Charlie is just hanging up the phone as Bailey walks into the office at the furniture factory. Bailey tells Charlie he was just down on the floor "leaning on Mitch" when he got a call on his cell phone. Charlie guesses that the caller told Bailey that Ambruso Furniture is going under. Bailey is worried that Ambruso failed, because their company is very similar, and what if it means that they can't make it either. Charlie was thinking the same thing. They both realize that on the other hand, this means that all of Ambruso's accounts are up for grabs. Charlie points out that one of their biggest accounts was Jason Kimball, and they "need to get in a room with that guy." He and Bailey get excited about the prospect of all these big juicy accounts, and Charlie suggests they put together a bid proposal before setting up a meeting. I can't believe this is the first scene of the -to-last show. This is the most exciting teaser they could come up with? Bailey starts delegating tasks, and then realizes that this is supposed to be Charlie's free night with Kirsten. Charlie is prepared to blow it off, but Bailey tells him to go home and he can take care of it. Charlie thought Bailey was supposed to do something with Will and Holly. Bailey says it was just a movie, and it's no big deal, and says they are going to nail this. Charlie says that then they will go after all of Ambruso's other accounts as he heads home. Bailey heads out the door carrying a file folder, and on the tab is written, "Everybody wants to be closer to free."
Julia is meeting with her faculty advisor. She sits in a chair and sips on a mug of something. My advisors never offer me a mug of something! Anyway, the advisor wants to know if Julia is going to leave now that she has her Associate's degree, or if she's going to continue on for the Bachelor's. Julia didn't realize that people left with just an Associate's. Me neither! Most people I know who went to school for writing got a Master's! The advisor says that some students leave because they have book contracts or journalism jobs. She asks if Julia has a new book contract, writing job or editing position. Julia says she doesn't have anything lined up right now. The advisor asks if that means she wants to stay and work on her new book. Julia says she would if there were a new book to work on. The advisor points out that she's talked about a lot of story ideas in class. Julia says she's started lots of things. The advisor asks her if they are short stories. Julia says they are "more like incoherent ramblings." The advisor asks what that means then, does she want to "stay put or move on?" Julia says that's a very good question. If you think that was a meta-reference to the show ending, it was.
Holly wakes up, and through the French doors, we can see and almost hear Bailey and Will having a whispered argument, saying things like "I'm doing the best I can" and "It's about what Holly needs." Holly gets up and the perspective switches to the living room, where Bailey is telling Will he can't just "pop by to pick up [his] mail." Will argues some more but then Holly comes into the room so he stops. Bailey says he was getting ready for work and offers Holly a ride to school. Scott Wolf is developing a little paunch, most apparent when he wears t-shirts and boxers, but I'm not going to razz him about it because I'd rather see that than Paula Devicq's skeletal remains. Holly looks at Will, who just stares back at her guiltily, and then follows Bailey into the bedroom and closes the door, then asks what was going on out there, why were Bailey and Will fighting. Bailey says they weren't fighting, and Holly wonders what all the whispering was about. Bailey says they didn't know she was awake yet. Holly asks why he's going to work so early, and Bailey tells her about the deal they are working on, then confirms their dinner plans for the evening. Holly wonders if she should invite Will and Bailey says unconvincingly that it would be great, but he doesn't think Will's free tonight.
Todd walks into his bedroom carrying a tray, and says that his mom actually made them milk and cookies. Dude, what are you complaining about? I would kill for someone to make me milk and cookies. Well, I guess you don't really make milk. Unless you're a cow. Aw, you know what I mean. Todd informs Claudia that his mom is going out on a date, and he's kind of disgusted that she's leaving home at 9:00 at night. Claudia thinks it's great that his mom is getting out again, and besides, why should she and Todd have all the fun? Todd thought they were studying, and Claudia says they were until his mom left. Claude! You little vixen! They start making out and end up lying down on the bed with Claudia giggling. Todd says that his mom isn't going to be home until 11:00 and we all know what's coming , no pun intended. Todd says that they've been talking about it, and if they wanted to, if Claude wanted to, they could. Claudia says she does want to and Todd starts kissing her again. After a few seconds, Claudia gently pushes him off. Todd looks a little dazed. Claudia says that one of her classmates got into Vassar and someone else got into some other college. Todd looks at her like, "What does this have to do with us having sex?" Claudia says she hasn't heard from any schools yet, and she's kind of distracted, so now is just not a good time for her. Todd understands.
Julia and Justin are making dinner. Julia is babbling about herself, as usual, and tells Justin where the plates are. Justin says he knows where the plates are, and he's known where the plates are for fifteen years. He asks Julia what her professor thinks about her leaving school after two years. Julia says the professor wants to introduce her to a former student who is starting a women's magazine. Justin remembers that Maggie called for Julia that afternoon. Julia wonders why Justin was answering the phone in her house that afternoon, since she was gone. Maybe he's planning on moving into the shed out back. No, wait, that was Julia's other ex-boyfriend who can't escape her gravitational pull. Justin says he had nothing else to do but sit around at Casa Salinger. Julia points out he could have been studying for exams, writing papers or ending his marriage. Yeah, because Julia got right on top of ending her marriage to Griffin. It took like a whole season. Justin refrains from pointing this out, and says that Maggie called to ask Julia to be the guest speaker at the Napa Women's Conference. Julia is surprised that they want her, which strikes me as false modesty. Justin says that Maggie wants her to talk about her book and seeing Ned again. Julia is angry that all people want her to talk about is her book, when she finished it months ago. Oh, so they should ask her to talk about all the other writing she's done? Except that she hasn't done any, so use the stepladder in the pantry and get over yourself, Julia. Julia says she wants her life to be about something new. Justin start kissing her, probably to shut her up. Griffin busts through the basement door and says it "seems like old times" with the two of them just picking up where they left off. Julia asks what he means, and he says nothing. This was an interesting development that was then dropped. Is Griffin really happy or amused by this pairing, or was he jealous or what? Never mentioned again.
Bailey is working in his office when Holly enters. He says he was just finishing up and pulls out some takeout and asks her which one she wants. Holly says she's decided to annul her marriage to Will. Bailey tries to make a joke, saying that maybe she would rather start with salad. Holly repeats that she's serious. Bailey wants to talk about it, but Holly says he should have done his talking earlier, intimating that she found out about Will's feelings and Bailey's deception. Bailey doesn't pick up on that intimation, and Holly says that even though she and Will were lying when they said their vows, the sad thing is that he meant them more than Bailey does. If Bailey really honored her, he wouldn't have lied to her. Bailey claims he was trying to protect her. Holly says she wasn't protected, and now she has to annul the marriage and hope they don't get caught. I don't know why she can't just stay married to Will but stop dating Bailey. Is it a package deal? Bailey sides with me. Holly says that things are not only horrible for Will and her, they are also horrible for Bailey and Will. Bailey says it doesn't matter, and Holly scoffs. Bailey asks if Holly wants to get her degree from Stanford or not. Do they not have medical schools in England? I can't believe I'm getting this worked up over this inane storyline. Holly does want to get her degree, and Bailey says that means she has to stay married to Will. And that's the bottom line, because Bailey Salinger said so.
Charlie comes home to find Kirsten laying on the couch. Kirsten tells him that Diana is asleep. Charlie apologizes for being late, and Kirsten doesn't mind even though not two episodes ago she was ready to get a divorce over the issue. I guess stripping really put things into perspective for her. Charlie fulfills his contractual obligation by introducing food into the scene. Kirsten pretends like she wants to eat it. It's really obnoxious and ridiculous. Charlie thinks they are going to land this new client, but it means he will be working late. Kirsten says the food must be a bribe. I think in order for it to be a bribe, she would have to actually eat it. They start kissing, because Kirsten will do anything to have an excuse not to eat. Charlie's phone rings and Kirsten tells him to answer it. There was an accident at the plant, and Mitch (the contrary foreman) collapsed on the floor, and they think it might be his heart. Charlie heads to the hospital. Kirsten says, "Whew! That was a close one. I almost had to let food enter my mouth!"
Charlie walks into the hospital, looking for Mitch. Even after Charlie says he's not a relative, the nurse tells him Mitch is in surgery, which doesn't seem right. She points out Mrs. Mitch in the waiting room. Charlie introduces himself, but she already knows who he is. She gives him a status update: turns out Mitch had a pre-existing heart condition that he didn't tell Charlie about, and the doctors are doing surgery to find out how much damage was done to his heart. Charlie asks if there is anything he can do. Mrs. Mitch keeps going on about how she begged Mitch to slow down, but he felt like they were really building something there. Once again, a tertiary character serves to parallel a Salinger storyline.
Julia arrives for her interview at "Goddess" magazine. The editor claims that they are not the typical women's magazine, despite the fact that they cover women's issues. No, she doesn't mean equality of pay and reproductive issues. She means hair, fashion and makeup. I'm already annoyed with this storyline. The editor claims that "Goddess means not compromising" and you know that's going to come back to haunt her. They don't need to be all things to all people, because they want "to shock, to intrigue, to provoke." I would suggest that this editor take a look at the history of Sassy before she hire her staff, since that magazine proved that it's difficult to be honest and still attract the big time advertisers. Julia can't wait to read it, and the editor was hoping she would write it. She read Julia's book and thinks her "voice" would be perfect for a "monthly column" on the subject of Julia's choice. Okay, that just doesn't happen. Mainstream magazines do not hire unknown and unproven writers for a monthly column. Julia would definitely have to do some freelance articles or columns first. Julia thought she was just applying for an internship, but the editor reiterates how much they want Julia to write for them. More tertiary character praise follows, and Julia agrees to go home and try writing one. Oh yeah, and they're going to hold off on going to press while she writes her column. Whatever. I give up.
Bailey finds Charlie at the hospital and gets the Mitch status update, which basically is that Mitch is still unconscious and it's serious. Wouldn't this have been a good time to revisit Charlie's feelings about surviving cancer? I guess not. Charlie wants to stay at the hospital until Mitch wakes up, and Bailey agrees to cover. Bailey also addresses that Charlie is cutting back production. Bailey knows what Charlie is thinking, but he doesn't have to do this. Charlie says that, like any Salinger, he knows what he's doing and he's always right. Bailey points out that they'll fall behind, and they can't get behind right now with the important Kimball meeting coming up. Charlie informs Bailey that he canceled the meeting. Bailey is surprised at this news, but Charlie feels they can't handle all the new business and he's not going to push his guys so hard anymore. Bailey urges him to think this through, and not make decisions based on emotion. Charlie dismisses Bailey's concerns and confronts his own mortality some more.
Todd and Claudia are sitting in a park, sharing their college acceptance letters. I just wanted to let potential college applicants know that the whole "fat letter means yes, thin letter means no" theory is a crock. Not that they bring it up in this scene, but they could have. They agree to take turns sharing. Todd didn't get into Woodbridge, and Claudia was wait-listed. Todd points out that they officially hate Woodbridge. Todd got into San Francisco (the university, not the city), but it was his safety school, so it's not that exciting. Claudia got into Stanford. She got wait-listed at Woodbridge but she got into Stanford? What, is Woodbridge supposed to be like Cambridge or something? Todd is amazed, but then Claudia drops the bomb -- she also got into Juilliard. Todd is amazed, and a little sad that she'll be going so far away. Claude says she's not going to go, and that she just auditioned to see if she could get in. Todd says she can't turn this down. Claude says it's too expensive and too far from home. If she went to Stanford, she could save money by living at home. You'd think Claude could get some sort of special orphan's scholarship or something. Todd tries to change her mind, but Claude doesn't want to leave her family or Todd. Ah, the truth comes out.
Bailey is meeting with the famous Jason Kimball in the factory. Bailey gives a strong pitch about how they can fulfill Kimball's orders. Kimball compliments Bailey's spiel, and wonders about Charlie. Bailey feigns incomprehension, which isn't difficult for him, and Kimball says he heard they are slowing down production. I still can't believe this is a major storyline on the show. I can't believe I'm writing recaps about "production delays" and "assembly lines." Anyway, Bailey explains about Mitch, and how Charlie doesn't want to take any chances right now, but soon they will be back to capacity. Kimball observes that Bailey could sell anything, and he means that as a compliment. He asks where Bailey went to college, and Bailey admits that he dropped out. Kimball surmises that Bailey did so in order to help out with the family business, and asks if Bailey ever thought about going back for a business degree. Bailey admits that he has thought about it a lot. Kimball hands Bailey his card and says to call him, because Kimball recruits for his "b-school" back East. He says that if Bailey works really hard and goes to summer school, he can have his degree in a few years and then "the sky's the limit." Bailey looks at the card real hard.
Justin enters Julia's lair, where she is tapping away on her laptop. He's dressed up rather formally for a visit to Casa Salinger, and Julia compliments him. He tells her she looks nice to in that "I'm not really ready for dinner" kind of way. Julia forgot that she was supposed to have dinner with Justin because she's been writing. Justin asks if she's writing her speech, but Julia called Maggie and canceled. She tells Justin about her magazine column and he's happy for her and wants to use their dinner to celebrate. Julia begs off, saying she needs to finish her column. Well, they are holding the entire magazine for her column, I guess. Justin says a girl needs to eat, and maybe he should be saying this to Kirsten instead. Julia asks to reschedule for the day, but Justin reminds her they have dinner with his parents then, and the following day he's heading back to New Haven. Julia says they'll have to celebrate with his parents, because she's really excited about this opportunity to do something new, that's not about Ned or her book. Justin piles on the praise, saying that Julia is a goddess, but he doesn't look very happy about it. Julia promises fun at dinner tomorrow, and turns back to her work as Justin leaves.
Bailey goes to visit Will at his parents' house. Bailey's mad because Will moved all of his stuff out of the basement and then left the door open and Griffin got out, interrupting Julia and Justin. Will also moved all of his stuff out of Holly's apartment. Bailey tried to call Will at work, and found out that Will quit his job. Bailey, always the last to catch on, asks what's going on. I would guess that Will is finally breaking ties with the Salingers, and good for him. Bailey says it looks like Will is "bailing" on him. Will says he talked to Holly about it. Bailey points out that Holly will be deported. Not if she leaves first! Run, Holly, run! Will says Holly is humiliated. Bailey reminds Will that he took an oath. Will can't believe Bailey still feels this way after seeing all the fallout from the sham marriage. Bailey says he cares about Holly's future, and Will is ruining it. Will says Bailey should talk to Holly, because she knows that there are medical schools in Canada, which would only be a two-hour plane ride away. Bailey doesn't want Will to turn the blame to him, because Will's the one who made a promise. Will says he's breaking the promise, and finishes, "You need to ask yourself what the hell is wrong with you. Why you keep pushing and pushing and pushing this thing when nobody else wants it. Why everybody else is ready to let go but you're still hangin' on."
Julia and the magazine editor discuss Julia's column over lunch. The editor feels that it's a little too abstract, and Julia needs to sell it with some concrete examples. Apparently, Julia wrote about women's ability to recreate themselves. The editor offers up some examples, such as Madonna, Courtney Love and Britney Spears. Britney Spears? Do you know anyone over the age of fourteen who considers Britney Spears a role model? Anyway, Julia thinks the editor wants more of a pop culture angle. The editor agrees, and says Julia should give examples on how readers can recreate themselves with a new look, a new hairstyle, or even a new lipstick. Julia thought her column was supposed to be less of a "how to" and more of a "why." The editor thinks the column can be both. Has the editor looked at Julia this season? Does she really want her giving advice on hairstyles? Julia thought the column was supposed to be an essay from her viewpoint. The editor says she has a magazine to sell, and if Julia can help her do that and get her point across, so much the better. Obviously, Julia didn't take a course in magazine economics during college. I know the writers want me to side with Julia here, but I really don't. I wish we lived in a world where a mainstream women's magazine could survive without advertising from cosmetics companies and such, and that said advertisers had no say over editorial content, but you and I both know that's not true.
Charlie goes in to visit the now-conscious Mitch. Mitch says he's felt better, and Charlie jokes that it was a hell of a way to score a day off. Deathbed humor gets me every time. Charlie gives him a card from the guys at the factory. Mitch tells him to let the guys know not to slack off or he's going to come down and kick their butts. That threat would have a lot more weight if Mitch weren't a sickly shade of gray. Charlie tells Mitch that his health care expenses are covered, and that he'll get full salary while he's out, and to let Charlie know if there's anything he or his family needs. Dude, suddenly I want to work for Charlie. Mitch wants to know why Charlie is slowing the line down. Mitch called Tommy to get caught up, and Tommy told him. Charlie tells Mitch to concentrate on getting better, and unlike when most bosses say that, I think he really means it. Mitch says that Charlie pushing him didn't give him this heart attack. Mitch pushes himself to do work that will last for himself and his family. His wife doesn't get that, and maybe Charlie doesn't either, but that's why he does it. So now we're heard from both sides of Charlie's internal struggle, and I don't think we'll be seeing much of Mitch or Mrs. Mitch anymore. They have served their purpose in the Salinger universe.
Todd and Claudia are kissing on Todd's bed. Claudia stops him and says that she's ready, so Todd rolls over and gets a condom. He must be a Boy Scout because he's always prepared. Then he stops and Claude asks why. Todd wonders if Claudia was thinking about this today, and she says she was. Todd says she has to decide about college, and instead she's thinking about him. He thinks it's more than coincidence that the day after she got into Juilliard, she's ready to have sex with him. He doesn't want their first time to be out of guilt. Claudia says she's already decided not to go to Juilliard, but Todd doesn't believe her. He asks her to tell him she doesn't want to go, and Claudia can't, so Todd gets up and walks out. This whole storyline would be a lot more effective if it weren't so reminiscent of the same actor's role in American Pie, with the roles somewhat reversed. I mean, it's still about a young couple trying to decide whether or not to have sex, and if they're doing it for the right reasons.
Julia is sitting at the kitchen table when the back door opens. She calls out to see who's there. Justin walks in and asks if she remembers him. She says, "Vaguely. You look like this guy I dated in high school, only cuter." Justin says they missed her at dinner, and Julia says she called his parents to give her regrets. Did she tell Justin first, or just tell his parents? Anyway, Justin says that dinner without Julia there was kind of "parentish." He asks if she skipped dinner to read old issues of Sassy. Much as I love Sassy, it is ultimately a magazine aimed at teenage girls. Maybe Julia would be better off perusing some back issues of Bust. Julia claims her editor thought it would give her a better idea of where to start. Only if she's reading the later, evil issues. Justin asks if he should stay over because it's getting late and he has to go back to school the day. Julia wants him to stay, but she'll be getting to bed late. Justin figures he'll just leave then, and can you blame him? He's looking for some goodbye nookie, and Julia just turned him down flat. Julia apologizes for not being much fun lately. Lately? Anyway, this column is a big deal for her. I think we got that from the eight thousand other times she said it. It's a chance for her to write for a living, about something new and different. I don't know what kind of money they were talking about, but would a monthly column in a new magazine really pay enough to live on? ["Only if you're Mordecai Richler. Seriously, the magazine where I used to work paid $1 a word; some magazines, like Architectural Digest, are rumoured to pay $5 a word, but I think $1 is standard." -- Wing Chun] I'm in the wrong business. Anyway, Justin says that with all the talk of "new and different," he is suddenly feeling "old and familiar." She says that when he gets back, they can spend time together. Justin says, "You turned down a speaking engagement at the Napa Women's Conference for what -- so that you can write how to test drive your secret sex fantasies? I mean, you're blowing off things that actually matter. You should think about that." He storms out. Does every scene in this episode have to involve a non-Salinger telling a Salinger to think about something? Although I do enjoy Justin's penchant for telling Julia off.
Bailey goes to Holly's apartment and finds Holly packing her things. Holly says she's got a flight to London, and she was going to come over and say goodbye. Bailey asks how long she'll be gone, and Holly says she's not coming back, and asks him not to talk her out of it, because she can't ever say no to him. Bailey says she doesn't have to, and that she could still marry him. Yeah, that wouldn't look suspicious to INS. I can hear Holly now: "No, the first marriage was a sham. But my new marriage is the real thing. Really. No, I'm not sure why I didn't just marry him in the first place. I know it doesn't make any sense. Talk to the writers. They were trying to set up the series finale." Holly wants to have a simple goodbye, but Bailey thinks she's giving up too easily. Holly says their timing has been lousy from the start, because they met by mistake and then moved too quickly. Holly continues, "Life has been screaming at us, 'It's not meant to be.' I wish I could stay, but the fact of the matter is that that wouldn't be good for either one of us. I've been away from home for too long, and you...you've been trying to find where you wanna be. I'm slowing you down. You'll find what you're looking for faster without me." She hugs him and says she'll miss him. Is it wrong that I won't miss her at all, and I'm kind of glad she won't be in the series finale? I didn't think so.
Charlie is at the factory, on the phone with a client, and saying that they are getting back up to speed. One of the workers comes over and tries to interrupt Charlie, who's having none of it. Finally, the worker blurts out that Mitch is dead. Charlie drops the phone as the workers says that the hospital called and Mitch went into cardiac arrest. Charlie's all, "I just talked to him."
Justin shows up at Casa Salinger. Julia says she tried to call him, but his dad said he was on the way to the airport. He says he is, but he had to see her before he left. He apologizes for his rant the night before. Julia says she stayed up until 5 AM thinking about what he said and trying to write her column. She decided he was right, so she wrote a speech for the conference instead. Meanwhile, the magazine is still waiting to go to press, apparently. Justin thought she didn't want to write about old things anymore. Julia says she put a new spin on it. Maybe she bought a new lipstick. She tells him to come home soon because she wants her old boyfriend back, and kisses him.
At Mitch's funeral, Charlie, Bailey and Kirsten stand graveside. In the background, you can see workers preparing a site for Kirsten, because she's clearly about to croak. Wow, that was in poor taste. Bailey talks to Mrs. Mitch. Kirsten makes a comment about their "poor kids" and then asks if Charlie is okay. Charlie says he loves her and hugs her.
Claudia comes into Todd's room and says she met Todd's mom, who was on her way out. Claudia wrote the check to Stanford today. Todd starts to question her, but Claudia says when she thought about all the things she would have to give up, it was too much. They kiss and Claude starts to unbutton Todd's shirt. He stops her, and then gives her a look like "Are you sure?" Then they start kissing again. Dude, I totally called before this season started that Claudia would lose her virginity this season!
Charlie and Bailey are in the factory office. Charlie suggests they wait a week or so and then promote Tommy to foreman to replace Mitch. Bailey agrees. Charlie wants to make some other changes, because they've been pushing too hard. Bailey thinks Charlie is just upset about Mitch, and this isn't the best time to make changes. Charlie says that it's more about something Mitch said, that they are building things to protect their families. Charlie points out that there is no guarantee on it, and that they could build and build and still fail. The only thing they can count on is that their families are there now, and they should spend time together. Charlie wants to keep the company small, a manageable family business that he can run without too much help, except maybe one business partner. Bailey tries to interrupt, but Charlie says he's thinking of changing the name of the company to Salinger Brothers. He realizes this might not be what Bailey always dreamed of, but it could be a great nine-to-five job with plenty of free time to do other things. Bailey could be with family, take classes, or do whatever he wants, and they would be working together, taking things easy and keeping it small. He doesn't expect an answer right now, but Bailey should think about it. Bailey says he will. See, another scene where someone tells a Salinger to think about something, although this was a relatively rare intraSalinger moment.
Todd and Claudia are in bed, naked. Claudia whispers, "I had sex." That could have been a really cheesy moment, but it was cute. Maybe I'm getting soft in my old age. Anyway, Todd says he was there, and then asks if it was okay. Claudia can't come up with words to describe it, so Todd worries. Claudia says it was different than she expected. It was a lot like their relationship: intense, kind of funny, really good in some places, just different. That's all the information I need, thank you. I'm still trying to adjust to the fact that Claudia has breasts now.
Bailey goes into Will's bedroom, where he is packing his things. Do you think Bailey is going to start taking it personally that all of these people are leaving because of him? Bailey says Will's mom said Will's going back to school. Will called and if he takes summer classes, he can make up most of the year. Bailey didn't expect him to be leaving so soon, and wonders if Will's parents are angry. Will says they're not since he has seen "the error of [his] ways" and ended the "wasted year." Bailey asks if it was a wasted year, and Will says it has nothing to do with Bailey. Will wonders what's wrong with his life that the most useful thing he could do was to marry someone so they could get a green card. Bailey apologizes, and Will says he would do it all again, because he did it for Bailey. Bailey says Will is the most unbelievable friend, and now he's leaving. Will says it's time. Bailey says he understands, and Will wonders if Bailey is thinking of making a move too. Bailey doesn't know right now. Will says if Bailey ever thinks about moving East, he hopes it would be close to him. Bailey hopes so too, and they hug.
Julia gives her speech at the conference.
Claudia addresses the envelope to send her check to Stanford, but then pulls out the Juilliard brochure and starts looking through it.
Kirsten reads to Diana in their apartment, and Charlie joins them.
Bailey pulls out Jason Kimball's card and looks at it, then stares out the window real hard. He sees the impending series finale and realizes he needs to put a call into his agent, because Go is fading from the collective memory of Hollywood and he needs to get out there again.