We fade up on a rotating skull, which morphs into the head of "Ajustice" Hill. The prologue in question would be the debate on whether criminal minds are predestined or simply an effect of environment. Thus segueing to...
...prisoner number zero zero G one one five, Detective Bruno Gergan. The flashback to his crime shows us what a bad cop he is, or was. Cut to the interior of Emerald City. Bruno is being led through and passes Mobay and Poet as they pass drugs between them. We notice a look of recognition on Mobay's face, which turns to a look of "oh shit." Bruno returns the look as he passes. Poet asks Mobay if he knows him, to which Mobay all too casually replies, "Naaah, he's just so fucking ugly." Cut to the interior of Mobay's pod. Bruno is gleefully saying how he saw Mobay and wondered "what the hell Johnny Basil is doing in Oz!" Mobay asks him if he plans on blowing his cover by leaking to the inmates that he's a cop. Bruno says one hand washes the other, my brother in blue. Bruno doesn't want the others knowing he's a cop either, lest they introduce his neck to Mr. Icepick. Mobay tells him he remembers Bruno from when they were cops and what a bully Bruno was, strong-arming people when there was no need. Bruno evilly asks him if that means he wants Bruno to tell everyone who he is, and we see Hill wheel himself into the pod. Mobay lapses into accent and says he will help him any way he can. Bruno, satisfied, leaves.
We go to Sister Pete with Bruno in her office: "Normally, when a cop comes into Oz, I give them special counseling." Bruno regards her in all his cocky glory and asks why he would need extra help. Sister explains how going from a position of authority to being in a position of, well, basically nothing can be potentially upsetting. Bruno pooh-poohs her concern and denies needing any "special" attention. He gets up to leave and turns to say, "You know, my wife was a nun for years." Really? Sister asks, as the room fills with the unmistakable creaking sound of un-oiled hinges on the huge trap door opening underneath her. Bruno: "Yeah -- she fucks like a $500 whore. Must've been all those years of pent-up chastity." Actually, Bluto, I think you mean pent-up sexual frustration. You see, chastity was what she practiced, so it couldn't very well be "pent up," could it?
Cut to the gym, where Mobay seems to be lifting weights and Bruno is running on the treadmill. He's approached by two of Adebesi's disciples, who proceed to engage our fearless gorilla into a battle of racial slurs and end up beating his ass against the chain link fence. Later, we see Mobay shaving in the bathroom, and while I furrow my brow in confusion as to why he's allowed to have a razor in prison, Bruno points to his blackened eye and says, "How is THIS you watching my back? You should have pulled those apes off of me." Mobay and I both say "Those apes?" Bruno tells him that time he's going to blow the proverbial lid off of Mobay's cover.
Cut to Mobay with Adebesi, Pancamo and Morales who are giving him a gentle reminder that in order to join them in their quest for the holy jail, he has to "do the deed," i.e. kill someone. He must make it look like an accident and do it far away from Em City. Cut to Mobay and Hill, lying on their beds. Mobay asks Hill if he will help him join Adebesi and the gang by helping him kill someone. Hill says, "I ain't helping you kill anybody. The coke is rotting your brain." Uh, drugs are bad, mmmkay? As the sun rises over a new day in Em City, we find Mobay and Bruno in the laundry room. Mobay tells Bruno that Hill knows he's a cop. Bruno is appropriately bummed at the news. Mobay then tells him convincingly that Hill wants to meet, and how 'bout they tip Hill's chair, with him in it, down an elevator shaft? Cut to said elevator shaft and the dynamic duo waiting for Hill to arrive. Mobay busies himself readying the elevator while Bruno laments about how working the streets as a cop wasn't so bad compared to prison. Hill wheels into the room, asking Mobay crankily why he wanted to see him. Bruno grabs the chair and starts to wheel him towards the open elevator shaft. Hill immediately gets frightened, looking helpless as he grabs anything he can to keep Bruno from pushing him over. Mobay says, "No, let me." And turns Hill around so Bruno is behind the chair but in front of the shaft, then shoves Bruno down. Smell ya later, detective!
Back to the main room in Em City, where Murphy is announcing a lockdown. Mobay comes down the stairs looking pleased as punch and informs Morales that there was an accident "far away from Emerald City." As Mobay saunters away, we pull back to see Morales perfecting an expression of "Wha?" and Adebesi, who is standing on the stairs, pretty much makes the same face as Morales. Mobay enters his pod with Hill right behind him, saying, "Man, I'm seriously considering moving to another cell!" "Relax, mon, the worst is over." Then we see how Mobay got his groove back as he sniffs a shot of courage and good humor up his nose.
In the visiting room, Mobay greets his partner, who, in case we all don't understand the relationship between them, calls him "partner" whenever she can. Mobay asks her why she's there; she tells him it's because she hasn't heard from him much, and when she does, the e-mails don't make sense. Um, that's because he's been stoned out of his gourd, partner. Mobay's been starring in his very own, very "special" episode of Oz. She scrutinizes him and then asks, "Have you been using?" Mobay says no, but she doesn't buy it: "You have. I can see it in your eyes." Mobay asks what else she sees, and she sees someone in his life that may be going on a long trip. Someone with the initial J. Okay, that didn't happen, but Mobay does say that he's very close to busting these guys and to please not report this. He needs just a little more time. She relents: "Okay, but I want to hear from you every day -- every goddamned day!" At this time, Hill has entered the room (of course) and is greeted by his wife, who kisses him. A shot of Mobay looking at his partner while Hill glances over at Mobay with the look of someone who definitely knows something's rotten and is about to find out what smells.
And we're in Leo Glynn's office, where we see a flurry of activity and cameras. Just in time to help set up the storyline, his wife enters. She looks over at Mobay and asks, "What's the hubbub?" Yes. She actually said that. No, I don't know why. Mobay tells her they are shooting a public service announcement. She then notices his sweaty face and tweaked-out expression and asks if he's okay. Mobay replies, "I may be getting the floo." Yes, indeed, some coke "floo" up his nose and made him all sweaty and strung out. Glynn's wife has already tuned him out and is now asking to speak with Glynn in private. They walk into the bathroom, and she tells him the Tribune is planning to break the story about Glynn's brother, who is currently doing life for murder. Leo accepts the news with little reaction and says he knew it was going to happen. A baseball-hat-wearing director man opens the door without knocking and tells them the schedule is tight. Instead of jabbing hat guy in the eye for interrupting, Leo exits to shoot the commercial, and Mrs. Glynn watches from the doorway while everyone else cocks their heads to listen to the sound of trouble brewing in the marriage.
scene. Anyone wanna guess who Glynn goes to for advice? None other than the illustrious Guv'nah Devlin, who is currently walking down the same hall that everyone seems to walk down when there's something to be discussed. Let's tune in, shall we? "This isn't such a terrible thing," the Guv'nah says confidently. He suggests they turn it around and mold it into an advantageous sorta thang. He points out that Glynn was the very one who got his brother to turn himself in. Glynn then ducks so the wrench that Guv'nuh is about to throw doesn't hit him in the face: "We need to leak your daughter's rape to the press." Screeeeeeech! Glynn stops, turns, and stoops down the necessary three feet to look the little leprechaun in the eye: "I am NOT going to exploit her rape just to get elected." After looking around for a pile of rocks or books to scramble atop in order to return the gaze, Guv'nah says with all his Lilliputian might, "People don't vote for a candidate with values and beliefs, they want a husband and father -- someone who understands pain." Glynn: No means no. Devlin disgustedly says he needs a lieutenant governor with balls, since his are currently stuffed in his shoes to add one more crucial inch, and huffs off. The gates open, and he marches right between the guard's legs and out the door.
We now see Glynn standing with his faithful wife, holding hands before the press as he issues a statement about his brother. He intones, "I'm a family man, and there is nothing harder than to see my family suffer or cause suffering....My brother's crime devastated me...[insert pregnant pause here]...my daughter's rape did too." Ka-CHING! That is the sound of selling out, ladies and gents. Glynn's wife whips her head around to stare incredulously at her husband while the flashbulbs capture this beautiful Hallmark moment. Oy.
Hill: "There's a new study out which claims some are wired to commit crime; in essence, they are predestined to rape and murder." We see a brain with what looks like a golf ball with a swastika on it. Huh? As in, "this is your brain, this is your brain with a golf ball in it"? Hmmm. I feel a Schillinger moment is upon us. I know this, you see, because everything turns sideways, like in the old Batman and Robin series when the villain would enter and everything would skew sideways to convey the chaos that those rascally villains unleash on the dark knight and his young lad in tights. Anyone? Shaw nuff, we see Schillinger in Unit B, watching a fight over a roll of toilet paper with the usual glint of fire and brimstone in his eye. A frustrated McManus calls for a lockdown, causing Schillinger to snarl, "Why can't you let us have some fun?" McManus ignores him and retreats into his dark and dinky office. The phone rings. It's Diane. "Tim?" "Yeah?" "It's Diane." Silence for a moment while he rubs the sore spot on his jaw where it hit the floor. Diane: "How are you?" She sounds like she's just calling up an old flame. No biggie. Tim: "I'm good." You see where this dialogue is going, and I'm sayin', it's a short trip, but the nutshell is she's making sure he got her letter and that he's okay. He tells her he's got to go and hangs up on her.
Cut to the staff locker room where Murphy walks in to find Mr. Happy and asks how he is. McManus is like, "The truth? I miss Diane and Emerald City, I'm constipated and have basically fucked up my life." Whoa, Tim! Way to bring the conversation to a dead halt. Just say you're fine, mmmmkay? Murphy asks if he's like to go for a beer. Nope, Tim's got a date. Murphy, "Every time I ask you to do something you're busy. You mad?" Given the opportunity to discuss himself further, Tim replies, "When Glynn fired me, you took my job -- you should've quit." Bellyaching? Anyone? Tim leaves for his "date" with briefcase in hand. On his way out he stops to gaze into Em City with the look of a little boy in front of a pet shop.
We see Said sitting in Martin "Vinyl Lionel" Quern's office with a look of morbid fascination as he stares at the heavy make-up on Querns's cheeks. Blend, people! Blend! Querns deems Said a "pain in the ass" and says he doesn't want violence. He's making changes in Em City and feels the moment has come to quote from the book of Said. Ahem. "I can't seem to forget you. Your Windsong stays on my mind." After which, he says, "The book didn't hold my interest, I found it to be self-righteous...you can go. Said leaves, and the point of this scene whizzes past my apartment.
New Prisoner, Supreme Allah, to whom Said is assigned as a sponsor. Said looks suspicious. As they walk through the main rec room together, Ryan and Busmalis watch him walk by. Hill says he knew him from the "corner." Cyril is curious, and Busmalis wonders what kind of a name is Supreme Allah; I figure it means he's got everything on it. Hill explains, "He's a five percenter. Five percent of black men have a true understanding of life." Ryan chimes in with "Yeah?" "And they also believe that the black man is God and the white man is the devil." Oops! Hi, Keller! Didn't see you there! "They're like Muslims except they smoke weed, deal drugs and do what they have to do." Ah, wise, insightful Keller. Poet grouses because SA is going to be his new pod mate. Off he goes in a huff to give ol' Allah what for and assert his dominance as the alpha pea-in-the-pod. SA greets him with, "They call you Poet, huh?" "Damn skippy they call me Poet!" Hee! SA asks to read his stuff and wins Poet over by complimenting his writing and giving him a new pen. Do I hear the pitter patter of little cupid feet?
Arif and his merry band of Muslims have a little heart-to-heart with our new friend Supreme. Arif tells him they expect him to follow them and forget his whole "enlightenment" thing, because they think it's wrong. Said looks on in the background, and only jumps in when things get a little heated after SA says he intends to stay just the way he is. Cut to Adebesi entering Querns's office as Querns then kicks out Murphy. He shuts the blinds to his office, and we cut to...Adebesi with Said, who asks what Adebesi's up to. Adebesi grins happily, happily enough to make me crack up, and says oh-so-innocently, "Nothing!" Cut to the gathering of the troops in Em City. Querns announces he is appointing Adebesi, Morales, and Pancamo as the trustees to Em City, and he proceeds to transfer all the bikers and Aryans to Gen Pop...including Hoyt, whom I happen to like. Murphy looks pissed. We see Murphy in Querns's office later, yelling how in the holy hell could he appoint the baddest mofos ever to be imprisoned as trustees and transfer prisoners out without telling him first! Querns, ever the cool, over-acted cucumber, says, "I am not Tim McManus looking to have some 'rainbow coalition' in Oz and if you don't like it, you can go with them." Murphy yells, "Fine!" and Querns gets right on the paperwork.
We cut to Adebesi with Arif, who is in all kinds of disbelief over the fact that Adebesi is a trustee and he wasn't even asked! Also, why aren't any of the new arrivals Muslim? Arif to Adebesi: "I thought we had a deal?" Adebesi to Arif: "We did." The Not! is still hanging in the air between them when Adebesi excuses himself to attend to some business, and we see him walk over to Supreme Deluxe and they shake hands. Arif see Querns on the stairs and ask to speak with him. Querns is all, "Later!" and Arif is all, "Now!" and Querns is like, "Later!" and keeps on moving. Ryan, of course, is watching the whole thing from the window as he ponders why he hasn't yet had an opportunity to remove his wife-beater yet.
Gen Pop. We see a shot of random activity, pool being played, McManus in his office. But wait! What sound through yonder window break? Why, it's some taboo backdoor love! And, not the consensual kind either! Nooo, the kind that McManus has to break up with the help of a few guards and a trip to the hospital! Of course, Dr. Gloria, fresh from the worst experience of her life, is on duty to treat the poor inmate who played wide receiver. Tim offers to get someone else to help him, but she bravely insists she's fine. As we sashay on over to death row, we see Ginzburg in his cell, watching his soaps. Honestly, it's not a very interesting scene sans Shirley, so here's the short version: Ginzburg's health is worsening and he's basically hoping the disease kills him before the state does. Moses suggests he get some medical attention, and thanks to some racial name-calling from one cell over, Moses decides to punch the wall and break his hand, landing him in Dr. Gloria's care. During his visit, he mentions the persistent cough Ginzburg has had, and Gloria is puzzled as to why he hasn't been treated in her absence.
We are treated to a flashback of Gloria's rape. We see that she pulled the ski mask off of her attacker and, well, it's not a pleasant thing to watch. Of course, it's the new prisoner in Em City, Patrick Keenan, and he's sitting in the library with the red-haired guy. He introduces Patrick to Ryan, who calmly acknowledges the Irish bond between all three of them, then compliments him on the gold shamrock necklace hanging around his doomed neck. Patrick knows Ryan and Cyril from the old gang. RHG informs Ryan that Patrick's the one who "did Dr. Nathan." Ryan, still calm: "You? Raped Dr. Nathan?" "Yeah." "Why?" Patrick's answer? He was IN THE MOOD. Final answer? Final answer. Ryan, in all his fineness, shakes his hand and says perhaps they can do business sometime. Uh-oh. Call me crazy but I don't think he means it.
Cut to Cyril entering a cell block where some members of Adebesi's gang are lurking about. They trip him as he walks past and attempt to sexually assault him. Cyril goes ballistic and breaks out all kinds of whoop-ass, all the while yelling in an enraged fashion. He beats the hell out of them, and the guards come and struggle to restrain him. He's taken to the infirmary, and Dr. Gloria says he needs to be sedated, and Sister Pete protests, but Gloria's like, "What do you suggest...therapy?" His screaming is chilling. Good scene on Scott Winters's part.
We cut to Ryan bursting through a door and confronting Adebesi with, "What the fuck is going on, Adebesi? We had a deal!" Adebesi tells him to relax, since he's already reprimanded the offenders, and he reassures Ryan it won't happen again. , we see Ryan sitting in the doorway to their pod, watching Cyril sleep. Stanislovsky stops to check in. Nothing important is established, except we all know that the cellphone is in his folded newspaper. Sheesh! We hear the strains of a guitar, and in walks Querns, who says "O'Reily, got a question for you." They shut the door.
Stanislovsky with Hoyt in the lunchroom, trading Twinkies for pudding cups. Stanislovsky tells Hoyt that Ryan has ratted them out and they've got to get rid of him. "No thanks, I got a birthday coming up and I don't want it to be in solitary." we see Hoyt lifting weights and Ryan leaning over him. "I know Stanislovsky's been talking smack about me, you can't trust him." Hoyt: "I don't trust you." Ryan tells him about the phone; enter Stanislovsky, right on cue. Hoyt pulls a knife. Stanislovsky: "What is going to happen to me now?" Hoyt, grimly: "I'm thinking you might die." As the fight ensues and is broken up, the phone slides across the floor and O'Reily the Wiley scoops it up and stuffs it in his sock. Hoyt is taken to solitary. Naked? Yeah.
Hill, spinning gleefully in his chair as though it's all according to some evil cosmic plan. "Everybody's looking for an excuse for crime." As he intones about something or other, we see a split screen of Hoyt in solitary, with the courtesy of a full frontal shot (how YOU doin'?), and Stanislovsky being put in a cell. And then we fade on up to Ryan, fondling his phone while lying on his bed in the dark.
day, Rebadow wakes and stands to wash his face. Busmalis regards him from the top bunk and asks when he plans on speaking to him again. Rebadow leaves without a word, and we hear the call for everyone to line up for count. Rebadow lines up to Keller and asks how Beecher is. "Not good," Keller replies before the guard doing count tries to get Beecher to rise from his beaten state on the bed and line up. When Keller ask why he can't just leave him alone, the reply is, "Rules is rules." Oh please. Rebadow says, with excellent delivery, "Fuck you." Guard, in disbelief: "What?" Rebadow, with an air of satisfaction: "Fuck you and your rules." The whole place erupts with glee over this exchange and the score is Rebadow two, Guard nothing. Rebadow continues, "The man's children have been kidnapped, his son's hand cut off -- why can't you leave him alone?" Murphy tells the guard to move on. The place cheers again. Go Reba!
Cut to Rebadow in Sister Pete's office. "A few years ago, I was attacked. The bruises healed but the fear didn't." Sister nods with understanding. "Killing Hernandez made me feel...alive. And not afraid to die."
Ryan and Cyril in the weight room. Rebadow approaches Ryan and says, "Teach me!" Ryan, "Teach you what?" "Teach me to defend myself!" Ryan tells him with half amusement, half annoyance that he has neither the time nor the interest, but then we hear Cyril pipe up that he'll teach him. Ryan snaps at him, but Cyril just says, "I can if I want." Can't argue with that. Cyril begins instruction, and it's kind of interesting the way that not only Ryan allows it, but that Cyril defied him. Later, in the lunchroom, Rebadow is enjoying his lunch when all of a sudden, your token lunchroom bully walks up and demands his pie. Rebadow says no. Bully says if Rebadow doesn't give up the pie, he'll break his old ass in two. Rebadow says, "Okay." And he delivers the pie right to Bully's face. Everyone in the lunchroom cheers, but Busmalis looks on disapprovingly.
Cut to Keller entering the love-pod to give Beecher an orange he swiped from lunch. Beecher is sitting up in his bed staring at a spot just below his knees. Keller puts the orange in Beecher's hand, and Beecher squeezes it until it squirts and throws it against the window. Hill, outside at a table, says, "Nothing like fresh-squeezed orange juice." Busmalis, at the same table, laments that sharing a cell is like being married and how Rebadow has changed, and after a certain age, people shouldn't change. He clams up toot sweet when Rebadow walks by without so much as a sidelong glance. Rebadow goes to see Morales and reminds him of their deal. He killed Hernandez so he gets to collect a favor from Morales. Morales agrees, and asks what he wants. Rebadow wants to kill someone else. Morales regards all four of Rebadow's heads as Busmalis peeks in the window.
Beecher. He's dreaming of his two children waving bloody stumps. It's a wee bit contrived. He cries in his sleep, and we pan down to Keller looking equal parts concerned and annoyed. day, Keller is speaking to Father Mukada about Sister Pete's seemingly blasé attitude towards Beecher's situation and concludes that it must have to do with him. Father Mukada: "Shocking as it may seem, not everything on the planet has to do with you." Word. Word! We cut to Sister Pete and Mukada. Keller is right -- it is about him! Pete feels the façade she's been operating behind during her whole "questioning her faith" period will crumble if she looks Beecher in the eye, and that would be worse than being no help to him. Uh. Okay.
Switch to Gen Pop. Schillinger stands looking in the mirror while pulling on his right eyelid. His cellmate -- whose name escapes me, so we'll just call him "Snoops," because he reminds me of Madame Medusa's henchman in The Rescuers -- reports to Schillinger that Beech hasn't left his pod in three days and does nothing except sob. Snoops calls him a wuss. Snoops is an ass. Schillinger: "The truly elegant part of this plan of mine is that we don't physically touch Beecher but the damage done is far more hideous." He walks to the front of his cell: "Time to put three and four into motion." Then we see Schillinger on the phone with Hank. "Time to drop off the package."
Father Mukada with Mr. Beecher. Enter Beecher with hands stuffed in his sweatshirt pockets. "Take a seat, Toby." Beecher cuts his dad off. "I know what this is about, Dad. The FBI found Gary?" "Yes." "Gary's body...? He's dead." Beecher continues, "I knew it. I knew it when I heard about the hand." He asks about Holly, but there's no word yet. "I'd like to go to Gary's funeral -- like to bury him to his mother so I can see the graves I've dug lined up right to the other." Yeesh! His father hugs him, sobbing. Beecher looks at him and tells him he has no tears left. After gazing at his Dad numbly, Beecher leaves the room. More tears from the head vampire. Mukada lights up.
Beecher and Keller's pod. Beecher in front of the mirror, adjusting his tie. "I've wanted to ask you something, Chris, but I wasn't sure if I wanted the answer." Keller waits. "Was I the first man?" Keller snickers before the last word even makes its way out of Beecher's mouth. Beecher, without emotion: "I guess that answers my question." "No, no." Keller knits his brow and starts fidgeting with Beecher's tie. "I just think this is a weird conversation to be having before you go to your son's funeral." Beecher continues, "The FBI says you're responsible for a series of homosexual murders." Keller starts to protest, but Beecher plods on wearily to his point: "I just need to know whether you have ever felt this way with a man." Keller assures him, rather genuinely, that he has never felt the way he feels with Beecher. Awww. It's actually a very believable scene between the two. Beecher ain't buyin' it, though. "You're lying." And he's out of the pod. Cut to Beecher in the room with his son's coffin. He kneels in front of it and places his hands over the top. As he rests his head on top of it, he says, "Sweet dreams, baby."
Mukada in a room. Schillinger is shown in. Mukada cuts right to the chase. He tells Schills about Shirley's "code" and that he knows it's Schillinger who fathered her child. Schillinger, of course, denies all charges with a completely straight face, and even goes as far as to say he would have loved to schtup Shirley. God, I miss her. Mukada: "I don't know you or what you're capable of -- I know your reputation, but I find it hard to believe you could cut the hand off a small child." Schillinger calmly denies having anything to do with Gary's death. Mukada tells Schillinger that Beecher is the one who found Hank. Schillinger tells Mukada that he knows, and that it was obviously to get back at him. Mukada vehemently denies this malarkey and shares the very special news that Beecher was attempting to make things right with Schillinger. Vern absorbs this as only Vern can as Mukada implores, "If you have any decency inside you...if you have a soul." Eh? What are you, new? He has no soul! Schillinger exits without a word.
Cut back to the lunchroom. Beecher is with Les, who has information about the kidnapper. After extorting his daughter's dental repairs from Beecher in exchange for the info, Les tells Beecher that Keller hired the kidnapper. Cut to Beecher with an FBI agent, discussing Keller and how he kills for sport. Later, we see the agent in an interrogation room with Keller, asking him about the homosexual murders that occurred before Keller was inslammerated. He questions Keller's sexual preference, since he frequented the same gay bars as the victims. Keller says that fact doesn't make him a killer any more than it makes him gay. He didn't say "gay," but I'm trying to be PC here, people! The agent says, "And yet, you are gay." Keller, "Hee heeeee." They then discuss the bumpy relationship of Keller and Beecher and who gives what to whom. The agent gets to the point and asks about Gary. Keller looks appalled and says, "You must be joking, why would I want to kill Toby's son?" Agent guy leans over and leers, "Now, when have you ever known the FBI to joke?"
Lights out in Em City; Beecher lying in his bunk while Keller brushes his teeth. Beecher with a stony expression. Keller looks at him and asks if he's okay since he's been a little "quiet" all evening. Beecher says, "Let me ask you something, what should I do if I ever find out who killed Gary?" Keller, "Whack 'em. I'll help you." And with that, Keller takes off his shirt and turns around as Beecher pulls a knife and flies off of the bunk, attacking Keller. They struggle, Beecher screaming, "You murdered my son!" The guards bust in and break it up, and as they drag them outside, the two of them go at it again (no, not like that) while all the inmates beat on their pod walls in excitement. Later, we see Les ask Schillinger and Snoops for his payment. Snoops asks Les if his kid's really got rotten teeth.
Hill, with a model of a brain and dressed like a doctor. He pokes around inside the brain, and the gist of his point is that evil is embedded within said evil person.
Schillinger on the payphone. "Hello, Hank? Drop off the other package at the grandparents' house." Pause. "No...alive."