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Tomorrow is D-day -- the day we catch up to our flashforwards! But today in FlashForwardland, lots happens. Let's break it down by character.
Simon's plot: Lita -- the lady who recruited Janis -- makes Simon an offer he can't refuse: something that involves black lingerie and a tattoo that's very similar to one of Dyson Frost's favorite illustrations. Simon has a counter-offer: He wants to deal with the head of the vast cabal directly. And when he does, he uses his big brain to point out that they need him, and that there's nothing else they can threaten him with to get him to help them out. Of course, he's also been outed as Suspect Zero, so it's not like he has a plethora of options.
Demetri's plot: Zoey wants him to take off for Hawaii. Demetri's all, "Have you forgotten that I work for the FBI and have lots of obligations to my country's security?" Zoey's response is: "I will make you take the middle seat if you keep on giving me lip." And if Janis blowing him off (see below) isn't bad enough, Demetri also gets the full Gabriel experience, wherein the poor savant points at him and bellows, "He has to die to make everything all right." When Demetri tries to follow up with him later, Gabriel tells him that no matter what path he takes, he'll end up where he's supposed to be. That's cold comfort.
Gabriel's plot: Olivia brings him into the office to check out Mark's collage, and Gabriel informs Mark that a lot of it is wrong. He also calls Olivia "Olivia Simcoe," much to Mark's dismay. Anyway, because he is such an idiosyncratic character, it's necessary for Olivia to stick around for Gabriel's debriefing. This provides ample opportunity for Mark to stalk his wife around the office and catch her making eyes at Lloyd. In one of the most redeeming moments Mark has, he asks Gabriel if Olivia will be happy and safe with Lloyd, and when Gabriel tells him yes, Mark seems to understand what has to happen.
Janis's plot: She protests to Agent Vogel that she doesn't want to kill Mark, but he tells her that she really has no choice, or else she'll botch the whole double-agent thing and wreck his pending investigation. As part of her comprehensive burning-all-my-bridges plan, Janis also tells Demetri, "Hey, thanks for the sperm donation, but I plan on shutting you out of my kid's life." Then she goes to hang out with Carleen, and gives up Gabriel in order to stall on killing Mark and/or getting killed herself. Or does she? because when the baddies waylay the van Janis specified, it turns out that Mark is the decoy for Gabriel, and he gets the henchpeople to lead him to the big man in charge. And once Mark gets back, he confronts Janis over her shady work for the CIA, and she admits that she's got orders to kill him. Then she tries to come clean with Demetri about everything, but he is not exactly thrilled to be in on the secret. Her bad day comes to a close with Simon breaking into her house and holding a gun on her as his way of asking for help.
And finally: Aaron delivers the goods on Jericho to Wedeck, who lets the president know what he found. He also asks, "Have you ever asked your vice president what she saw?" The president blows him off with chilly politeness and Wedeck passes the photos on to the vice president. Also, Aaron finds Tracy and, thanks to the time difference between L.A. and Kandahar, it's already D-day where he is -- and his flashforward is coming up exactly as he foresaw.
Want more? The full recap starts right below!In an amusing twist on the usual opening, we go straight to the FBI office, where Wedeck tells his remaining live agents, "On October 6th, the planet blacked out for two minutes and 17 seconds, and the whole world saw the future." But wait! There's more! Wedeck continues, "Some of us were alarmed by what we saw. Others were elated, and rejoiced. Still others saw nothing at all. They were left confused, concerned and otherwise uncertain. But that uncertainty will soon be resolved. Tomorrow is D-Day -- the day we catch up to the flashforwards. Our future both as individuals and as a collective is upon us. This building may very well come under attack tomorrow night. But we will not back down. We are the FBI, and we are open for business." But only between the federally-mandated hours of 7:30 a.m. to 4:30 p.m., all federal holidays exempted, and good luck finding someone between Christmas and New Year's when everyone is burning off their mandatory leave days.
Anyway, everyone's on maximum alert, there are extra sniper teams in place, and Vogel looks frankly skeptical that any of this will mean jack and/or squat tomorrow. Fortunately, everyone else is too happily wrapped in the hypnotic effects of Wedeck's ringing exhortations to notice.
And once the U.S. government version of the St. Crispin's Day speech is delivered, Wedeck is on Mark like a Kardashian on the paparazzi, demanding updates on Simon (still missing). Oh, wait! Breaking news! A local TV station is broadcasting footage of Suspect Zero (Simon), except this security-camera footage is taken from a completely different angle. Wedeck wants to know where this footage came from; Mark counters that a better question might be, "Why now?"
Meanwhile, Simon's at a bar, practicing the phrase "My name is David Walker" over and over in an American accent. He's wearing a black fedora and eyeglasses in an effort to look like anyone other than Simon Campos. He underestimates how distinctive his face is. Anyway, who should slink into his bar booth but Lita, the woman who recruited Janis into the shadowy cabal of people bent on wrecking the planet's comprehensive spoiler policy. She grabs his glasses and purrs, "You have such a cute face, Simon. Don't hide it." Then some leaden badinage follows -- truly, the art of the double entendre, or even the single entendre, has deteriorated -- and it works because the two of them decamp to go drink in a different bar.
Then it's back to the FBI, where Demetri is striding purposefully around the building in a mid-morning cardio break and talking on the phone to the local news director in order to find out who leaked that Suspect Zero footage. As he heads to his individual pen in the cubicle farm, a grinning Zoey is waiting for him. You can practically smell the smoke as Demetri struggles to switch gears. "Is something going on?" Zoey inquires, apparently oblivious to the nature of special-agenting on TV, and Demetri is like, "I ... can't even have this conversation with you so let's pretend you didn't ask about work and skip ahead to 'What are you doing here?'" Zoey's there because she wants to ask Demetri a favor: "Take tomorrow off." Demetri looks at her all, "Woman, did you forget what tomorrow is? Did you forget what I do for a living?" Zoey argues that this is precisely why Demetri should take tomorrow off. Besides, the airfare to Hawaii is dirt-cheap, since people are afraid to fly on flashforward day. Zoey's all, "Let's go! Seize the day! Tomorrow belongs to me!" and Demetri delivers a reality check: "We can't just pretend I'm not connected to other people. You know what's supposed to happen to Mark, and there's Janis, and there's Wedeck --" Zoey cuts him off with "For once, baby, can this just be about you and me?" That is rich coming from the woman who commandeered an entire FBI bureau to prevent her fiancé's death. Zoey, I think there are probably cubicle drones listening in on this invented conflict who think their entire work life has been about you and Demetri. (Especially if any of those drones was responsible for writing the "Yeah, we're still on the lookout for Alda Hertzog" update.) Demetri actually rolls his eyes. Then Zoey whips out an old-fashioned airline ticket jacket with actual boarding passes -- so quaint! So much more photogenic than the wadded-up sheet of 8x11 paper most of us have thanks to the check-in-online thing! -- and pulls the "I'm going to be on this plane tomorrow, and I hope you are too" act, but her ultimatum is interrupted by duty calling (literally) on Demetri's phone. He stalks off to take the call and Zoey's left to stand there and wonder why she didn't maybe try persuading him at home, where there are far fewer distractions and far more opportunities to make your case while wearing some near-lethal lingerie.
In another part of the office, Wedeck is breaking the news to Mark that if he wants to talk to Gabriel McDow, he is going to have to put up with Olivia being there, as Olivia and Gabriel have some kind of connection. Wedeck tells Mark not to sit on any information regarding who's planning on attacking the office, then Mark heads in to find Gabriel critiquing the Mosaic Project collage he's got up on the wall. Mark comes in and tries to ease Gabriel away from the board, and Gabriel blurts, "You're Mark Benford and she's Olivia Simcoe, and I'm going to meet Stanford Wedeck and Janis Hawk when they walk through that door in about five minutes. Go back, go back to the drawing board --" Mark tries to get a word in edgewise, but it's tough. He eventually gets to ask Gabriel to look at his book, and when Gabriel shows Mark his rendering of the collage, Mark is very interested. "How did you draw this?" he asks. "With a pen," Gabriel immediately replies. In the background, Olivia snickers quietly. Gabriel continues muttering, and after Olivia composes herself, she says, "Gabriel was given multiple flashforwards, so he may have been here before." Gabriel corrects her with, "I was here." There's a poignant little digression about how Dyson Frost "told my mother he'd take care of me. He didn't say he'd take good care of me" and then Gabriel leans in and tells Mark confidentially, "I have a huge hippocampus. FYI." Mark turns to Olivia and says drily, "Thanks for bringing him in." "Glad I could help," she replies, completely missing the possibility that Mark was using sarcasm. When Olivia tries to leave so Mark can talk to Gabriel, there is a shouty meltdown on Gabriel's part, and Olivia finally realizes, "Maybe I should stay." "I think that's a good idea," Mark replies with an irritated attempt at a gentle smile. It's hard when your estranged wife is the Savant Whisperer.
Cut to some dive. Vogel is sitting at the bar drinking coffee, when Janis walks in and proceeds to melt down all over him. She wants out, the shadowy cabal has gone too far: "They want me to kill Mark." Vogel looks at her over the rim of his mug, clearly thinking, And this is an issue ... why? He finally tells her, "You can't say no." Janis is like, "I really don't think I can kill someone who's both an FBI agent and my friend," and Vogel calmly points out, "If you say no, they'll find someone else to kill him. And then they'll kill you. There is no coming in from the cold here, Agent Hawk. The only way out is to finish what we started." He then orders Janis to look at him so he can bat his eyes and tell her they're close. Janis frets, "They're getting antsy. And they're going to burn me if I don't give them something big." "Then give them something big," Vogel shrugs. He leaves the bar, presumably to give Janis her privacy as she sits and thinks about all the booze she can't have on account of her fetus.
And in the scene, Janis is back at work and discovering what a drag it is when your sperm donor turns out to live past his murder-by date. Demetri tells her he wants to be part of what's going on with her pending Little Mole, and Janis replies, "You don't have to do anything now. She's my responsibility now and that's fine." Demetri protests that he doesn't want to walk away, and Janis all but tells him to put on his Reebok EasyTones and begin moving in the opposite direction. Demetri sits down in his office wondering why both his fiancée and the mother of his child have to be so difficult.
(And can I come out and admit that I was kind of hoping Janis hadn't taken Demetri up on his initial offer? Since it was sort of ambiguous in Somalia, and then during their conversation in the cab, I figured it could go either way -- either it was "About that night when it turns out that we were unable to commit to the deed ..." or "About that night when we created the generation of FBI superagent ..." and I was kind of hoping Janis had somehow procured the necessary materiel from someone else in a sneaky way. Now I have to hope Zoey doesn't kill him when he breaks the news that he fathered Janis's child during his "I thought I was going to die" phase.)
On the other side of the office, Olivia and Mark have a very tense conversation about the security detail Mark's posting at the house the day. Olivia blusters about how strange it all is, and I think what she means is, "It's really going to be awkward for you around the office when these guys report back that I'm conducting naked experiments in friction and velocity with one of the physics field's leading lights."
Fortunately, this exchange is cut off by Mark going back into his office to discover that Gabriel has helpfully rearranged the Mosaic Project mural. Mark's not too happy, but he and Gabriel eventually come to a realization: Gabriel's version of the mural may actually help him tomorrow.
Meanwhile, half a world away: Aaron is in Afghanistan and he's taking tons of photos to prove that Jericho's up to serious shenanigans in the area.
And now -- zip! -- back to Los Angeles. We're at a crappy little hotel in the valley, and Lita and Simon have evidently parlayed their mutual superstition and afternoon cocktails in something a little more undressed and horizontal. Simon romantically proposes that Lita run away with him, only so he can get in the dig, "I would say Paris, but you messed that up when your people plastered my face all over the news." Lita, who is sporting a tattoo of a hydra -- a familiar illustration, as Dyson Frost was fond of it -- tells Simon not to get snippy with her. She's just the messenger for a guy named Hellinger -- this is the head of the shadowy cabal. Simon snipes that so far as he's concerned his balance sheet with Hellinger's organization is clean, and if Hellinger wants to deal with him, then he needs to stop sending lackeys like Ricky Jay and show up in person. Lita's all, "With only two more episodes to go, it makes no sense to drag out the mystery over who Hellinger is. So ... wish granted!" There's a knock at the door. Lita, who is wearing Simon's hat and therefore channeling some Off-off-off-off-Broadway version of a Chicago chorine, walks over to open the door and warns Simon, "One thing you should know: He's very charming. Until he's not." We see Tall, Blond and Aryan -- he looks familiar from the episode "The Garden of the Forking Paths." And he's about to have a drink with Simon. Maybe Simon's getting lucky twice in the afternoon?
Back at the FBI, Gabriel's looking over photos and confirming that the poor dead homeless guy Kent, Nhadra (remember her?) and he were all part of the Raven River experiments. Janis asks if all these people were connected by an experiment, and Mark says, "We can posit that Raven River was some kind of research and development, and Somalia was an alpha test for the global blackout on October 6." Vogel suggests, "Or October 6 was the beta test, and this is just the beginning." Mark and Wedeck gently ask Gabriel if he knows the date for the global blackout. He doesn't know -- but he can point everyone to "the big guy," and it's a picture of Hellinger. Everyone's very excited about this development and things are going swimmingly until Demetri comes in to ask Mark for a moment. This triggers a Gabriel freak-out, complete with whimpering and the attempt to hide inside his hoodie, and Gabriel stands up, pointing a shaky finger at Demetri and bellowing, "He's not supposed to be here right now. You died! You died! Very sad that day, but that's the way it has to go if things are going to work out right!" Cut to Vogel looking very thoughtful -- uh-oh -- and Demetri wondering how much worse his day can possibly get.
Meanwhile, Hellinger is busy making the kind of small talk that suggests when he's not busy trying to engineer radical global hops through space-time, he's watching CSI and shivering with delighted horror at all the scenes where Nicky breaks out the UV light in a hotel room. Both Simon and Lita look vaguely queasy at this, but patiently wait for the big man to get to the point. His point: "We're a day away from the 29th. It's time to come home." Simon succinctly replies, "Piss off." Hellinger asks Lita to go get some ice for those drinks, and once she's gone, he and Simon engage in a frank exchange of views. Hellinger's view is that Simon has no choice but to come and work for him; Simon's view is that "you need me. Otherwise, I wouldn't be here. I'm the only person that can calibrate the accelerator, and you know it." He grabs his coat, takes his hat off Lita's head, and waltzes out the door. We get a delightful shot of Hellinger glaring at Lita as if she's somehow responsible for this.
Another FBI shot, another cardio lap around the FBI office. This time, Mark and Demetri are discussing the multiverse, more or less, as Demetri frets he's not supposed to be alive. Mark admonishes him, "Don't go there." He's not sure the universe is pushing us toward one specific outcome, ergo Demetri's being alive is not throwing off the balance of the universe. Awww! Demetri notes, "After ten o'clock tomorrow night, we're going to have to go back to living the way we used to." Mark -- who is watching Olivia play on her crackberry as she sits to Gabriel -- nods. Demetri says brightly, "Gotta say, kind of looking forward to it." Mark's now thoroughly distracted, as Lloyd has just sauntered by and Olivia's dropped what she's doing so she can give him a big, gooey smile. Man, I'm all for Llolivia, but have some subtlety, woman!
Olivia makes small talk with Lloyd regarding how his progress is going sans Simon, and Lloyd admits he's having problems with the "decoherence equation." This triggers another round of Gabriel's recollection, and he says, "You do the numbers together, they have to be in the right order, and then you're both part of the equation. Both of you are part of the equation, yeah."
And in his office, Wedeck is busy looking at the photos Aaron's uploaded and bellowing into his phone, "This confirms Clemente's suspicions. This entire operation is not supposed to exist!" It turns out he's talking to Aaron, and even tells him, "You've done a great job." Aaron's all, "I'm sure I did, but now that you have what you want, I'm going after my daughter." Wedeck's like, "Can't you wait until I get the military there to back you up?" but Aaron has just spotted two thugs dragging an unconscious Tracy out to a truck, so he hangs up and begins prepping for Operation: Dad Kicks Some Ass.
Zip! -- we're back in Los Angeles, and in a laundromat with the delightful Carline. Not that I'm in the market for committing treason in the name of filthy, filthy lucre, but I sort of love Carline. Anyway, she's putting the pressure on Janis, who says, "You asked me to kill my friend, Carline, not bake a cake." Carline points out, "I didn't ask you to do anything. And when I point out that something needs to be done, you need to do it." It's just hit me: Carline reminds me of a less-funny version of Nessa from Gavin and Stacey (over on BBC America). Nessa's got the same bulletproof confidence and sangfroid. Truly, she is a role model for our times. ANYWAY, Carline points out that Janis is pretty much useless, and useless means dead, and the scene ends with Janis buying Carline's affections courtesy of giving up Gabriel's safehouse details.
Then she's back at the office, interrupting a conversation between Wedeck and Mark to try and arrange a safehouse for Gabriel in Asilomar. Sure enough, that's where they'll move Gabriel to "within the hour," and Janis helpfully points out, "McDow's going to blow a gasket if we separate him from Olivia." Wedeck deadpans to Mark, "I'll let you break the news." We then see Wedeck calmly pulling Olivia out of a conference room so Mark can do so.
What follows is a scene that more or less redeems Mark's value as a human being: He gently and respectfully asks Gabriel what he sees when he looks at the mosaic mural. "Loose ends," Gabriel murmurs. "I know the feeling," Mark says. Then: "I need to ask you something. You called -- you said, 'Olivia Simcoe.' And I need to know, is that how it all turns out?" Gabriel says a little sadly, "That's what I see. I see -- I see so many things come true. And I've been waiting a long time." Mark asks, "Is she going to be okay? Will she be safe?" Gabriel turns and looks at him, and it's almost like Gabriel has realized how much this hurts Mark. He says, softly, "Yes." Mark nods sadly in response.
In the cool, cool, cool of an Afghani night, Operation: Dad Kicks Some Ass commences. Aaron manages to shoot the people who were just about to dig Tracy's shallow grave, and
his handy little friend is, "Perhaps we all need to am-scray before the rest of Jericho comes tumbling down upon us?" So they do.
And -- zip! -- on the other side of the world, Wedeck is looking at the Jericho pictures and suffering a small crisis of conscience. He picks up the phone and calls the president. President Dave is not really taking the conversation seriously -- not the words "Joshua Base," not Wedeck's statement that he'll turn the photos over to Clemente -- until Wedeck says, "Have you ever asked your vice president what she saw happening tomorrow?" Dave finally takes it seriously: "I always knew this call was coming. I didn't know it would come from you." *Click.* Wedeck stares at the phone a moment, then dials Vice President Clemente.
Over in a conference room, we see that Gabriel's been fitted with a bulletproof vest. All the regulars, plus some extras, are all preparing to transport him to the Asilomar safehouse. The minute they're out the door, Janis stalks across the office, heads into the bathroom, and makes a call to someone, wherein she spills what are presumably all the relevant details of Gabriel's transport. Then we see her stare into the bathroom mirror, her hand over her stomach as she goes through whatever crisis of conscience she's having. I'd have more sympathy, but ... no. Sorry. I still think she kicks ass and all, but this is the game she chose to play.
Demetri and Vreede are busy driving along a conveniently not-very-well-trafficked route -- a hooded character in the back with two SWAT agents -- when they are suddenly trapped between a truck and a black SUV. The bullets begin flying, the two guys in the SUV come over to the van, and -- surprise! It turns out it was MARK dressed as Gabriel, and this was all just a clever ruse to grab the guys and go meet "the big guy."
In the cool, cool, cool of an Afghani night, even the hardened Afghani freedom fighters, who have endured no small share of suffering and privation since we declared war nine years ago, are really not up to the torture of Aaron yammering on about what he saw in his flashforward.
And now, we find out that Hellinger is a real hands-on head of shadowy time-tripping cabals, because he's there to meet the SUV conveying "Gabriel McDow" personally. And Mark's ruse sort of works, if it weren't for an agent subtly shaking his head as Mark gets closer to Hellinger. The "big guy" immediately sprints for the airy workspace where all the cabal's computer geeks are, and shouts for them to "burn it all." A bazillion SWAT agents descend on the place, but they are no match for the speed with which a computer's hard drive can be deleted. Oh no! Petabytes of incriminating evidence have vanished into the ether! But as a consolation prize, Mark does get Hellinger.
We then zip to Simon lurking in a basement and fondling the QED like a modern-day Smeagol.
That night, in the FBI parkling lot, Janis is putting the cap on a very long and nerve-wracking day by preparing to get in her car. Too bad for her that Mark slams the door shut. He snarls, "Who do you work for?" Janis, feigning outrage: "What?" Mark: "You're not FBI, so who signs your paychecks?" Janis looks around as if to see whether anyone else can hear Mark's very loud line of inquiry (answer: no), then concedes, "CIA. I got recruited when I was at Quantico. How did you know?" Mark tells her, "I got suspicious when you sold out Marcie as the mole. The meetings with Vogel ... the fish store, where I assume you're meeting your contact. But it was the Hellinger sting that confirmed everything."
We flash back to that: Wedeck is telling Mark, "Your assignment today goes beyond being McDow's decoy." Vogel jumps in, "Intel says they're planning to kidnap McDow en route to the safehouse ..." "So it's our best chance to capture someone of value," Janis says. Mark asks Janis, "Based on what intel?" Vogel deflects, "There's a lot of chatter," a line that Mark promptly calls out as bullshit. He notices Janis looking all uncomfortable, and realizes she's the source of the intel.
Back in the now, Mark asks Janis what possessed her to blow her cover today, and she says flatly, "Because they wanted me to kill you, Mark. I told them I would." Mark absorbs that body blow, and says only, "A lot of people are going to be wondering who you really are." Janis mutters, "I did what I had to." Getting angry now, Benford says, "'A sacrifice for the greater good.' I've tried that line. It doesn't work. Looks good on a plaque, though." Janis doesn't really appreciate Mark getting all judge-y on her right now, and points out, "I've been living in between two separate lives in this tiny space where nothing ever happens." Except Carline's frequent death threats and unnatural (for her) sex acts with Demetri. Don't those count? Anyway, we find out that Janis is very lonely, and clinging to "I was doing my job" as a defense. Mark is in a hell of a mood, so he punctures holes in that by pointing out that Janis's real job has been to lie, she's been very good at it, and from now on, that is all anyone will see. He warns, "You're on the outside now. If you sacrifice everything, be prepared to walk alone." Janis asks, "You're walking right beside me. You're about to lose your family. Is it worth it to you?" Mark replies, "I don't ask that question. Too much at stake." He stalks off, but not before agreeing to let Janis tell Demetri herself.
Cut to Janis doing exactly that. He is not exactly cool with it all, and asks -- understandably -- where she sees the pregnancy in all this. Janis then becomes the first spy in TV history to use the mommy track as her strategy for coming in out of the cold. She then non-apologizes with, "You're my friend, and I should have done better by you, but this baby is the most important thing to ever happen to me." Demetri points out that it didn't just happen to Janis; he's got a stake too: "Every little decision you make leads to something else, and now we're all connected. You, and me, and Zoey --" "No, we're not! There's me and my baby, and then there's you and Zoey. Don't let this situation ruin your life. You don't need to be part of the mess I made." Demetri's face crumples for a moment before he composes himself and says, "I already am." Then he stalks off. You know, if I were Janis, I'd be a little nervous about coming into work the day; once Vogel finds out that Mark and Demetri are on to Janis, he's not going to be happy.
We then go to Gabriel watching cartoons in his safehouse. Demetri comes in and asks if he can sit down. They bond over the cartoon -- Dr. Ramjet and Dr. Evilkisser -- and Demetri asks, "In all the futures you saw, was I in any of them?" Gabriel blithely says, "No, you died. It was sad. Very sad." Demetri nods, then asks, "What do you think happens when the future you saw changes?" Gabriel, munching popcorn, explains, "That's not possible. It's like trying to find a different path. You wind up in the same place, always, always. Like fate. Fate! Like Lloyd and Olivia. Everyone is ending up where they're supposed to be." Gabriel steals a nervous glimpse of Demetri's face and says, "Even you." I feel so bad for poor Demetri. Imagine being told, repeatedly, that the universe wants to off you. It is enough to give a man a complex.
As if we needed confirmation that apparently, fate will happen no matter how hard we fight against it, we're back in Afghanistan, and Aaron walks into the exact circumstances he saw in his flashforward.
And then -- zip! -- we're back in Los Angeles. Janis is entering her darkened apartment (only the fish tank is alight, in a nice nod to her cover) and her bad day is STILL not over, because guess who's waiting for her? It's Simon. And he's got a gun. The very last words of the episode: "I need your help."
Lisa Schmeiser needs help too, but she would prefer it to be of the dark chocolate variety. Follow her on Twitter at lschmeiser.
See what made the cut in this list of TV's 50 most shocking moments ever.
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