Episode Report Card Erin: A | 1 USERS: B YOU GRADE IT Daddies with glass tables shouldn't throw daughters.
By Erin | Season 5 | Episode 13 | Aired on 05.02.2006
Zurich. Élodie and her long blonde wig enter Koller's building and the guard at the desk informs Koller that she's there. She gets on the horn to Getty and tells him that security is out, and he says he just needs her to buy him a few more minutes. Koller greets Élodie happily and she enters his pad. They make small talk as Getty paints a big red square on the wall outside. For a minute, I wondered if he was going to knock three times and enter the land of the dead. Koller gets comfortable on the sofa as Élodie tells him to keep his shirt on because they're leaving. Koller's like, whuh? Élodie says they need to find Anna Espinosa and he's going to help them. Koller is all, huh and whuh? And then he says his guards will kill her and she says not to worry -- they're not leaving via the front door. Getty sticks a charge on the red square and it blows a hole clean through the building. He busts through and Koller calls Élodie a bitch. So she knocks him out cold. "I hate that word," she quips. "I'll remember that," retorts Getty. Heh.
Meanwhile, Jack and Nadia are racing toward Sloane's meet in Jack's new Ford Hybrid. Jack deadpans that the quiet car comes in handy sometimes. Jack tells Nadia that regardless of what they find, he believes that Sloane's feelings for her are genuine. "Sloane's...not the only family you have, you know," Jack says. "Thank you," says Nadia softly. They pull up outside a storage unit where Sloane parks his car. Nadia immediately gets out and runs up to get a closer look. She watches as Sloane removes a large suitcase from a box and takes it to his car. The guy he met closes the door and enters a code into the keypad outside. Then he and Sloane drive off.
Nadia runs over and immediately starts entering the code. Jack asks what the two men were saying and Nadia says she couldn’t really hear anything. She gets the door open and they go inside. Nadia starts looking in the same boxes from which Sloane removed the case. She finds a collection of her clothes. Jack surmises that Sloane was getting the clothing for her. They go on to find boxes full of files that make it look like Sloane actually WAS trying to find a cure for Nadia in Barcelona. "It appears that I've misjudged your father," says Jack. Nadia looks sad.
Torture Room of Whiny Art Historians. Koller's strung up to a fence as he shrieks for help. "You done yet?" asks Getty. Heh. Élodie says they want info on Anna Espinosa. Koller says he can't help them. Élodie holds a knife to his throat while Getty tries to talk some sense into the man. Koller spills that he has a meet set for tomorrow in Ghana with SydAnna and that the Page 47 he was working on is a fake. Getty gets on the phone to tell Syd and she decides that they should keep the meet with SydAnna so that they can use Koller as bait. Getty wonders where the real Page 47 is, and we switch to Sloane, who opens up the case he took from the storage facility. He removes a fake panel at the bottom of the case and there's the real Page 47. Looks like his little "obsession" with all things Rambaldi isn't really over, huh?