Carol Seaver lights some candles and tells someone how happy she is and how long she's waited to cook for him. Did I accidentally put in my tape of theGrowing Painsreunion TV movie? Johnny, in his bathrobe, tells her where she can find a frying pan. Is this a date? Why is Johnny in his bathrobe? Why is he dating Carol Seaver? Carol compliments Johnny's house and says it's even nicer than she thought it would be. Johnny smiles tightly. Carol pulls some seafood out of a bag and tells Johnny that this recipe is her specialty. As she walks around the kitchen preparing the meal, she keeps sneaking peeks at Johnny and smiling. Carol confesses that she actually prepared this meal six times this week for practice, and fed the food to her cats. Oh, she must be crazy! She owns cats! Johnny guesses that she has a whole bunch of cats. Carol confirms that she does. Oh, she's definitely crazy. No sane woman has more than one cat! Sane women own dogs! I guess this line of thought is only funny if you know that I have three cats (and a dog). But I was cracking myself up there.
Carol pours the shrimp into a frying pan and then pulls a giant chef's knife out of a knife block. Johnny cringes and Carol asks why he's so jumpy. Just then, someone bursts through the door and calls out Johnny's name. Johnny tells the unseen person to come into the kitchen. Carol says she thought it was just going to be the two of them. Two cops show up in the doorway and Johnny tells them that Carol seems pretty harmless. Carol asks what's going on as one of the cops handcuffs her. We find out that Carol rowed a boat and scaled a rock wall to get into Johnny's house. Carol says she knew Johnny would like her if he got to know her, and as the cops lead her out, she gives Johnny some final advice on cooking the shrimp. If Crazy Carol is really crazy, I hope Johnny doesn't eat that food. God knows what she put in it. Plus, there's probably stray cat hair in the bag or something.
A tech installs some wiring in Johnny's house. Bruce reminds Johnny that he needs to be more careful, because there are a lot of people out there watching him. Bruce says that someone might try to shoot Johnny to impress Jodie Foster. Wouldn't the person shoot someone else to impress Johnny? Johnny sarcastically suggests they dig a moat around his house and fill it with sharks. Bruce says it worked for Rob Roy. You know, I saw that movie and yet all I remember from it is Liam Neeson and Jessica Lange totally doing it in a field. With kilts. Johnny says that the locks don't just keep the crazies out, they keep him in, and he wants to have a life. Rev. Purdy shows up and starts talking to Johnny about a safe room. What's with all the Jodie Foster references this week? Johnny doesn't want one. Purdy keeps talking to one of the security guys while Johnny continues to look dismayed.
Johnny says he needs to go because he has a lunch date with Dana. Bruce (in his role as viewer surrogate) asks how that's going. Johnny says he hasn't talked to her for a while, and that he cancelled once. Bruce thinks Johnny is screwing up the relationship. Johnny says that Dana thinks it's due to him and Sarah. Bruce says that the thing with Sarah was "a one-night mistake," but Johnny insists that "it changed everything." Bruce says that we learn from our mistakes, and then decides that with his abilities, Johnny should learn from his mistakes before he makes them. A tech sets off the security alarm and Johnny and Bruce are both startled. Bruce suggests that instead of sharks, they fill the moat with koi. Johnny says no and walks off.
Johnny drives down the road. He comes upon a car that appears to have run into a telephone pole, and is smoking. He slows and sees the driver slumped over the steering wheel, so he stops and walks back. Dude, just whip out your cell phone and call 911! What if the car's about to blow? He asks the driver if she's hurt. She says she's not, and that she just looked down for a second. Johnny finally pulls out his phone, but the woman insists that she'll be all right. Johnny grabs the car door to pull it open for her and goes into a vision of Crazy Carol standing in front of the car and giving the woman the thumbs-up. When Johnny snaps back, Crazy Carol is holding a chloroform (I assume)-soaked cloth over his face. Another woman is filming the whole thing. Johnny struggles and then falls to the ground. The driver, the woman with the camera, and Crazy Carol all stand over Johnny and smile.
Bruce talks to Dana on the phone. She's upset that Johnny is an hour late for lunch, and that he's not answering his cell phone. Bruce says he has no idea where Johnny is. Dana asks if Sarah called him. Bruce is sure that Johnny wouldn't just blow Dana off. Dana tells Bruce to have Johnny call her, clearly pissed. Bruce is like, "How did I get in the middle of this?"
Dana knocks on Sarah's door. Sarah is not very happy to see her. Dana says she's looking for Johnny, but Sarah says he's not there. Dana wants to see for herself. Sarah tells Dana that she has "a hell of a lot of nerve," and that she's busy. Sarah tries to slam the door, but Dana learned the old "foot in the door" trick that they must teach in Reporter School. They argue some more, until Dana is interrupted by her cell phone ringing. It's Walt, and he wants to know if she's seen Johnny. Dana hasn't, and reveals that she's with Sarah. Walt wants to know if Sarah has heard from Johnny. Sarah grabs the phone and asks what's going on. Walt says that an officer found Johnny's car on a back road, and there are no signs of an accident, but no signs of Johnny, either. Walt promises to call both women if he finds anything out. Dana hangs up. Sarah says she won't sit there and wait for a call. She grabs her coat, and she and Dana take off. What about J.J.? I guess he's in school.
Walt and his fellow officers find some marks that look like someone was dragged through the mud. Walt notices that the telephone pole is splintered. They just noticed that? What kind of cops are they? Crappy small-town cops, I guess.
Abandoned farmhouse. The woman who was driving the car starts up a gas-powered generator and flips on a light. Crazy Carol unpacks some food from some grocery bags. The woman who was operating the camera edits her footage on a laptop and adds sound and score. She proclaims, "Oliver Stone is a pussy." Okay, granted, but why Oliver Stone? Driver Chick comes up and asks Camera Chick how it's going. Camera Chick says that if all of their footage is this good, they're in business. Driver Chick starts massaging Camera Chick shoulders, and Camera Chick tells her not to tease. Driver Chick says she might not be teasing and Camera Chick says, "It's always a tease with you." J-Dawg says, "Why is Driver Chick's head so gigantic?" It really is. Gigantic. Driver Chick is all offended and we finally learn that her name is Anita as Camera Chick apologizes. Anita walks away.
Crazy Carol wants to tidy up all the spider webs, but the other women won't let her. Anita wonders what would happen if Johnny touched a spider. Probably nothing? Camera Chick thinks Johnny might see himself ingesting a fly, and thinks she could recreate that for their movie. All three women walk upstairs where Johnny is just waking up to find himself duct-taped to a chair. Hey, people need all that duct tape for important terrorist-prevention-related activities! Anita thinks Johnny looks drowsy and Crazy Carol says she used the amount of chloroform suggested on the website. Camera Chick films the whole thing. Anita tells Johnny to nod if he understands. Camera Chick points out that Johnny can't nod due to the giant amounts of duct tape around his head. Anita tells him to blink if he can nod. Shout-out! Johnny blinks! Crazy Carol apologizes for her actions the other night and says she thought she might convince him to help them. She thanks him for not pressing charges.
Anita tells Johnny that they're not professional kidnappers, but none of Johnny's representatives responded to Maddy's (Camera Chick's) proposal for the movie project. Maddy only got a form letter. Of course she got a form letter. Why would she think she should get more? She's lucky she even got a form letter. Maddy recites the form letter she got from the Faith Heritage Alliance. Anita says they're making a documentary and her role is that of historian. She and Maddy are from L.A. and Crazy Carol pipes up that she's "the local Smithophile...and caterer." Crazy Carol adds that they met in a chat room. Of course they did. Because women who have cats are crazy, but women who go in chat rooms are reeeeeeeeeeally crazy. Anita says that they're across the state line in New Hampshire. So doesn't taking him across state lines make it a federal case? Or is that just kidnapping of minors? Everything I know about the legal system I learned from television and movies, sadly. Anita says that twenty years ago that night, some terrible murders happened in that house. Maddy says that some think that house is haunted, and they thought bringing Johnny and the house together might result in great filmmaking. Crazy Carol yells that it's like The Blair Witch Project. Maddy thinks that movie was crap because it was "commercialism masking as verité," and what they're doing tonight is real. Carol notices that Johnny is sweating and busts out some handiwipes to wipe his brow. Johnny has a series of visions of a bloody sickle, his stomach being splashed with blood, and Maddy lying dead in a corner. Johnny starts trying to shout and escape, but duct tape is really strong, y'all.
Back at the police station, Walt gives instructions to people; he explains that they don't know yet if it's a kidnapping case, but they're treating it as such. Bruce brings up Crazy Carol, and Walt says they're trying to locate it right now. Walt asks Dana not to report the story for forty-eight hours and Dana says Johnny's been missing less than a day so it's not really news yet anyway. Walt says that he and Bruce will retrace Johnny's footsteps over the last day. Sarah asks what her assignment is. Walt wants her to go home because it's police business. Sarah points out that Bruce gets to help and he's not a cop. Walt says that Sarah needs to go home because J.J. will be there shortly. Okay, he doesn't, but he should. Instead, he says (with some prompting from Bruce) that Bruce is "a material witness." Sarah thinks it's because she's the sheriff's wife. Walt agrees. Dana says that Sarah can go with her, but Walt refuses. What is he, her jailer? Then he reconsiders, and asks where Dana is going. Dana says she's going to the Faith Heritage mailroom to check out Johnny's fan mail for clues. Walt thinks this is acceptable and gives Sarah permission. She shoots him a look and Walt pretends like he's not ordering her around like a big jerk.
Back at the farmhouse, Anita points out that they're miles away from anywhere, so they can take the duct tape off Johnny's mouth since no one will hear him if he screams. They rip the tape off and Johnny immediately says that they have to get out of there because it isn't safe. Maddy points out that "unsafe" will make for a good movie. Johnny tells them about his recent visions. Anita shows him a picture of the kind of sickle used in the murders there, and adds that they never recovered the actual weapon. Johnny insists that his visions were of the future, not the past. Crazy Carol runs in with some cookies. Johnny begs her to tell the other women to believe him. Anita fills in that Johnny had a vision that they would all die, but she thinks he's just trying to scare them into letting him go. Johnny screams, "Will you listen to me?"
Rev. Purdy shows Dana and Sarah to the mailroom and explains that they work to screen Johnny's mail and identify possible threats. Dana and Sarah are amazed to see how much mail Johnny gets; it fills the room. Purdy says that it's mostly requests for autographs, or thank-you notes. Sarah spots a bin full of stuffed animals and such, and Purdy says that some people send items in, hoping Johnny can do a reading for them. Purdy paws through the items and shows off a bra, laughing. Sarah quietly asks Dana if it's hers, and Dana replies, "I don't need to mail him mine." Ha! Score one for Dana. She asks Purdy how many weeks' worth of material they are looking at, and Purdy says that they're only looking at one day's worth of mail. Sarah is shocked. We know this because she bugs her eyes out.
Johnny tells the women that the whole thing is a bad idea, and asks if they really want to go to prison. Maddy says that they won't, and Johnny points out that kidnapping is a felony. Anita interrupts to say that the house has a story to tell, and the sooner Johnny tells it, the sooner he can leave. Johnny reminds her that he needs to touch things, and can't get visions while taped to the chair. Anita tells him to use his feet. Does that work? Anita tells Crazy Carol to push Johnny around. She pushes him over to a desk, and nothing happens. Maddy yells at Crazy Carol to stop looking into the camera. Crazy Carol continues to push Johnny around the room, but nothing happens.
Until Johnny's feet touch an old bed frame, that is. Johnny goes into a vision of a couple getting dressed in the morning and discussing their day's activities. Johnny tells Anita (who is also in the vision) what he sees. Anita guesses some of the details, indicating that Johnny is clearly seeing something she knows about already. Anita tells Johnny that he's looking at Daniel and Cheryl Connor, and pulls out a crime scene photo of the man and woman after they were murdered. Johnny hears someone chanting "Big house, little house, back house, barn" in another room. He walks over and sees a little girl jumping rope and chanting. Anita says that it was a playroom for the children. Johnny starts chanting along with her. Anita guesses that the girl has long red hair, and then shows Johnny another crime scene photo of the girl, dead, with her hair chopped off. Anita says that this was Tina Connor, and that they never found her hair. Johnny squats down and sees that there is a boy hiding under the desk in the room, reading. Anita says that it's Nicholas Connor; he hid in the basement crawl space during the killings and they didn't find him for three days. He couldn't speak for a year afterward, and spent most of his life in mental institutions, but disappeared two years ago. Anita says she's tried to find him, and failed. Johnny snaps out of the vision. Maddy is happy with the footage she got, and asks Johnny to give her details so she can dramatize the visions with actors later on. Maddy leaves to recharge her camera batteries. Johnny tries to convince Crazy Carol to let him go now. Anita says that Johnny hasn't identified the Reaper, which is what people called "the drifter" who killed the Connor family. Crazy Carol takes off to start dinner. Johnny asks again to leave. Anita says he's persistent, and Johnny says that she is, too. Anita gets angry and yells that she's trying to solve a mystery, because "a cold-blooded killer" walked away, and he could still be alive, and she wants to find him. Johnny asks why. Anita talks about how you can buy famous murderer action figures, but only the ones who are in jail or dead, and she wants to add the Reaper to her collection. Johnny is silent. Anita walks out. Johnny tries to wriggle out of his chair, unsuccessfully.
Later that day, someone goes into the basement of the farmhouse and uses a crowbar to pry away some boards in the wall. The person pulls out a metal box, and opens it to reveal what looks like Tina Connor's hair. The person starts chanting the jump rope rhyme in a male-ish voice.
Back at Faith Heritage University, it's night, and Dana and Sarah are still in the mailroom sorting through Johnny's mail. Where is J.J.? Home alone? With Walt's mom? Does Walt have a mom? I know it's a dumb detail, but I'm kind of obsessing over it. Sarah runs across another letter from Crazy Carol and reads aloud: "Dear Johnny. If you touch this letter, you'll be touching me." She announces that Crazy Carol sent Johnny thirteen letters in three months. Dana says she's got fifteen from a Mrs. Hazel Glim of Butte, Montana, who "thinks that Johnny is a sign from the Lord that the world is coming to an end." It's funny because it's true. Sarah is astonished at all the "complete strangers who think that they know Johnny intimately." Dana says they should talk to her and Sarah, who could tell them how Johnny sometimes wears the same clothes two days in a row. Sarah hates when Johnny does that, and mentions how Johnny sings along with the car radio. Dana and Sarah both talk about how Johnny talks with his mouth full, and they laugh together. Then Dana has to take it a step too far and talk about how Johnny snores. Sarah gets uncomfortable and then says that Johnny is good at finding lost keys. Dana adds that Johnny never watches sports on TV because he always knows who's going to win. Sarah asks Dana if she thinks Johnny will be okay, and Dana says that they need "a psychic to find [their] psychic." They both turn back to their tasks, and Dana finds another letter from Crazy Carol. Sarah notices that it is dated just a few days earlier, and that the return address is a hotel in Bangor.
Rev. Purdy gets an update from a lackey. It seems that someone has broken into their computer network. Purdy asks how much money they want, and the lackey says that they actually want to pay Faith Heritage, and makes Purdy promise to "watch the whole thing" before saying no. Purdy watches an animation sent by Maddy. The animation changes to footage of Johnny being kidnapped. Purdy tells the lackey to call Walt, and the lackey says he's downstairs. The animation continues, with Maddy saying that Johnny is fine and that he'll be released if Purdy follows instructions. She wants Purdy to run a seven-minute trailer on his network that night, because they've already told potential distributors it'll be on. In return, Maddy offers Faith Heritage 5% of the adjusted gross profits of the movie, if it gets picked up. Purdy starts to give a big speech about how he won't take their "blood money," but the lackey hands him an envelope containing "the gross receipts for a movie called The Blair Witch Project." Oh, I refuse to believe they've never even heard of it. Never seen it, maybe, but never heard of it? What were they, in a cave? Purdy is still trying to keep up his disgusted demeanor, but can't contain his curiosity. The lackey starts rattling off some numbers, and reveals that 5% would be about $17 million.
Johnny continues to struggle to get free. He rolls his chair over to a vanity, which sends him into a vision of Nicholas Connor brushing his sister's hair, creepily. Even creepier? I have almost that same vanity in my bedroom growing up. It was my great-grandmother's. Crazy Carol comes in with dinner and Johnny snaps out of it. She tries to feed him, but he says that he's not hungry. She thinks he's mad at her. Johnny says he wants to get to know her better. Crazy Carol starts rattling off some facts until Johnny says seductively (I guess) that he'd like to spend more time with her away from the farmhouse. Crazy Carol thinks that he's got Stockholm syndrome. Johnny says he feels close to her. Crazy Carol wishes she could believe that. She sits on his lap, facing him. Johnny tells her that he needs her help to get out. Crazy Carol says she can't do it. Johnny tries to guilt-trip her into it, but Carol won't do it. Johnny promises her that they'll be together. Crazy Carol starts making out with him. Johnny looks creeped out, but decides to go with it.
Sarah and Dana go to the motel where Crazy Carol was staying and talk to the manager. He recognizes her picture and says that she was singing karaoke in their bar a few nights ago. Well, if you didn't think she was crazy before, with the cats and the internet, the karaoke just pushes it over the top. Sarah thinks it might be too early to call Walt in on this. The manager reveals that Crazy Carol was visiting with some friends from L.A., but that they all haven't been around in a few days.
Meanwhile, Crazy Carol is taking her shirt off! Woo! She tells Johnny that she believes they were destined to be together on that night, because she's ovulating. I've got to say that Tracey Gold looks really good in a camisole, especially given her past problems with eating disorders. Johnny thinks Crazy Carol is kidding. She tells him that she wants to have his baby. Johnny goes into a vision of a very pregnant Crazy Carol, knitting, with cats around. He snaps out of it and tells Crazy Carol that they can't do this. She insists that they can. I have to say that she's going to have a difficult time, er, collecting the sample if Johnny isn't into it. Carol slides down to her knees. Oh, dear.
The manager lets Sarah and Dana into Johnny's kidnappers' motel room. Would he really just let them in? There are storyboards all over the walls detailing their planned film. Dana notices pictures of the Connor farm and says that a family was killed there twenty years earlier. Sarah finally calls Walt.
Crazy Carol carefully cuts just enough duct tape to, um, get little Johnny open for business. Johnny says he doesn't want it to be like this, but Crazy Carol's into it. Then she notices that Maddy is filming the whole thing and storms toward the door. She stops when they all hear a scream coming from downstairs. Maddy and Crazy Carol take off. Johnny continues to struggle to get free. In another room, Maddy and Crazy Carol find Anita staring at a red mark on the wall. Crazy Carol asks if it's a question mark, and Anita says that it's a sickle.
Johnny rolls his chair out into the hallway and listens to the women arguing over who put the mark on the wall. They all deny it. Johnny goes into a vision of Mr. Connor and Nicholas walking down the hall. Nicholas is carrying a shotgun. Johnny snaps out of it as the women realize that either one of them is lying, or there's someone else in the house. Johnny tries to roll himself quietly down the hall. He reaches the top of a stairway just as Anita catches up to him and asks what he's doing. When she touches him, he goes into a vision of young Nicholas Connor running down the hallway with the sickle raised over his head. Creepy! Johnny snaps back just as his chair rolls down the stairs. He totally bounces his head on the stairs, which has got to hurt, and then lands at the bottom. While lying there, he goes into another vision of the two Connor parents and Tina sitting there, dead and bloody. Then he sees Nicholas walking down the stairs towards him, sickle in hand. Johnny snaps out of it as all three women run down the stairs and ask if he's okay. As Maddy films, Johnny reveals that Nicholas was the killer. Anita thinks it's ridiculous. Johnny says he knows what he saw and tells them to let him out of the chair.
About eight million cop cars drive over the state line into New Hampshire. Aren't they out of their jurisdiction?
The women let Johnny out of his chair. Maddy continues to film. Anita thinks that Johnny is lying because he wants to get out of there. Crazy Carol says she wants out, too. Johnny walks over to the door, but it's locked with a padlock. He goes into a vision of Nicholas locking the door. Johnny snaps out of it and announces that Nicholas is in the house. Anita tells the others that Johnny is just trying to scare them. Johnny asks if there's another exit. Maddy says there's a back door but that it's boarded up. Crazy Carol asks Maddy to stop filming and asks Johnny if they could get out a window. Anita says that she's read all of Nicholas's psychiatric reports (and could she really do that if she weren't either a doctor or a family member?), and Nicholas suffered a "complete infantile regression, which is consistent with emotional trauma." Johnny tries the boards over the back door, and says that they haven't been touched in years. I guess he's trying to say that there's no way Nicholas could have gotten in that way. Again, the windows? Crazy Carol is maybe not so crazy there. Anita touches Johnny's arm, and has a vision of her morphing into Nicholas as s/he tells Johnny that Nicholas is a victim, not a killer. Johnny turns around, and Anita seems to realize that he saw something since she backs off, and then turns and runs away. Maddy calls after her but Johnny tells them to let Anita go.
Anita runs upstairs into the bathroom and slams the door, telling herself that Johnny is lying. (I know at this point most of you have figured out that Anita is Nicholas, but I'm going to stick with the feminine pronouns for now.) Anita cries some more and then looks at herself in the mirror and says that it was a stranger, a drifter. She looks a lot like Demi Moore in St. Elmo's Fire right now. Suddenly, Anita's voice gets much deeper as she tells herself, "You didn't kill them. You couldn't have. It wasn't you!" She cries some more and then bangs her head on the medicine cabinet wondering what she did. She stops, having had a memory or revelation or something. She pulls the medicine cabinet out of the wall, then reaches into the hole and pulls out the sickle she used to murder her family. When she looks in the mirror, she sees the face of young Nicholas.
Maddy sets up the video camera on a tripod. Crazy Carol insists that Maddy and Anita are a couple, and that Maddy would know if Anita were a dude. Maddy realizes that she and Anita "hardly ever messed around." Johnny orders Maddy and Crazy Carol into a nearby room and tells them to lock themselves in. Once they're safely inside, Johnny calls for Anita and starts walking up the stairs.
Crazy Carol and Maddy are in the room Maddy has been using as an editing bay, and the television is tuned to the Faith Heritage network. Purdy appears on screen and announces that their regular programming is delayed for a special presentation. Maddy gets all excited that they are playing the movie trailer. So I guess Purdy can be bought and sold, huh?
Johnny creeps upstairs and calls out to Anita, who is nowhere to be found. He reaches a closed door and peeks in. He only sees the dinner Crazy Carol brought him earlier. He opens the door, lik,e a crack. Way to conduct a thorough search there, Johnny. He continues down the hall as the music gets really intense. Johnny calls out that the house has a story to tell, and he can tell it. He opens another door and peeks into the bathroom. He notices that the medicine cabinet is out of the wall. Johnny continues searching and starts talking about "a troubled boy who couldn't deal with the things that he was feeling so he lashed out, violently against his own family." He reaches the top of the stairs and, out of the corner of his eye, sees someone run by. Johnny starts walking down the stairs, and continues talking: "He couldn't live with what he did, so he buried it within himself and eventually became a completely different person. But some part of him must have wanted the truth to come out. That's why you brought us back here, isn't it? To tell yourself the truth? And get the help you must know you need?" Johnny is now back downstairs, walking from room to room. Suddenly, he sees the shadow of a raised sickle on the wall. He turns in time to see Anita swinging the sickle at him. She rips his shirt, but doesn't appear to draw blood. Anita continues to swing the sickle at Johnny, who runs away. He pushes Anita down and runs into another room. She follows, and they end up on the floor in the room with the camera, with her on top. Johnny manages to hold her wrists so that the sickle is inches from his face, and then rolls Anita over so he is on top. He pulls her wig off, revealing a serious comb-over. She's a killer because she's balding! Johnny grabs the sickle and says, "It's over, Nicholas." Nicholas sobs on the floor. Walt and some other cops bust in as Nicholas continues to sob on the floor.
Walt stands in the living room, holding the wig. Walt nods to Johnny and then takes Nicholas/Anita away in cuffs. Maddy is also cuffed. She tells Walt that the camera and all tapes are her property and tells Walt to call her entertainment attorney. Walt says she needs a different kind of attorney. As Crazy Carol is led through the room, she tells Johnny that he would have really liked her if he'd gotten to know her. Johnny tells her to take care of herself, and Crazy Carol asks him to write to her. Dana watches and asks Sarah what Crazy Carol sees in Johnny. Sarah shrugs and says she doesn't know. Dana offers Sarah a ride home and they leave. Johnny asks Bruce when those two became friends, and Bruce says he thinks it's when they saw the autographed bras and panties he's been getting. Why would someone autograph their own bra and send it to Johnny? I mean, sending the bra and/or panties, sure. Who hasn't done that? But autographing them first? Johnny says that he's got to talk to Purdy about the form letters they're sending. Then Johnny stops,walks back to the video camera, and turns it off.
In the episode: Johnny's in a plane that's going down. And then at the very end of the episode, there's a quick shot of a movie called Farmhouse premiering at a movie theater.