By Omar G
Previously on Third Watch: Sully got it on! with Tatiana! Alex, who will be MIA in this episode, told Bobby that he tends to mother people. Sully busted a guy in the head, to Ty's surprise, and then made it clear that even when he steps out of line, Ty is supposed to back him up. Sully tells Yokas that sometimes the thing that makes you a good cop messes you up as a person. Something tells me that line came in earlier this season just so they could use it as a teaser to this episode. Those clever Third Watch writers!
The episode opens with up in a mirror's-eye view of Sully in the morning, presumably the morning he got his freak on with his sexy Ukranian neighbor. Sully runs a hand through his hair, rubs his chin, and acts like Mr. GQ-Smooth. He leans back and rubs a hand over his bosom and stomach, facing sideways. He is the Primp Daddy. He smiles wide, leans into the camera, and checks around for stray zits. It's okay, Sully. They've all been Oxycuted. From behind, I spy a shadow moving. "You look good, John," Tatiana says in her sexy morning-after voice. Sully jumps, turns, and says, "I was just, uh..." That's okay, Sully. Ladies love a Primpin' Man. Don't they? Oh, damn, what if they don't? All those hours I spent in front of the mirror, working on my little pre-goatee! So many years wasted! But, I digress. Tatiana stands in the doorway, wearing one of Sully's police shirts like a tent. Sully says he has a robe if she'd like one, but she smiles, runs a hand through her hair, and says it's okay. She likes to wear a man's shirt. She asks if he wants coffee. Sully says he'll get it, but she says she'll do it. She wants him to shower. Grrrrowl. Sully smiles and says okay. He watches her as she walks to the kitchen. He hates to see her leave, but he loves to watch her go. Oh, yeah. Sully leans forward to the mirror again. "You look good, John," he laughs. Then he showers.
Shot of a Denny's-caliber breakfast. Toast, eggs (sunny-side up), bacon, juice, and coffee. That's a man-meal! Sully goes, "Wow!" Tatiana says she had to bring things from her place because he had nothing. That's because he doesn't eat in much, he tells her. Sully puts his hands on her waist, kisses her on the forehead, and smiles big. "You like eggs?" she asks, in exactly the same tone she asked, "do you like sex?" the night before. Watch out, Sully, if she starts asking, "You like co-signing for credit card?" Sully says he likes it, he likes it. Tatiana tells him to sit. She says she likes to watch a man eat. She stands, drinking her coffee, watching him. Sully tries to put some salt on his food, but his salt shaker is empty. Huh. Tatiana watches him intently. Anybody else creeped out by being watched while you eat? Sully must not care. Tatiana says you can tell a lot from a man by the way he eats. Sully asks what she can tell about him. She says he likes to have fun. Sully asks if he can tell all that from watching him eat. "That I learned from you last night," she says naughtily. Sully's got some hot lovin'. Indeed. Sully says he learned something too -- that his clothes look better on her than they do on him. Sully, your clothes would look better on David Hyde Pierce. But I still love you.
Outside, Sully is walking, carrying his uniform in a laundry bag, and smiling as if he is the supreme Lover Man. Which for this brief, shining moment, he actually is. Sully is about to get into his car, when he's stopped by two IAA agents (Internal Affairs Assholes). IAA agent puts a hand on Sully's shoulder and asks where his gun is. "What the hell's going on?" Sully asks. They ask for his weapon and say he has to go with them. Sully just wants to know what's happening. He gives them his gun and they take him to his car. He says they don't have to push. In the car, Sully forlornly looks through the window back out to the street. Opening credits.
My cat, Cosa, is nowhere to be found. She usually dances around to this song, but she must be exhausted from all the SurvivorDVD recapping from last weekend.
In the police locker room, Bosco starts us off on a path of whimsy by saying he had a weird dream the night before. "Did it involve a supermodel?" Faith Yokas asks him. No, Yokas, this is the new Bosco. The likeable Bosco. Weren't you here for the last two episodes? Bosco is a sensitive '90s man. Too bad it's the '00s. Bosco says he can be deeper than that. Right you are. Ty comes in asking where Sully is. Nobody knows. Bosco explains his dream. He's the sheriff. (Not Suzanne Somers.) A clock on the wall he can't read. It's the Old West. In the middle of the town, he faces off with three guys dressed in black. They're laughing at him. He has no pants on. Ty laughs. "It's not funny," Bosco says. He's wearing jockey shorts and a holster. Ty insists that it is indeed funny. He also says the dream means Bosco feels vulnerable about something. "No, I don't," Bosco says. "Yes, you do," Ty tells him. Ty asks about Sully again. He says he wanted to get the rundown on the Russian girlfriend. "Oh my God, Sully's getting him some?" Bosco asks. Even Yokas looks surprised. "Is this his first?" Bosco asks. Bosco returns spectacularly to form by asking if the girlfriend has a younger sister with similar low moral fiber. Nice. Sergeant Doogie Bateman from the last episode comes in looking for Ty. He tells him that Sully won't becoming in and Ty has to be his driver for the day. Sucks to be Ty. Bosco says that if you haven't had sex in decades, it must take a while to recover.
At the fire station, Carlos is hitting the books. Pretending to know how to read. A mug with the Sweet & Low logo inexplicably sits on the desk. Kim is sitting with him. She asks what he's studying and complains about the coffee Carlos made. "That's impressive," she says. "Making bad coffee?" he asks. Don't attempt witty banter, Carlos. Geez. Kim spells her own doom by saying that she admires Carlos for going to school while working. Carlos gets all doe-eyed and smells her hair and thinks about kissing her in a tree and making babies and whatnot. Something tells me Carlos is going to be not only spanking the monkey later, but sending that monkey into time-out, grounding the monkey for two weeks, and taking away the monkey's TV privileges. Bobby comes in and he exits with Kim while Carlos chuckles pathetically. Which is appropriate given that he's a chucklehead.
The car carrying Sully and the IAA fellows pulls into what looks like a nasty part of town. Sully asks if they're gonna kick his ass. They ask about an Officer Jacowicz that Sully used to work with. Sully talks back and they tell him to shut up. Apparently, Jacowicz says that Sully manufactured evidence against a convicted murderer named Rudy Stiles. They tell Sully they're giving him the opportunity to make a deal. He says he doesn't want a deal. They ask him to name some other bad cops. Sully: "No deal." He says he doesn't know anything about anyone.
In the ambulance, Kim asks Bobby what's wrong. He looks mopey and tired. He says he hasn't been sleeping, while Kim bitches about how Joey's videogames are keeping her up at night. Bobby complains that dreams are keeping him up, but he can't remember them.
Kim and Bobby arrive at the scene of a woman at home having trouble breathing. Her husband says she's in end-stage ovarian cancer. Her name is Francine and she is, indeed, struggling. Bobby puts an oxygen mask on her. The woman tries to talk while Kim calls in an order for morphine. Bobby suddenly recognizes her. "Is she a teacher?" he asks. Turns out he had her in eleventh grade. Poignant music plays.
Driving Mr. Doogie. Ty is in the car, playing chauffeur. Doogie Bateman says that Sully is involved in something, but won't say what. He tells Ty where to go, but nothing else. Doogie is an ass: he tells Ty he doesn't want to talk; Ty is just expected to drive. Ty asks what happened to Sully. "I hear a lot of good things about you, Davis," Doogie begins. "Stay away from Sullivan. He's the kind of cop that could dirty a young man's career." Ty immediately says Sully's a great cop. Doogie tells him he can take the advice or leave it.
Sully and the IAA jerks. They're outside the car. They demand Sully's shield and ID, and say he's suspended. Reluctantly, Sully hands over his ID. He stabs his finger removing his shield. He calls the guys jag-offs, which is pretty weak. They approach him threateningly, then hand him back his laundry. "Hey, how am I supposed to get home?" he asks as they get into their car. IAA the first says he doesn't give a rat's ass. Not even one? They drive away, leaving Sully in the lurch. Commercial, so we can seethe over the injustice of it all.
Hospital. Bobby is looking in on his old teacher, who is bent over, moaning. He talks to the husband, but is interrupted by Kim because they have a call. "Be strong," he says to the man. As opposed to...?
Sully gets home and is greeted by the lovely Tatiana. "You come home already!" she squeals. Sully brushes her off and says he had problems at work. "What are you all dressed up for?" he asks. She says she got called into work. Waitressing? She says there were police there earlier, but it sounds like she's saying, "Bullies," which indeed they were. Sully enters his apartment and yells "Dammit!" They tore his place up. Stuff, including his guitar, is lying everywhere. "Oh, John," Tatiana says. Sully turns and tells Tatiana not to worry about it. He tells her he needs some time alone as she protests. He closes the door on her, puts on the latch and quietly says, "I'm sorry." Poor Sully.
In the ambulance, Bobby asks Kim if she had a teacher who made a big difference in her life. Sex Ed, I bet. She says it's her English teacher, Mr. Romano. Bobby says it was Mrs. Bradley for him. Bobby says he would have turned out worse than his brother, Matty, if not for her. He attributed his whole life to her: "She was the first adult who ever believed in me. She saved my life."
Bosco and Yokas get back to the station. Yokas asks Ty if he's heard the news. She shows him a newspaper with a bunch of cops on the front page. She says that Jacowicz worked there her first six months and got busted for holding dope, mostly prescription drugs. Ty looks pretty stunned. She says the guy's rolling over on a bunch of cops, including Sully. "Well, what about innocent until proven guilty?" Yokas tells Ty that, with them, it's the other way around. Ty immediately tries calling Sully at home on a conveniently placed phone. Sully is sitting in his living room, stuff strewn everywhere. He's plucking at his guitar, restringing it. The phone rings. Sully doesn't react or answer it.
At the hospital, Bobby visits his old teacher. He talks briefly to her husband, who thanks him: "You gave her some relief. These days, that's a lot." Profound yet meaningless. Bobby goes in and introduces himself, but she already knows him. The teacher says she's happy to be going home. She says she hadn't wanted her husband to call the ambulance until she felt like she was drowning. Drowning, she says, is her big fear. The teacher says she's been coming in more and more often. She compliments Bobby on his uniform, saying it looks better than his old leather jacket. "That jacket was cool," Bobby says. Bobby turns the moment serious and tells the teacher that she changed his life. "It was you," she says quietly. "You were ready for a change. I just happened to be the teacher of record at the time." Nicely, there's no sappy music here. Well, not yet. Bobby asks if there's anything he can do. She says maybe there is. Now the music comes in. She says that the drowning feeling was bad. She doesn't want her husband to see it. Oh, I recapped City of Angels. I know where this is going. She says doctors won't help her. Bobby says, "I can't, I'm sorry." She wants to die and she wants Bobby to be her Kevorkian. "I shouldn't have asked," she says, and begins to cry. Bobby looks down as she tells him it's all right.
Sully's pad of depression. He opens the door to Tatiana. "I hear what happened on the news," she says. Sully doesn't hug her or anything. She asks what happened. Sully tells her they say he put somebody in jail that's not supposed to be there. She asks if he did that. "No," Sully says. She says that's great, everything's gonna be fine. "You'll still be police man." Sully bluntly says that he's not sure he wants to be one anymore. Tatiana loses her glow, says, "Okay...so," and says she should probably go back. Sully agrees. No goodnight. No nothing. Sully closes the door and puts on the chain. He puts his hand on the door. So either Tatiana is after his pension, had a dad who was a cop, or has a deep, dark secret. Something's up here.
Short exchange in the ambulance. Bobby is looking moody and sad. Kim tells him he's a drag when he's like this. Kim, shut your pie hole.
Another knock at Sully's door. "Tatiana," he says, but it's actually Ty. Ty says he tried to call. Sully tells him he's fine. "Guess I'll go home, then," Ty says. Oh, just hug, you men. Sully apologizes if his troubles are causing Ty problems at the station. Ty, a stand-up guy, says he doesn't care about that. "I know you, I know what kind of cop you are," he says. He tells Sully he doesn't believe the accusations and has Sully's back 100 percent. Sully says thanks. "I was really happy this morning," Sully says. "I won't make that mistake again." Sully goes back into his hovel and retreats from the world. Man, who stepped on Sully's karma? Commercials appear so we can feel good about something in the world.
This is such a bummer episode. This makes a bunch of kids getting killed during homecoming look positively cherubic. So Bobby shows up at the teacher's house, this time without Loudmouth Kim. Bobby asks the husband, who answers the door, if he knows about her wish for euthanasia. The husband says he knows. Bobby asks if he's okay with that. The husband is dandy with the idea. The man asks Bobby if he wants to come in and see her. Bobby, looking supremely conflicted, says, "No," and walks back down the hall of apartments.
At the fire station, Kim arrives wearing a hemp-looking ski hat. She scouts for coffee, which blessedly wasn't made by Carlos this time. She asks about Bobby, but he's outside cleaning the ambulance. Carlos gives the eye the whole time she's there. He clears his throat when she leaves, smiling smugly. "She admires me," he tells Doc. Bobby walks in, looking angry. He says he dropped two vials of morphine. Doc tells him where to find the paperwork. Doc says it's okay. Carlos says accidents will happen, like how he dropped a whole bottle of epi the week before. Doc says Carlos threw it at him. "You were being an ass again," Carlos says. He asks if Kim has ever mentioned him, and how he's admired, to Bobby. Bobby pauses, then plays along. "Yeah," he says. Oh, jeez, don't encourage him.
Sully is waiting at the Internal Affairs Office. His lawyer, a guy with curly hair and glasses -- very Rob Morrow in Northern Exposure -- arrives. The preppy lawyer and Sully obviously aren't meant to get along even though the lawyer is representing him. Sully is annoyed that the guy is late. The lawyer says for Sully to keep his mouth shut when they talk to the internal affairs folks. Sully snaps, "Who the hell do you think you're talking to?" Sully looks around, noticing that other cops are talking to similarly preppy lawyers. He moans that he hasn't seen some of these cops for ten years. It's like a high-school reunion, but the theme is "Police Corruption." The IA agent comes out and greets the lawyer all friendly, like, "Hey, Jake." The lawyer explains to Sully, "I'm here a lot." Things don't look too good for Sullyman.
Yokas in the car with Bosco. She says she doesn't want to help anybody because the whole system is corrupt. Bosco interrupts her with the details of his latest dream: He was walking along a bridge and it blew up. Wait, that was my dream, too! Sully tells Bosco that he's scaring her. "Think how I feel," he says. Yokas says that when they're done with the job, she wants to buy a book and sit and park somewhere. "They can't indict me for readin'," Yokas says, winning my heart yet again.
On the curb, a guy is screaming, his legs entangled with his busted-up bicycle. The paramedics arrive. Kim gets out first, asking the guy to hang in there. "I think I broke my leg," the guy moans. Bobby moves the bike as Bosco approaches the guy who hit the bicyclist with his car. Bosco doesn't believe the driver and starts to write him up until the older man reveals that he's a psychiatrist. Bosco suddenly is interested in the guy's innocence. Yokas disapproves, of course. "Do you know anything about dreams?" Bosco asks. Kim calls in the accident while Bobby works on the guy. He asks for an order of morphine, 10 migs. "10?" Kim asks. Uh oh. Bobby tells Kim to go get a cot. She turns around just in time to see Bobby slipping some morphine into his jacket. Everything slows down to slow motion and accusatory music plays. Bad Bobby. Bad, bad Bobby.
In the IA office, Sully is being accused of manufacturing evidence. Oh, come on! We've seen Sully's apartment. He owns no manufacturing equipment. (Somebody whispers in Omar's ear.) Ohhhh. I see. Well, I guess it's possible. The IA guy says the criminal, Rudy Stiles, concurs with the accusation. They plan to charge Sully formally. Sully points out that they have a criminal and a crooked cops' testimony. Sully's appointed lawyer tries to butt in, but Sully stops him. "Whatever happened to felony review?" Sully asks. He tries to turn the table on the IA guy over conviction rates and plea bargaining. He raises it to a fever pitch, and even brings the IA in, asking how many times "Donald" has helped him put people away. Donald the Internal Affairs Guy looks suddenly very uncomfortable. Not so nice when the shoe is on the wrong foot that's not yours, huh? Wait, did I just mix my metaphors? Sully is really hot right now around the collar. He brings up Rudy Stiles, who raped and murdered an eight-year-old boy. "The fact that he did it means nothing to you?" Sully asks. The IA guy says everybody has the right to a fair trial. Yeah, yeah. You IA guys are all the same, ya soulless prick. Donald says they can make a deal. "I didn't do anything wrong and I'm not making any deal!" Sully yells. He says he and Rudy will have to come after, "You son of a bitch!" Damn, Sully. You have sex and you turn into this wild beast. Sully grabs his jacket and exits.
At the station, Doc and Carlos are on the floor of their ambulance cleaning up something. Carlos is gagging. Maybe he tried to swallow some decency pills and he choked on them. Kim and Bobby get out of the ambulance. Doc explains to Kim that a drunk guy puked in there. Kim offers to help clean so Carlos can get back to the books. "Are you serious?" he asks, because no one has ever had a reason to be nice to him in his life. Carlos gives Doc a meaningful look, as if to say, "See? She's my skank!" After Carlos leaves, Kim says, "It's about Bobby..."
In the police station, Doogie Bateman asks Ty how to get a hold of Sully. Apparently, Sully's still not answering his phone. In a quick bit of exposition, Bateman says that the cop who was accusing Sully has committed suicide and left a convenient note saying he made the whole thing up. The cop's name, incidentally, was Deus Ex Machina. "This investigation is over," Bateman says, and tells Ty that Sully will be back, probably the day. "That's great," Ty says. Bateman tells Ty that it doesn't mean Sully didn't do it. "What's your problem?" Ty asks. Bateman goes on about how stupid Ty is and how they're not above the law. Does anybody like Doogie Bateman? He puts the "ass" in "asshole." Bateman walks off. Ty is disgusted, but happy.
In the bunk room of the fire station, Doc approaches Bobby, who is lying down. "You're not gonna kiss me?" Bobby asks, cryptically. Doc asks about Bobby's not being able to sleep lately. Bobby says it's just dreams, and gets up to wander around. Doc comes right out and asks if Bobby is using morphine to sleep. He brings Kim into it. "She's wrong," Bobby says. He's pissed. Doc bring up programs in the department to deal with drug abuse. "You think I'm doing dope? Thanks for taking that road, man," Bobby says. Well, damn, Bobby -- what would you think if Kim was doing what you're doing? And it would be a hell of a lot more plausible, too. "I'm not shooting morphine," Bobby says. Then he asks if Doc could help someone who completely changed your life, whether he would do it. He gives a sad little speech about how paramedics are just the middlemen for treatment and don't really do anything. He gets all choked up. Doc tells him not to do anything stupid. Bobby walks away as Sad Music comes up.
In the locker room at the police station, Yokas is wondering who they'll go after and whether they'll just wait for officers to commit suicide. Bosco is all defiant, saying they should just try to come after him. Big man, big talk. No, wait, he's a tiny man. Well then, tiny man, big talk. Then Bosco complains that he doesn't want to go to sleep because he'll have nasty dreams and Freddy Krueger will come kill his boyfriend, Johnny Depp. (I may have made that last bit up. So sue me.) Yokas asks about the shrink, and Bosco says the psychiatrist was no help. Except for Dr. Melfi on The Sopranos none of them on TV usually are. ["There's a good one on Once and Again this year, too." -- Wing Chun] Yokas tells him that he should drink some herbal tea and watch TV. "I'm surrounded by New Age crap!" Bosco moans. "It's very relaxing!" Yokas fires back, menacingly. This is a damn funny scene. Yokas tells him that Channel 4 is showing some great movies this week, too. She says they're showing Casablanca, High Noon, and Bridge Over the River Kwai. ["Heh. That's funny, because Channel 4 is the NBC affiliate in New York." -- Wing Chun] Bosco asks, "High Noon?" Yokas's face falls comically and I start cracking up. "Son of a bitch!" Bosco yells. His neighbor's TV is so loud he can hear it through the walls. Oh, too, too funny. Bosco throws on his jacket and runs out. Good thing his neighbor wasn't watching Temptation Island. He might have dreamed he was dating Taheed.
Back to the Bobby and Kim saga. As she's leaving, she mentions that he hasn't said anything to her all night. "You overstepped your bounds," he says simply, not even looking at her. When does Kim not overstep her bounds? When has Kim ever been within bounds? If she played basketball, she'd be one flagrant turnover for eternity. Kim apologizes and says she was only asking for advice. Kim says if something is going on, she wants to help. "For once in your life, mind your own damn business," he tells her. I go pour some wine just so I can toast Bobby.
Bosco runs down the hall of his apartments because the TV is on too loud. Bridge is on again. He can hear the whistling from the hall. Bosco knocks on the door, telling them to turn down the TV. Who should answer the door but a high-pitch-voiced supermodel. She's wearing some white cotton pajamas and sounds as dumb as a post dipped in water and chewed on by sea creatures. She says she'll turn the TV off. Bosco has calmed down considerably. She smiles and says goodnight. "You know what I do?" he asks, stopping her. He recommends herbal tea. She says, "Herbal tea?" and pronounces the "H." Goodness. Bosco says he even makes it his own way. She says she loves a man who's a leader, not a follower. They are so a match made in heaven. Beauty and the Beastie Boy.
At the station, the nastiest thing is about to happen. Carlos stops Kim and says he has to talk to her about something. "It won't work," he tells her. He says that after all of her admiration, he's uncomfortable. She has a kid, he's friends with Jimmy, all that. It won't work. Kim looks embarrassed and weirded out because, damn, getting dissed by Carlos is about the most terrible things in the universe. I'm just glad that the forces of evil were narrowly averted. Their unholy union would have crumbled cities and produced spawn that would have made us all claw our eyes out at the sheer evil and hideousness of their presence. But, I digress. Kim got dissed, but it's not really a dis because she didn't want Carlos in the first place and she gives these facial expressions like she's above all this. Kim, you're not above it. Not even a little. You would have screwed guest star Ossie Davis if he'd have let you. You would have sex with a midget pimp. Don't act like you wouldn't. Carlos adds insult to injury (and if he didn't injure Kim, I volunteer) by asking for a "let's be friends hug." Folks, beware: the "let's be friends hug" is dangerous. Don't use it on someone who is carrying any kind of weapon.
Sully is at home, sitting at the table. His door is open. Ty enters and asks about that. Sully tells him he's waiting for Tatiana to arrive home from work. Dude, haven't you ever heard of a Post-It Note? Why you gotta be all "Stalker, Texas Ranger" about it? Sully carries over a case of Budweiser and tells Sully the good news: The cop killed himself. "Just like that," Sully says, of the end of the case. He notes that he's supposed to be happy about the great misfortune of another. Schadenfreude. We get it. Ty calls him a rat, but Sully says he was just another guy and they force you do things you never thought you were capable of. Ty notices a scrapbook on the table Sully used to keep. He has the Rudy Stiles case story open up. "Sounds like a good arrest," Ty says.
The bit is Sully telling the story of the original arrest. Music starts to play. The real world, search warrants, evidence. Sully gives a great oration on the challenge of making a case stick. Can you see where the train is headed? He says that, in some cases, you know the evidence is there, but an area isn't included in a search warrant. Ty starts to look a little frightened. In a roundabout, rambling way, Sully reveals that the t-shirt of the boy that was killed in the Rudy Stiles case was in a trash bin, not the car they were searching. Ty leans back in his chair. Ty says they found the shirt in the trash can and they moved it twenty feet so that it would be in an area that was included in the warrant. "Was that so bad?" Sully asks. He tells Ty that Rudy confessed that he stabbed the boy with a screwdriver, and he laughed about it. He knew they'd moved the evidence. "Everybody knew," Sully says, "the judge, the prosecutor, everybody." But the cops have to take the fall and everybody else stays clean. Ty looks like he's about to lose his lunch and his beer. "I had a duty to do. Duty to him. Duty to his mother," Sully says. "Yeah," Ty says, breathing deep. "So you did it." "And I'd do it again," Sully tells him. Thus ends Sully's débacle. Yeah, the system stinks. It all stinks. Where's Michael Moore when you need him?
Bobby finally gets a great scene. As music begins to play (Nick Drake's "Road"), Bobby walks up a city street outside a home, pacing. He arrives at his teacher's home and sits by her bed. No dialogue. All we hear is the song playing over Bobby putting on his gloves and administering the morphine. The lyrics are:
You can say the sun is shining if you really want to
I can see the moon and it seems so clear
You can take the road that takes you to the stars now
I can take a road that'll see me through
I can take a road that'll see me through.
You can take a road that takes you to the stars now
I can take a road that'll see me through
I can take a road that'll see me through
I can take a road that'll see me through.
The teacher looks to her husband, who watches her, wringing his hands. Bobby inserts the needle into her hand. She smiles and tilts her head. Her husband watches. Each shot slowly pans from Bobby to the teacher to her husband. She looks peaceful, her eyes beginning to close. She smiles at Bobby. He blinks, packs up his kit, and quickly leaves without saying a word. We pan back to her husband as he sits to the woman and their dog. She rests her head on a cushion and begins to drift away. Outside, Bobby walks toward the camera, holding back tears. The song's last strains end as we fade out.
week: Heathen recaps week's episode, about an underground manhunt where there's a Mexican standoff and folks trapped. Action episode, anyone?