-jawed expression is doing her no favors. Nigel says that she's a beautiful girl, but he doesn't know if she's a model. ALT is surprised that Princeton Jane hasn't done her homework on Marc Jacobs, and Francesco notes that she's not really portraying anything in her photo. Kendal didn't know who Vera Wang was, and couldn't find a way to bring her vibe. Nigel says that Kendal's problem is that she's not modeling. Francesco wonders if she wants it enough. ALT says that Ann has a superpower that's propelling her forward. He loves the photo. Francesco adds that Ann had a serious challenge since she had nothing to play with. He's impressed. Nigel loves Chris's shot, and says that she's a sledgehammer of a model. That's Betsey Johnson. ALT says that Chris is a great comedic personality, but he wonders if she's a model. And with that, the judges have reached a decision.
Eight beautiful ladies stand before Tyra, but she only has seven photos in her hands. And those seven photos represent the seven girls who are still in the running towards becoming America's Top Model. And best photo of the week goes to...Liz! Even though she had never heard the name "Galliano." See, you can really never listen to what Tyra says. Ann looks slightly depressed about having her ridiculous winning streak broken. Kayla is called , followed by Ann, Chelsey, Chris, and Jane. This leaves Esther and Kendal in the bottom two. Tyra only has one photo in her hands, and it represents the girl who is still in the running towards becoming America's Top Model. The girl who is not called has to get the French out of there with haste. Esther is the girl who started slow but got stronger and gained momentum. However, she's slipped back ten notches, and the judges are nervous. One of them says that she has one look. It's beautiful, but the winner of this show needs to be a chameleon. Then there's Kendal. The judges from week to week say they haven't seen such a strong look in years. She's like a new colt that is ready to run. Or an extended metaphor who is ready to run its course. Her legs are wobbly, she's unsure of herself, and she continues to fall down in the hay. And the reason she's still there is because of her potential. Perhaps she was born to be a model but doesn't have the skills. So who stays in the competition? Esther does. Aw, poor Kendal.
Tyra hugs Kendal and tells her that she knows the other girls are farther ahead in their abilities. What Kendal needs is someone who can coach her and take pictures of her, so she gets out of her shell. Kendal says that her sisters can play this role. She tearfully says that she tried so hard in the competition, and doesn't understand why the judges didn't get that. She sadly exits in her high-waisted jeans and scraggly weave, and wonders what she's going to do.
week: Zac Posen show! And the girls have to battle some serious backstage attitude. And Kayla has some sort of breakdown about a shoot!
Discuss this episode in our forums, see who we think will win, then see what our vloggers think of this season's bug-eyed skeletons, below!
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